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Accept

With their brutal, simple riffs and aggressive, fast tempos, Accept were one of the top metal bands of the early '80s, and a major influence on the development of thrash. Led by the unique vocal stylings of screeching banshee Udo Dirkschneider, the band forged an instantly recognizable sound and was notorious as one of the decade's fiercest live acts. Despite recording two of the best heavy metal albums of the decade in Restless & Wild and Balls to the Wall, Accept remained too heavy and extreme for American audiences to embrace -- even when they tried to tone down their act with more melodic songs. Ultimately having conquered the rest of the world, but with their career stalled in the U.S., Accept fell apart, but reunited years later to confront a radically changed music marketplace.

Vocalist Udo Dirkschneider formed Accept in his hometown of Solingen, Germany, in the early '70s, but it wasn't until quite a few years later that the band settled on a somewhat stable lineup, including guitarists Wolf Hoffman and Gerhard Wahl, bassist Peter Baltes, and drummer Frank Friedrich. A well-received performance at the Rock Amrhein Festival in 1976 brought them national attention, and they finally obtained a recording contract after replacing Wahl with guitarist Jörg Fischer two years later. Issued in 1979, their eponymous debut was badly produced, featured mostly subpar songwriting, and did absolutely nothing for the group. But with the arrival of new drummer Stefan Kaufmann prior to 1980's much-improved I'm a Rebel, Accept had the final ingredient they were looking for, and their popularity began growing by leaps and bounds.

Released in 1981, the even more accomplished Breaker was engineered by Michael Wagener (who would go on to produce such major hard rock acts as Mötley Crüe, Alice Cooper, and Ozzy Osbourne, among others) and continued to develop Accept's trademark sound, featuring the massive crunch and tight precision of Hoffman and Fischer's guitars laying the foundation for Dirkschneider's inimitable shriek -- akin to Bon Scott on helium. They also signed a worldwide deal with CBS Records subsidiary Portrait, and secured professional management from Gaby Hauke, who, under the Deaffy pseudonym, would help the bandmembers write most of their English lyrics from this point forward. Despite Fischer's sudden departure after a successful European tour supporting Judas Priest, the band was now poised to conquer Europe with its powerful Teutonic heavy metal.

All the elements were falling into place, and with the release of 1982's Restless & Wild, Accept finally stamped their passports to stardom. A heavy metal milestone, the album broke the band's career wide open, established its signature sound for years to come, and in the incredible "Fast as a Shark," featured possibly the first true thrash metal song ever recorded. Guitarist Hermann Frank was brought in for the ensuing tour, which, thanks to their ferocious live shows (including choreographed headbanging stage antics), turned Accept into true stars all across Europe and the U.K. Released in 1983, the equally revered Balls to the Wall was an even greater commercial triumph, and qualified as one of the most obsessive, sexually explicit albums of all time. Led by the controversial title track, it broke Accept worldwide and earned them their first magazine headlines in America. Fischer was invited back into the fold at this time, and Accept embarked on a yearlong world tour that took them as far as Japan and culminated in a triumphant appearance at the 1984 Castle Donington Monster of Rock Festival.

With America now looming in their sights, Accept decided to hire producer Dieter Dierks (of Scorpions fame) to give 1985's Metal Heart a more commercial edge and extra sense of melody. Also with U.S. audiences in mind, they abandoned the hedonistic fetishes of releases past in favor of a much lighter sexual tone and typical heavy metal subject matter like the title track's apocalyptic vision. The results were mixed, for while the album certainly helped to further their cause in the States -- where they embarked upon a very successful tour sharing a double bill with Swiss hard rockers Krokus -- it tarnished their reputation among some of their loyal following back home. A live EP recorded in Japan entitled Kaizoku-Ban kicked off the new year, as the band prepared to begin work on its seventh album, Russian Roulette, again with Michael Wagener at the controls. A somewhat rushed, halfhearted attempt to backtrack into more aggressive metal territory, the album led to a serious splintering within the group, and after headlining a sold-out European tour with Dokken in support, Accept announced that they were taking an open-ended break so that Dirkschneider could record a solo project.

Simply called U.D.O., the singer's first album, Animal House, was actually written and performed by his former bandmates. But when U.D.O. released a second album, Mean Machine, in 1988, backed by a new band, the remaining members of Accept (Fischer had left once again) began trying out new vocalists, eventually settling on American David Reece for 1989's Eat the Heat. A lightweight metal album, it bore little resemblance to classic Accept, and the band's subsequent U.S. tour (with second guitarist Jim Stacy) was first interrupted when Kaufmann suffered a back injury (he was replaced by House of Lords' Ken Mary), then cut short due to poor ticket sales and increasing personality differences with Reece. The group eventually disbanded and, except for the release of 1990's Staying a Life (a live album featuring the original lineup in its prime), nothing was heard of Accept for the next three years.

To everyone's surprise, Dirkschneider, Hoffman, Baltes, and Kaufmann eventually reconvened in 1992 to record Objection Overruled, which fared relatively well in Europe but didn't even dent the alternative rock-dominated U.S. market. The band continued to tour Europe and recorded sporadically over the next few years, releasing Death Row in 1994 and Predator (featuring Damn Yankees drummer Michael Cartellone) in 1996. Their final world tour included swings through North and South America and concluded with a number of sold-out engagements in Japan, after which Accept officially called it a day until, 14 years later, they came out of retirement to release their 12th studio album, Blood of Nations, in 2010. Stalingrad: Brothers in Death followed two years later, and the bands fourteenth album, Blind Rage, arrived in 2014.. ~ Eduardo Rivadavia, Rovi
full bio

Selected Discography

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Track List: Stampede (Single)

Comments

Yeah crack a cold one
Just listen to Breaker,Rest l e s s And Wild, Balls To the Wall and Metal Heart in their entirety. Oh! My! God!
Accept is gota be one of the badest metal bands around in three years they came out with 3new albums awsome.love there fucken music..wolf id a fucken badass!!!
Hey pandora play some hellfire!!!"
Accept is aways gona be my second favorite band there style dont change ..fucken keep rocken accept and blind rage is fucken awsome...tha x guys
Their new one Blind Rage is awesome.! Mark Tornillo former TT Quick member is back for his 3 outing. No one can replace Udo but he's come into his own and really does a great job.
U know I will by it rwurzbach. .lol..Turn Me On is another great song. They rocked out on stage in 83
I always thought this was AC/DC
Awsome!!!!Ro c k e n . . .
First single from Blind Rage called Stampede. Sounds awesome!
Pleasr turn me on ...turn me on...yeah!!!
The intro to Fast As A Shark is a traditional German children's song.
Yeah!!im living for tonight.
Cant wait for new accept.rock on!!
August 15 2014 Blind Rage. New Accept album. Buy it!
Awesome
Accept this.....MET A L RULZ!
Awsome song...one of my favorites from accept..rock s .
Restless and Wild.
nicko252008
100% liquid METAL (in it's purest form)
Kk;-);-);-); - ) ; - ) ; - ) ; - ) ; - ) ; - ) ; - )
Go to www.metalall s t a r s . c o m to find Udo still playing shows in Europe.
The title track features Tchiakovsky ' s Slavonic March and Beethovens Fur Elise.
Does anybody know what happen to udo?
Udo fucken rocks...grea t voice!!!
Very underrated
Accept is CRAZY!!!! They can Jam!!! Luv all there music. "Turn me on" Bad A** Song. Listen 2 that guitar.
Balls To The Wall is such a great album. Big sound. Really tight.
Midnight Mover is a killer song although video makes me dizzy.
HELL YES!!!!! \m/
bobonnit... geddy is gay
I just met a guy in a pub in charleston,s c . said he was bass player for accept. whats his name? too many bourbons
All the metal genres you'll need right here.
They stink. Sounds like a gay Geddy Lee on vocals and a bunch of 6th graders on instruments
Wolf Hoffman is my favorite guitarist. The reformed ACCEPT with Mark on vocals is amazing.
Wow. I flashed back to 8th grade, big time! I loved/love Balls To The Wall. Their best album, I think.
Russian roulette f**k yeaa Epic.
Pride of Solingen. Accept f**king rules.
Saw them in Frankfurt, Germany - 1980-82- they out did Def Leppard, & Judas Priest!
Where the hell is Blood of the Nations? Fail Pandora, fail
I saw them back in 83...Heavy Metal at it's finest
I knew Wolf and his wife Gaby for years when they lived in Vermont. Nice people.
love this s**t learend this riff on guitar UDO is as funny as he is HEAVY ......
hey if you like this follow me and you can hear all the greats
love balls to the wall
One of the best heavy metal releases of all time!
Accept is a definition of a true heavy metal !! Not like s**t they play on the radio now days !!!
nichepreneur
The original Accept line up with UDO will always be the best !
Winter Dreams was a very underrated song and the perfect closer to the Balls To The Wall album.
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