It is taking longer than expected to fetch the next song to play. The music should be playing soon. If you get tired of waiting, you can try reloading your browser.


Please check our Help page for information about troubleshooting Pandora on your browser.
Your Pandora One subscription will expire shortly.
close
Your Pandora One trial subscription will expire shortly. Upgrade to continue unlimited, ad-free listening.
You've listened to hours of Pandora this month. Consider upgrading to Pandora One.
Close
Hi . Pandora is using Facebook to personalize your experience. Learn MoreNo Thanks
-0:00
0:00
Change Skin

We created Pandora to put the Music Genome Project directly in your hands

It’s a new kind of radio –
stations that play only music you like

 
Create an account for free. Register
Now Playing
Music Feed
My Profile
Create a Station
People who also like this

A.L. Lloyd

A.L. Lloyd is probably not the name that comes to mind first when the subject of English folk music comes up -- at least not for anyone under the age of 40. As a singer, collector of folk songs, and arranger, however, Lloyd is one of the most important 20th century figures in English folk music, in many ways Britain's answer to the Weavers' Lee Hayes or Pete Seeger.

Born Albert Lancaster "Bert" Lloyd, A.L. Lloyd was the son of an East Anglian fisherman, born in London during the first decade of the 20th century. He learned numerous songs from his parents, especially his father, but didn't become actively interested in folk music until after he emigrated to Australia in the '20s, where he mostly made his living by "sheepminding" and collecting lots of bush ballads during the nine years he spent there. Lloyd subsequently went to sea and learned many more songs. He returned to England in 1935 with some 500 songs collected and a deep and abiding interest in folk songs. In 1937, he went to sea with a whaling fleet, sailing to Antarctica and learning more sea shanties along the way. After returning to England, he chanced to hear a program about unemployment in America, and suggested a similar program to the BBC, which led to his being employed as a scriptwriter and reporter.

In 1944, he published The Singing Englishman: An Introduction to Folk Song, the first serious volume on the folk songs of England in nearly 40 years. In 1947, Lloyd unexpectedly began a singing career when he won the National Folk Singing Contest. In 1952, he published his first collection of folk songs and ballads, Come All Ye Bold Miners, but continued to be deeply involved in radio as well, including the series Ballads and Blues, which included performances by Big Bill Broonzy, Alan Lomax, Jean Ritchie, and Ewan MacColl, and eventually to a longterm partnership with MacColl. Lloyd began his recording career during the 78 rpm era with "The Banks of the Condamine"/"Bold Jack Donahue" on the Topic label, but it was during the '50s, with albums recorded in collaboration with MacColl, in the Radio Ballads series, that he entered the long-playing era.

In 1956, Lloyd made a film appearance in the role of the shantyman, singing in the inn where Ishmael goes to sign aboard the Pequod in John Huston's 1956 film of Moby Dick. Lloyd concertized throughout England, and also made numerous appearances in radio and television, becoming one of the country's leading authorities on folk songs and folk dance. Lloyd also made field recordings throughout the '50s of native singers of Rumanian, Bulgarian, and Albanian folk songs, many of which were released on the Topic label. Most important of all, in terms of English song, he collaborated with composer Ralph Vaughan Williams (1872-1958) in the editing of The Penguin Book of English Folk Songs (published 1959), which became the best-selling reference book in the field (50,000 copies in print by the '80s).

During the early '60s, Lloyd became a mentor to the entire new generation of folksingers, recording for Topic with accompaniment by Martin Carthy, Dave Swarbrick, Anne Briggs, and Frankie Armstrong, even as his books provided Carthy and Swarbrick -- and their eventual colleagues in Fairport Convention and Steeleye Span -- with the core of their repertory. Carthy, in particular, built on Lloyd's work while crediting him fully and prominently. Lloyd's own recordings consisted of old drinking songs, sea shanties, labor songs, and the entire range of material he'd learned from Australia to Antarctica and back again.

Lloyd's work as a performer was dedicated to preserving the authentic performing traditions of the folk song in its native environment. His style of singing is rough-hewn and direct, and his use of language is uncensored and forceful, with none of the prettified adaptations typical of more pop-oriented recordings of folk songs and sea shanties. Some 40 years older than most of the folksingers who achieved popularity in the '60s, his music sounds as though it is of a different age from the work of, say, Martin Carthy, or Bob Dylan, or even Woody Guthrie, and worlds apart from the performances of Steeleye Span or Fairport Convention. ~ Bruce Eder, Rovi
full bio

Comments

We're sorry, but a browser plugin or firewall may be preventing Pandora from loading.

In order to use Pandora internet radio, please upgrade to a more current browser.

Please check our Help page for more information.

In order to use Pandora internet radio, please upgrade to a more current browser
or install a newer version of Flash (v.10 or later).

In order to use Pandora internet radio, please install Adobe Flash (v.10 or later).

[88, 88, 65, 109, 91, 86, 82, 86, 118, 127, 89, 110, 105, 124, 86, 107, 92, 110, 114, 99, 119, 85, 85, 81, 126, 67, 104, 123, 75, 79, 122, 69, 100, 92, 124, 103, 94, 68, 121, 80, 82, 107, 99, 126, 104, 93, 101, 92, 102, 127, 87, 111, 66, 105, 110, 112, 87, 80, 69, 82, 101, 74, 111, 70, 65, 117, 111, 81, 67, 89, 106, 106, 84, 65, 123, 96, 125, 73, 85, 85, 79, 70, 100, 79, 105, 95, 69, 79, 127, 67, 106, 89, 111, 118, 100, 124, 112, 80, 94, 109, 112, 71, 114, 72, 109, 86, 97, 119, 107, 70, 91, 98, 106, 99, 108, 84, 84, 98, 67, 78, 103, 92, 78, 67, 69, 92, 94, 103, 94, 92, 119, 94, 65, 109, 113, 116, 79, 87, 112, 116, 64, 70, 88, 68, 90, 75, 91, 95, 99, 99, 123, 113, 125, 117, 112, 95, 82, 91, 77, 96, 84, 80, 104, 94, 94, 106, 115, 75, 94, 124, 94, 92, 94, 74, 79, 107, 72, 104, 92, 64, 81, 85, 109, 126, 83, 121, 122, 124, 87, 75, 70, 64, 89, 105, 74, 120, 75, 68, 70, 90, 66, 77, 115, 88, 113, 79, 76, 95, 87, 74, 101, 84, 103, 124, 89, 86, 120, 122, 111, 106, 117, 67, 122, 76, 100, 88, 115, 97, 101, 107, 118, 118, 105, 78, 82, 105, 114, 112, 77, 105, 121, 81, 69, 92, 88, 119, 79, 88, 82, 64, 64, 105, 77, 91, 68, 115, 116, 107, 96, 76, 79, 80, 81, 118, 97, 122, 123, 98, 72, 87, 95, 113, 119, 97, 75, 91, 123, 99, 70, 125, 90, 120, 100, 119, 86, 80, 113, 71, 123, 95, 76, 98, 85, 91, 68, 117, 99, 107, 106, 73, 65, 90, 67, 99, 100, 87, 113, 105, 110, 111, 113, 127, 99, 90, 89, 76, 84, 108, 108, 85, 117, 116, 77, 110, 126, 112, 68, 112, 120, 77, 98, 126, 105, 114, 121, 118, 65, 74, 97, 76, 73, 87, 95, 125, 68, 111, 114, 113, 125, 71, 90, 113, 78, 104, 115, 118, 72, 85, 86, 103, 78, 125, 92, 72, 110, 86, 96, 77, 70, 65, 64, 72, 74, 69, 83, 101, 66, 87, 67, 78, 67, 82, 89, 98, 108, 116, 96, 65, 103, 103, 91, 103, 107, 116, 99, 103, 111, 113, 120, 115, 100, 67, 86, 118, 76, 91, 111, 89, 106, 94, 89, 77, 81, 116, 118, 66, 87, 109, 100, 74, 96, 116, 65, 77, 75, 94, 78, 82, 81, 64, 120, 107, 107, 81, 110, 78, 110, 105, 80, 98, 103, 94, 92, 111, 97, 121, 69, 67, 123, 108, 88, 108, 103, 95, 119, 112, 88, 68, 107, 114, 126, 71, 70, 103, 95, 64, 97, 124, 82, 65, 126, 90, 65, 115, 114, 127, 74, 81, 105, 93, 73, 84, 116, 102, 96, 106, 126, 78, 91, 84, 73, 76, 114, 114, 67, 70, 125, 124, 90, 102, 73, 69, 82, 94, 98, 106, 78, 117, 112, 91, 64, 106]