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David Satori was born in Burlington, VT, on June 6, 1979. He started playing guitar at the age of 12 after hearing his brother Michael pick up the instrument. At 17 he was playing with an experimental high-school garage band called Bubble Tribe while attending Burlington High School. His brother Mike played bass, he took up drums, and the lead instrument was an electric banjo played by a neighborhood virtuoso who was interested in exploring the odder sounds the instrument could make. When he was older, he picked up his grandfather's violin to learn Gypsy fiddle music as well as Indian and Middle Eastern styles. He discovered a connection between the music of North Africa and Mali, which fed his curiosity for world music.
After high school, Satori attended the California Institute of the Arts near Los Angeles and earned a B.A. in music performance and composition. There he was exposed to more world music, and during his last years at CIA he founded an experimental instrumental quartet called the Funnies. They toured in an "eco-bus" that ran on recycled vegetable oil, and they put out two albums, The Funnies and Masters of the Universe. In 2003, Satori moved to San Francisco to joined the ten-piece Afro-beat ensemble Aphrodesia. He toured the U.S. with them and was part of their epic trip to Nigeria, traveling West Africa in another eco-bus. The trip culminated in a performance at the New Shrine in Lagos, built by Femi Kuti, son of legendary Afro-beat progenitor Fela Kuti. Kuti sat in with the band and inspired its 2007 album, Lagos by Bus, which Satori produced.
In 2007, Satori was in L.A. again dating belly dancer Zoë Jakes. She introduced him to Miles Copeland, her boss at the Bellydance Superstars show. Satori produced the music for an instructional belly dance DVD by Rachel Brice. Copeland was impressed and asked about an album of modern belly dance music. Satori suggested a fusion of electronic experimental music and traditional belly dance tunes. Copeland gave him the green light and Beats Antique decamped to a recording studio to produce their first album, Tribal Derivations. Jakes knew Sidecar Tommy from the Yard Dogs Road Show, a traveling hippie circus, and brought him into the band.
Tommy Cappel was born in Fairfax, VA, in 1973. Both his parents were music teachers, so he grew up surrounded by music. His brother played drums to heavy metal records. Cappel was driven by the beat and eventually took over his brother's drum kit. By age six he was playing in a rock band with his friends, and in high school he picked up piano, percussion, marimba, and timpani. He added his father's jazz records to the collection of prog rock LPs he borrowed from his brother to expand his musical vocabulary. When he discovered the funky New Orleans rhythms of the Meters, he knew he was going to be a musician for the rest of his life.
In the '90s, Cappel attended the Berklee College of Music in Boston, aiming for a degree in studio drumming. He studied New Orleans jazz, bebop, modern jazz, and world music. One of his teachers was transcribing African and Arab drumming patterns to drum kit and Cappel lent a hand and learned much about non-jazz rhythm patterns. He started digging into hip-hop, Balkan music, Arab music, and Latin rhythms. After graduation he moved to New York and played in rock, jazz, reggae, and jam bands. He attended the free music jams at the Bell, a café in downtown Manhattan frequented by people like Karsh Kale and the members of Bill Laswell's gang. This led to experiments in combining live music with hip-hop and dub reggae effects. When a group of musicians he knew moved out to San Francisco, he joined them. In San Francisco he began producing hip-hop artists and electronic dance music. He joined the the Yard Dogs Road Show and hit it off with Jakes, who invited him to join Beats Antique.
Tribal Derivations was produced to complement Jakes' unique dance style, an innovative blend of traditional and tribal belly dance with tango, break dance, and Indian dance. On Collide, the trio stretched out in other directions. The San Francisco scene is a hotbed of cross-pollinating multicultural ensembles and the band ranged far and wide across North Africa and the Middle East for inspiration. Musicians from the Balkan punk band Brass Menazeri added delirious horn parts to complement a mélange of French Gypsy jazz violin, flamenco handclapping, Romanian wedding music, hip-hop, jazz, dub reggae, and more. They started laying down tracks for their next album in early 2009, and with a name like Beats Antique they're only limited by their imaginations. The band says that ragtime, Hawaiian, blues, and other archaic musics are all liable to find their way into future releases. ~ j. poet, Rovi