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Aretha Franklin

Aretha Franklin is one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. Her astonishing run of late-'60s hits with Atlantic Records -- "Respect," "I Never Loved a Man," "Chain of Fools," "Baby I Love You," "I Say a Little Prayer," "Think," "The House That Jack Built," and several others -- earned her the title "Lady Soul," which she has worn uncontested ever since. Yet as much of an international institution as she's become, much of her work -- outside of her recordings for Atlantic in the late '60s and early '70s -- is erratic and only fitfully inspired, making discretion a necessity when collecting her records.

Franklin's roots in gospel ran extremely deep. With her sisters Carolyn and Erma (both of whom would also have recording careers), she sang at the Detroit church of her father, Reverend C.L. Franklin, while growing up in the 1950s. In fact, she made her first recordings as a gospel artist at the age of 14. It has also been reported that Motown was interested in signing Aretha back in the days when it was a tiny start-up. Ultimately, however, Franklin ended up with Columbia, to which she was signed by the renowned talent scout John Hammond.

Franklin would record for Columbia constantly throughout the first half of the '60s, notching occasional R&B hits (and one Top 40 single, "Rock-a-bye Your Baby with a Dixie Melody") but never truly breaking out as a star. The Columbia period continues to generate considerable controversy among critics, many of whom feel that Aretha's true aspirations were being blunted by pop-oriented material and production. In fact, there's a reasonable amount of fine items to be found on the Columbia sides, including the occasional song ("Lee Cross," "Soulville") where she belts out soul with real gusto. It's undeniably true, though, that her work at Columbia was considerably tamer than what was to follow, and suffered in general from a lack of direction and an apparent emphasis on trying to develop her as an all-around entertainer, rather than as an R&B/soul singer.

When Franklin left Columbia for Atlantic, producer Jerry Wexler was determined to bring out her most soulful, fiery traits. As part of that plan, he had her record her first single, "I Never Loved a Man (The Way I Love You)," at Muscle Shoals in Alabama with esteemed Southern R&B musicians. In fact, that was to be her only session actually at Muscle Shoals, but much of the remainder of her '60s work would be recorded with the Muscle Shoals Sound Rhythm Section, although the sessions would actually take place in New York City. The combination was one of those magic instances of musical alchemy in pop: the backup musicians provided a much grittier, soulful, and R&B-based accompaniment for Aretha's voice, which soared with a passion and intensity suggesting a spirit that had been allowed to fly loose for the first time.

In the late '60s, Franklin became one of the biggest international recording stars in all of pop. Many also saw Franklin as a symbol of black America itself, reflecting the increased confidence and pride of African-Americans in the decade of the civil rights movement and other triumphs for the black community. The chart statistics are impressive in and of themselves: ten Top Ten hits in a roughly 18-month span between early 1967 and late 1968, for instance, and a steady stream of solid mid- to large-size hits for the next five years after that. Her Atlantic albums were also huge sellers, and far more consistent artistically than those of most soul stars of the era. Franklin was able to maintain creative momentum, in part, because of her eclectic choice of material, which encompassed first-class originals and gospel, blues, pop, and rock covers, from the Beatles and Simon & Garfunkel to Sam Cooke and the Drifters. She was also a fine, forceful, and somewhat underrated keyboardist.

Franklin's commercial and artistic success was unabated in the early '70s, during which she landed more huge hits with "Spanish Harlem," "Bridge Over Troubled Water," and "Day Dreaming." She also produced two of her most respected, and earthiest, album releases with Live at Fillmore West and Amazing Grace. The latter, a 1972 double LP, was a reinvestigation of her gospel roots, recorded with James Cleveland and the Southern California Community Choir. Remarkably, it made the Top Ten, counting as one of the greatest gospel-pop crossover smashes of all time.

Franklin had a few more hits over the next few years -- "Angel" and the Stevie Wonder cover "Until You Come Back to Me" being the most notable. Her Atlantic contract ended at the end of the 1970s. She signed with the Clive Davis-guided Arista and scored number one R&B hits with "Jump to It," "Get It Right," and "Freeway of Love." Many of her successes were duets, or crafted with the assistance of contemporaries such as Luther Vandross and Narada Michael Walden. In 1986 Franklin released her follow-up to Who's Zoomin' Who?, the self-titled Aretha, which saw the single "I Knew You Were Waiting for Me," a duet with George Michael, hit the top of the charts. There was also another return to gospel in 1987 with One Lord, One Faith, One Baptism. Franklin shifted back to pop with 1989's Through the Storm, but it wasn't a commercial success, and neither was 1991's new jack swing-styled What You See Is What You Sweat.

Now solidly an iconic figure and acknowledged as one of the best singers of her generation no matter what her record sales were, Franklin contributed songs to several movie soundtracks in the next few years before releasing the R&B-based A Rose Is Still a Rose in 1998. So Damn Happy followed five years later in 2003 and again saw disappointing sales, but it did generate the Grammy-winning song "Wonderful." Franklin left Arista that same year and started her own label, Aretha's Records, two years later. A duets compilation, Jewels in the Crown: All-Star Duets with the Queen, was issued in 2007, followed by her first holiday album, 2008's This Christmas. The first release on her own label, A Woman Falling Out of Love, appeared in 2011. She signed to RCA and realigned with Clive Davis, who connected her with the likes of Babyface and OutKast's André 3000 for Sings the Great Diva Classics, for which she covered Gladys Knight, Barbra Streisand, and Adele, among others. Despite sometimes poor health, she continued to select new projects to work on; ever the institution, her reputation is secure as one of the best singers of the modern era. ~ Richie Unterberger & Steve Leggett, Rovi
full bio

Selected Discography

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Track List: Take A Look: Complete On Columbia

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Disc 6
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Disc 8
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Disc 11
Disc 12
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Track List: The Queen Of Soul

Disc 1
Disc 2
Disc 3
Disc 4
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Track List: Rolling In The Deep (The Aretha Version) (Single)

Comments

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Ain't no way! My favorite jam and to hear Cissy Houston's soaring vocals in the background? Beautiful!
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This woman is beautiful in so many ways!
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A beautiful Voice.
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U make feel like a good damn woman! ;)
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JEO her music is perfect. I love you Aretha. I thank Jesus for you.
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schandlor
Respect! Love her music
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Still. The queen of love,soul
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Seems like Muscle Shoals, Alabama got the jump soul - so much good music came out of there I think before Berry Gordy got it going w/Motown in Aretha's home town of Detroit.
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Love you Aretha. For the LOVE and you showed in singing and praising the Lord in song. GOD FOREVER BLESS YOU is my prayer.
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Till you come back to me that's all I'm gonna do
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Respect
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walksinwater 7
There's a reason why we made Mrs. Franklin our "Queen og Soul" you just need her to belt out "You Make Me Feel" and the reason why is clear, she's our Queen, and the rest the world too.
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She is a good singer! Im surprised. ��
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akcs9
A
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Aretha forever
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fabulous!
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citygalestcs t
A powerful voice....; am really surprised that she has such a low quantity of likes...
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goosebumps from this song right now!!!!
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Classic we've come a long way
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The way I love you, makes me a fool for you. I ain't never loved like I love.
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paulettecham p 5 0
Respect
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Love this song! Sing it Aretha! That year was a great one, had my daughter and that same daughter, has her own daughter now!
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Are we there yet...
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There are tears wept....for. . . . j o y !
Some tears,even shed saddness.
Tears has been...resul t , i n laughter.
Yet.
A good teacher.
Biblical scholarship.
Must possess. Natural glands.
Producing these earnest,non- f a k e . . . . . . . . . . . . .
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dragonlady60 8 8
U sing it aretha
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It Ain't Fair....yes The Queen of Soul ReRe
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One Queen and that is you Miss Lady
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Yes Respect the women. I respect them and would kiss them and heres some chaching go buy something sexy lol
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tamyla9
Amazing
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Yes indeed!
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chasmoore200 0
Must agree with all!! Hard not to love this
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Great Beautiful !!!!!!
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R E S P E C T :) !!!!!!!!!!
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Think
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R E S P E C T!
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NICE**** DR. FEELGOOD
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I love your voice since you have started to sing.
It is the "life force" to me
Love
:)
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https://db.t t / o u h x m G M 2

This is our album Henn & Goo$e.. check us out coach city boyz on you tube.!!!

Please post it to your Instagram, Facebook, and Twitter. You will be a believer after you listen to the album!
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Still loving Aretha after 30yrs jen
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Keep doing what u do girl 1-4-3=I love you. Your voice is an inspiration just keep doing what u do
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Aretha, you have all my respect.
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What a voice!
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I have always thought Aretha's version of Say A Little Prayer was the best version of this song ever.
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Love our queen of soul my favorite singer in the world love you ms Aretha franklin.
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msvglove1
Give you something about
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AWESOME!!!! Her voice amazing i love how she rocks her furs:)
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carrielinare s
im littler than 14 girl.Im 10 in 4 grade.Glad ya broke out of the chanes.
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This song makes me happy. ...
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Justin Thyme is spot on! Laughed out loud!
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ukugirl9000
hey I'm only 14 and I love this music
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