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Bert Kaempfert & His Orchestra

Bert Kaempfert had almost too much talent, ability, and good luck rolled into one career to be fully appreciated, even by his own chosen audience, the lovers of fine orchestral pop music. He was one of the most successful conductors, arrangers, and recording artists in the latter field, but was also a major producer and played a key (if indirect) role in the roots of the British beat boom of the early '60s, which evolved into the British Invasion of America in 1964. Berthold Kaempfert was born in Barmbek, a working-class section of Hamburg, Germany, in 1923. He was musically inclined as a boy, and found that interest indulged by an act of fate when he was six years old -- Kaempfert was injured in a car accident and his mother used the money from the settlement to buy him a piano. He became proficient at the keyboard, and also on the clarinet and saxophone, among other instruments. He studied at the Hamburg Conservatory and although he was interested in all facets of music, Kaempfert was particularly taken with American-style big-band music of the late '30s and early '40s -- his multi-instrumental skills made him a potentially valuable commodity, and he was recruited into a pop orchestra run by Hans Bussch while in his teens, but was later drafted and served as a bandsman in the German navy, before being captured and interned as an Allied prisoner.

He founded a band of his own and later toured American military installations in Germany, at last able to play his favorite kind of music. Returning to his native Hamburg, he began performing on British Forces Network radio and writing compositions, initially using the alias of Mark Bones. Kaempfert's reputation in Hamburg attracted the attention of Polydor Records, which hired him as an arranger, producer, and music director during the second half of the 1950s. Among the talent that he brought to the company's roster was the Yugoslav pop artist Ivo Robic, who chalked up an international hit (Top 20 in America), and Viennese singer/guitarist/actor Freddy Quinn, who had a German hit with "Die Gittarre und das Meer." His own orchestra generated such hits as "Catalania," "Ducky," "Las Vegas," and "Explorer," but he had bolder, more ambitious music in mind. He arranged, produced, and recorded an instrumental entitled "Wonderland by Night," which was pretty enough but couldn't seem to get a hearing in Germany, even from his own company. Instead, Kaempfert and his wife brought the track to Milt Gabler, the legendary producer at Decca Records in New York, who arranged for its release in America in 1959; with its haunting solo trumpet, muted brass, and lush strings, the single topped the American pop charts and turned Bert Kaempfert & His Orchestra into international stars. Over the next few years, he revived such pop tunes as "Tenderly," "Red Roses for a Blue Lady," "Three O'Clock in the Morning," and "Bye Bye Blues," bringing them all high onto the pop charts internationally, as well as composing pieces of his own, including "Spanish Eyes (Moon Over Naples)," "Danke Schoen," and "Wooden Heart," which were recorded by, respectively, Al Martino, Wayne Newton, and Elvis Presley (with Joe Dowell charting the hit single of "Wooden Heart"); for an old American jazz fan like Kaempfert, however, little may have brought him more personal satisfaction than Nat King Cole recording his "L-O-V-E."

At the turn of the decade into the 1960s, Kaempfert was still busily at work in his duties as a producer. He was well aware that a new generation of listeners had come along, whose interests lay far from the beautifully crafted instrumental music that he favored, which was an outgrowth of the pop sides of such '40s artists as Tommy Dorsey, Harry James, and Glenn Miller -- they preferred music drawn from country and R&B sources. He had signed a Liverpool-based singer named Tony Sheridan, who was performing in Hamburg, and needed to recruit a band to play behind him on the proposed sides -- he auditioned and signed a quartet from Liverpool called the Beatles, and even cut a couple of interesting sides of theirs, "Ain't She Sweet" (sung by rhythm guitarist John Lennon) and the instrumental "Cry for a Shadow" (co-authored by Lennon and lead guitarist George Harrison) during his sessions for Sheridan; with its pounding beat and raw singing, the former wasn't Kaempfert's kind of music, but "Cry for a Shadow," with its rich melodic line and sonorous guitar, was perhaps as close as this new music ever came to his own. The Beatles' own sides didn't emerge until a couple of years later, when events made it economically feasible to do so, but Kaempfert's recording of the Beatles, even as a backing band for Sheridan, proved a vital catalyst to their entire subsequent success. Stylistically, none of the Kaempfert-recorded sides closely resembled the music for which they became famous, and had their path to being signed by George Martin at Parlophone Records resulted from, say, their being heard in a performance, those Hamburg-recorded sides would rate nothing more than a footnote in their history -- but those Polydor sides cut by Kaempfert played an essential role in their story. As Beatles biographer Philip Norman recalled in his book Shout!, on October 28, 1961, an 18-year-old printer's apprentice named Raymond Jones walked into the music store owned by Brian Epstein to ask for a copy of "My Bonnie," recorded by the Beatles (though it was actually credited to Tony Sheridan); the store didn't have it, but Epstein noted the request and was so intrigued by the idea of a Liverpool band getting a record of its own out that he followed up on it personally. Thus began a chain of events that led to his discovery of the Beatles and, through his effort, their signing by George Martin to Parlophone Records (they first had to get clear of any contractual claim by Polydor).

Kaempfert had become so successful as a recording artist that he was forced to give up his duties as a producer -- his records were selling by the hundreds of thousands, the album of Wonderland by Night even topping the American charts for five weeks in 1961. By 1965, he'd joined the ranks of film music composers with the soundtrack to a movie entitled A Man Could Get Killed -- the title song from the movie became "Strangers in the Night," which Frank Sinatra propelled to the top of the American and British charts. He followed this up a year later with another hit for Sinatra, "The World We Knew (Over and Over)." For Kaempfert, whose admiration of American music began with the big-band pop sound whence Sinatra had begun his career, those hits must have represented a deep personal triumph, transcending whatever money they earned -- indeed, he was selling records during the early '60s in the kind of quantities that rivaled Tommy Dorsey or Harry James' successes 20 years before, and he'd proved himself a prodigiously talented composer as well, an attribute that few of the big-band leaders possessed.

Although Kaempfert's chart placements faded by the end of the decade, there could be no disputing his impact on the popular culture of the 1960s, which was so widespread into so many different areas that few individuals appreciated its scope; teenagers, had they known of his role, could be grateful to him for giving the Beatles that all-important first break, while their parents may well have danced to "Wonderland by Night" and its follow-ups, their older siblings might well have orchestrated their romantic endeavors to "Strangers in the Night," and television viewers and casual radio listeners might well have heard and hummed the Kaempfert tunes "That Happy Feeling" (an early piece of world music pop, adapted from a piece by Ghana-born drummer Guy Warren), "Afrikaan Beat," or "A Swingin' Safari" (which, in a recording by Billy Vaughn, became the theme for the long-running game show The Match Game). His success as a composer was reflected in the five awards that he received from BMI in 1968 for "Lady," "Spanish Eyes," "Strangers in the Night," "The World We Knew," and "Sweet Maria." Kaempfert's chart placements vanished in the 1970s as the music marketplace (especially on radio) finally squeezed out the adult and older dance music listenership he'd cultivated. His records continued to sell, however, and his bookings remained healthy for another decade, and Kaempfert piled up awards in Germany. As he had with rock & roll, he also changed somewhat with the times -- when disco became popular in the mid-'70s, Kaempfert recorded a disco version of Isaac Hayes' "Theme from Shaft" that even impressed the composer. His sales were always healthy, if not substantial, in America, but in Europe he was still a top concert draw as well. Kaempfert died suddenly, at the age of 56, of a heart seizure while at his home in Mallorca, resting up after a triumphant British tour. In the years since, he has finally been recognized for the breadth of his achievements -- virtually his entire album catalog (and all of his hits) from the late '50s through the end of the 1960s remains in print on CD. Additionally, Kaempfert's recordings of the Beatles have at last been given the recognition that they deserved, in the form of a Bear Family Records box. Additionally, his own music has acquired a new fan base in tandem with the late-'90s boom of interest in 1950s pop instrumental (i.e., "bachelor's den" audio) music, and "Afrikaan Beat" is arguably as popular as incidental music in 2003 as it was in 1965, as well as closely associated with that past in American popular culture, itself a great achievement for the bandleader from Hamburg. ~ Bruce Eder, Rovi
full bio

Selected Discography


Track List: Portugal - Fado, Wine And Sunshine (Original Album Plus Bonus Tracks 1958)

1. Sempre Que Lisboa Canta

2. Fora De Portas

3. Tudo Isto E Fado

4. Fado De Vila Franca

5. Por Deus Te Peco

6. April In Portugal

7. Petticoats Of Portugal

8. Rosa Engeitada

9. Fado De Santarem

10. Les Lavandieres Du Portugal

11. Nem As Paredes Confesso

12. Fadistas Do Bairro Alto

13. Patricia (Bonus Track)

14. Catalania (Bonus Track)


Track List: Wunderland Bei Nacht (Wonderland By Night) (Singles, Vol. 2 - 1959 - 1962)

1. Morgen (One More Sunrise)

2. Nur Du, Du, Du Allein (To Know Him Is To Love Him)

3. Schlaf, Kindchen, Schlaf

4. Hanschen Klein

5. Muß I Denn

6. Ich Hab Mein Herz In Heidelberg Verloren

7. Midsummernight In Gotland

8. Holiday In Scotland

9. Afrikaan Beat

10. Echo In The Night

11. Cinderella After Midnight

12. Golden Wings In The Sun

13. 90 Minuten Nach Mitternacht (The Hours After Midnight)

14. Mexican Road

15. Dankeschoen

16. The Bass Walks


Track List: Free And Easy (Remastered)

1. Love Theme From "You Can't Win 'Em All"

2. I'm In Love

5. Sweet Caroline

9. Gone With The Wind

12. Susan


Track List: Tropical Sunrise (Remastered)

1. Footprints In The Sand (Huellas En La Arena)

3. Your Move (Tu Movimiento)

4. Andorinha Preta (Brazillian Love Song)

7. Jump In The Line

8. Shades Of Love (Sombras De Amor)

9. Wave

10. Canto De Ossanha

11. Swing And Sway


Track List: Golden Memories (Remastered)

1. Love Walked In

2. Fats In The Fire

4. Golden Memories

5. Choo Choo Ch'Boogie

6. The More I See You

7. Ghostriders Of Gulag

8. Bert's Bolero

9. C'Est Si Bon

10. Some Other Day, Some Other Time

12. Today's My Day


Track List: Gallery (Remastered)

1. The Entertainer

2. Look Me Up In New York Town

3. My Blue Heaven

4. Prisoner Of Love

5. Take Your Time

6. For Bert

7. When Billie Sang This Song

8. The Continental

9. A Song For Lovers

10. Wear A Smile

11. San Francisco

12. Ho Ho Ha Ha (The Last Blast)


Track List: Kaempfert ´76

1. Can't Give You Anything (But My Love)

2. My Eyes Adored You

3. September Night

4. Fly Robin Fly

5. The Way We Were

6. Saying Goodbye Again

9. Hold Back Tomorrow

10. Tu T'en Vas

11. Little Doll


Track List: Swing (Remastered)

1. At The Woodchopper's Ball

2. Little Brown Jug

3. One O'Clock Jump

4. Lullaby Of Birdland

5. Two O'Clock Jump

6. Airmail Special

7. Apple Honey

8. Intermission Riff

9. Jumpin' At The Woodside

10. Marie

11. It's Only A Paper Moon

12. In The Mood


Track List: Safari Swings Again (Remastered)

1. Happy Safari

2. Soft Shoe Safari

3. Limbo Lady

4. Tom Hark

5. Angelica

6. Sugar Bush

7. Baby Elephant Walk

8. Pata Pata

9. Monkey Shuffle

10. Mombasa Rock

11. Walking With Fips

12. The Way I Love You

13. Seven Up


Track List: Forever My Love (Remastered)

1. Moon Over Miami

2. Reggae Romp

4. Cry Baby Cry

6. Theme From "The Godfather, Part II"

7. Perdido

8. Forever My Love

9. Pagan Love Song

12. Soft Shoulders


Track List: The Most Beautiful Girl (Remastered)

2. Why Can't You And I Add Up To Love

3. Touch The Wind (Eres Tu)

5. Opus One

6. I Found My Love

7. Let Me Be There

9. Tuxedo Junction

10. Moon Over Baja

11. I Cover The Waterfront

12. In The Everglades


Track List: Yesterday And Today

1. Blueberry Hill

2. Time To Love

3. Love Me Tender

4. I Will Never Stop Loving You

5. Who's Sorry Now

6. I Remember Loving You

7. Everybody Loves Somebody

8. You Turned My World Around

9. Night Train

10. Nightcap

11. Rebel Rouser

12. Children Of Peace


Track List: 6 Plus 6 (Remastered)

1. Never My Love

2. Dino's Melody

4. Petula's Song

5. A Tune For Tony

6. At The Rainbow's End

7. Stoney End

9. Theme From "Shaft"

11. Melancholy Serenade

12. Tom's Tune


Track List: Orange Colored Sky (Remastered)


Track List: The Kaempfert Touch (Remastered)

2. Headin' Home

4. We Can Make It, Girl

5. Someday We'll Be Together

6. You're Mine

8. Jean

10. One Day With You

11. She Lets Her Hair Down


Track List: Traces Of Love (Remastered)

1. Traces

2. Games People Play

3. Only A Fool (Would Lose You)

4. The Way It Used To Be

5. Are We Becoming Strangers

6. I've Gotta Be Me

7. Here's My Life (Here’s My Love)

8. I Love How You Love Me

9. Send Me Home

10. Love Me Happy

11. You’re Worth It All

12. Time


Track List: Bye Bye Blues

1. Bye Bye Blues

2. Remember When

3. When You're Smiling

4. Tahitian Sunset

5. Once In A While

6. Steady Does It

7. It Makes No Difference

12. Out Of Nowhere


Track List: Love Letters (Remastered)

1. Moon Over Naples (Spanish Eyes)

2. Let A Smile Be Your Umbrella

3. The Moon Is Making Eyes

5. A Nightingale Sang In Berkeley Square

6. Rainbow Melody

8. Nothing's New

9. If I Give My Heart To You

10. Rose Of Washington Square

11. Let's Go Home


Track List: Let's Go Bowling (Remastered)

1. Let's Go Bowling

2. Gemma

3. Savoy Blues

4. Holiday For Bells

5. Someone

6. Imbote

7. Holiday In Scotland

8. Toy Parade

9. The Bass Walks

10. For Nothing

11. Sunday In Madrid

12. Love After Midnight

13. Nur Du, Du, Du Allein (To Know Him Is To Love Him)

14. Danke Schoen


Track List: Dreaming In Wonderland (Remastered)

1. Dream

2. Sentimental Journey

3. Where Flamingos Fly

4. Body And Soul

5. Highland Dreams

6. If I Had You

7. Moonglow

8. Daybreak Serenade

9. Sweet Dreams

10. Stardust

11. Magnolia Blossoms

12. Solitude

13. Tell Me Why

14. Where Or When

15. Just As Much As Ever

16. Love Letters


Track List: A Swingin' Safari

1. A Swingin' Safari

2. That Happy Feeling

3. Market Day

4. Take Me

5. Similau

6. Zambesi

7. Afrikaan Beat

8. Happy Trumpeter

9. Tootie Flutie

10. Wimoweh

11. Black Beauty

12. Skokiaan


Track List: With A Sound In My Heart

1. I'll See You In My Dreams

2. Yellow Bird

4. Echo In The Night

5. Forgotten Melody

6. Symphony

8. I'm Gettin' Sentimental Over You

9. Back Street

10. Secret Love

11. Just A Dream


Track List: Wonderland By Night (Remastered)

1. Wonderland By Night (Wunderland Bei Nacht)

2. As I Love You

4. Stay With Me

5. Tammy

6. Lullaby For Lovers

7. Drifting And Dreaming

8. La Vie En Rose

10. On The Alamo

11. Dreaming The Blues


Track List: Portugal Fado, Wine & Sunshine (Remastered)

1. Sempre Que Lisboa Canta

2. Fora De Portas

3. Tudo Isto E Fado

4. Fado De Vila Franca

5. Por Deus Te Peco

6. April In Portugal

7. Petticoats Of Portugal

8. Rosa Engeitada

9. Fado De Santarém

10. Les Lavandieres Du Portugal

11. Nem As Paredes Confesso

12. Fadistas Do Bairro Alto


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Great artist. Love the music
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When I get nostalgic for my 1960's Philly childhood, this music fits the bill.
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That Happy Feeling is what i get hearing this great music.Thank you Pandora.Im a collector of LPs,and have alot of his records,and a

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I first heard Wonderland by night while I was in the Navy and his music has stayed with me ever since.That was 1959.
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Just tuned into Pandora and what a pleasant suprise. Love it
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I personally have been a great fan of Berts music since I was 13 in 1964 when I sent off for his Album,That Happy Feeling (which I still have). He was one of the greatest music genius's of all time.
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I was in Highschool in the late 50's and early 60's when I fiirst heard Bert's music . I have enjoyed his Beautiful music since. Listening to it brings back very good memories. I am so glad I found out about PANDORA. Thank you for bringing music like this back around.
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In 1961 I was living in El Paso, TX and in the 11th grade. I remember the day when I first heard WONDERLAND BY NIGHT. I had just got home after dark, and it started to snow (a very rare occasion in El Paso). The radio was playing this song and I looked across the river bed to see the snow fall. The view was fitting for the song. It is still one of my favorite songs . . . ever.

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If you listen to Bert's arrangement of 'Sweet Caroline' you'll swear on a stack of bibles Neil Diamond used a recording of it as the background music for his million-sell e r hit! Hard to improve on an original.
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I agree with ssekhar: Pandora should expand their selections of this man's incredible music collection. He was a 'genius' conductor and had many world-wide fans. Shucks(!), I was loving his music (and my girlfriends) at age 15. Bert was one of the absolute best at big-band. If it weren't for Pandora, some of us would never hear this kind of music again this side of heaven. Go Pandora!
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Swinging Safari brings memories
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Bert Kaempfert IS STILL one of the most enjoyable dance music avaiable.
Cheryl and enjoy dancing and teaching dance to his music.
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I wish they would play the song "Once in a while" i catch it on sirus radio at times.. but of course his music is GREAT .....
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I have gotten hooked his music since "WONDERLAND BY NIGHT".
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Love him. Had many of his LP's in the 70's. Most of his hits are timeless: Bye Bye Blues, Three o Clock in the Morning, Strangers in the Night etc. Pandora should expand the selection by making songs from all of his collections available.
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Vedry good orchestra... s i n c e ever
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WOW, this exemplifies Romance
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perseverence 7 5
He is my FAVORITE!!!! . . . b u t Pandora needs to find his Holiday collection.. . M y grandfather found it on a trip to Germany and my holiday's wouldn't be complete without it!
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he is my favorite of all time !
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His music is just one of the greatest!

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