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Annie Gallup

Singer/songwriter Annie Gallup specializes in the contemporary folk genre. Hailing from Seattle, WA, Gallup taught herself how to play guitar as a teenager, influenced by the likes of Doc Watson, Mississippi John Hurt, and Dave Van Ronk, as she honed her fingerpicking playing style. She soon began penning her own compositions, equally influenced by musicians (Paul Simon), as well as authors (Margaret Atwood, Joan Didion), as she began performing locally in front of crowds in 1988. The first songs of Gallup's to appear on CD were on such multi-artist compilations as Whirled Records' Acoustic Sampler and Victory Music's A Victory for Kids in the early '90s. Beginning in 1994, Gallup issued full-length solo recordings on a regular basis, including 1994's Cause and Effect on her own label, Flying Hair, before signing with the 1-800 Prime label in New York, and issuing 1996's Backbone, 1998's Courage My Love, 1999's Steady Steady Yes, and 2001's Swerve. Gallup tours constantly (sometimes spending up to ten months on the road), and has received several songwriting awards over the years, including the Telluride Troubadour Contest (Telluride, CO, 1994), was a finalist at the Columbia Music Festival (Spokane, WA, 1992), and earned an honorable mention at the Napa Valley Music Festival (Napa, CA, 1993). ~ Greg Prato
full bio

Selected Discography

x

Track List: Half Of My Crime

1. 14 Days Of Rain

2. 1917

3. 3 Brothers

4. Avalon

5. The Contender

6. 3rd Person

7. I Rode The Train

8. Enough

9. Sugar

10. Field Of Flowers

11. Away From The Lights

12. Almost Forgive

13. Faithful

14. Free

x

Track List: Pearl Street

1. Down The Other Side

2. Thicker Than Water

3. Pearl Street

4. Skinny Arms

5. Grace

6. Jack

7. Betsi Went To Jersey

8. Lori's Long Legs

9. I Think About Richard

10. Tulsa

11. Down The Other Side (Reprise)

12. Intermission

13. Annie Interviews Annie

14. The Synopsis

Comments

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I'm not sure, but I think I'm in love with Annie Gallup...her music is just a riot and seriously engaging and imaginative. . .

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