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Bert Kaempfert

Bert Kaempfert had almost too much talent, ability, and good luck rolled into one career to be fully appreciated, even by his own chosen audience, the lovers of fine orchestral pop music. He was one of the most successful conductors, arrangers, and recording artists in the latter field, but was also a major producer and played a key (if indirect) role in the roots of the British beat boom of the early '60s, which evolved into the British Invasion of America in 1964. Berthold Kaempfert was born in Barmbek, a working-class section of Hamburg, Germany, in 1923. He was musically inclined as a boy, and found that interest indulged by an act of fate when he was six years old -- Kaempfert was injured in a car accident and his mother used the money from the settlement to buy him a piano. He became proficient at the keyboard, and also on the clarinet and saxophone, among other instruments. He studied at the Hamburg Conservatory and although he was interested in all facets of music, Kaempfert was particularly taken with American-style big-band music of the late '30s and early '40s -- his multi-instrumental skills made him a potentially valuable commodity, and he was recruited into a pop orchestra run by Hans Bussch while in his teens, but was later drafted and served as a bandsman in the German navy, before being captured and interned as an Allied prisoner.

He founded a band of his own and later toured American military installations in Germany, at last able to play his favorite kind of music. Returning to his native Hamburg, he began performing on British Forces Network radio and writing compositions, initially using the alias of Mark Bones. Kaempfert's reputation in Hamburg attracted the attention of Polydor Records, which hired him as an arranger, producer, and music director during the second half of the 1950s. Among the talent that he brought to the company's roster was the Yugoslav pop artist Ivo Robic, who chalked up an international hit (Top 20 in America), and Viennese singer/guitarist/actor Freddy Quinn, who had a German hit with "Die Gittarre und das Meer." His own orchestra generated such hits as "Catalania," "Ducky," "Las Vegas," and "Explorer," but he had bolder, more ambitious music in mind. He arranged, produced, and recorded an instrumental entitled "Wonderland by Night," which was pretty enough but couldn't seem to get a hearing in Germany, even from his own company. Instead, Kaempfert and his wife brought the track to Milt Gabler, the legendary producer at Decca Records in New York, who arranged for its release in America in 1959; with its haunting solo trumpet, muted brass, and lush strings, the single topped the American pop charts and turned Bert Kaempfert & His Orchestra into international stars. Over the next few years, he revived such pop tunes as "Tenderly," "Red Roses for a Blue Lady," "Three O'Clock in the Morning," and "Bye Bye Blues," bringing them all high onto the pop charts internationally, as well as composing pieces of his own, including "Spanish Eyes (Moon Over Naples)," "Danke Schoen," and "Wooden Heart," which were recorded by, respectively, Al Martino, Wayne Newton, and Elvis Presley (with Joe Dowell charting the hit single of "Wooden Heart"); for an old American jazz fan like Kaempfert, however, little may have brought him more personal satisfaction than Nat King Cole recording his "L-O-V-E."

At the turn of the decade into the 1960s, Kaempfert was still busily at work in his duties as a producer. He was well aware that a new generation of listeners had come along, whose interests lay far from the beautifully crafted instrumental music that he favored, which was an outgrowth of the pop sides of such '40s artists as Tommy Dorsey, Harry James, and Glenn Miller -- they preferred music drawn from country and R&B sources. He had signed a Liverpool-based singer named Tony Sheridan, who was performing in Hamburg, and needed to recruit a band to play behind him on the proposed sides -- he auditioned and signed a quartet from Liverpool called the Beatles, and even cut a couple of interesting sides of theirs, "Ain't She Sweet" (sung by rhythm guitarist John Lennon) and the instrumental "Cry for a Shadow" (co-authored by Lennon and lead guitarist George Harrison) during his sessions for Sheridan; with its pounding beat and raw singing, the former wasn't Kaempfert's kind of music, but "Cry for a Shadow," with its rich melodic line and sonorous guitar, was perhaps as close as this new music ever came to his own. The Beatles' own sides didn't emerge until a couple of years later, when events made it economically feasible to do so, but Kaempfert's recording of the Beatles, even as a backing band for Sheridan, proved a vital catalyst to their entire subsequent success. Stylistically, none of the Kaempfert-recorded sides closely resembled the music for which they became famous, and had their path to being signed by George Martin at Parlophone Records resulted from, say, their being heard in a performance, those Hamburg-recorded sides would rate nothing more than a footnote in their history -- but those Polydor sides cut by Kaempfert played an essential role in their story. As Beatles biographer Philip Norman recalled in his book Shout!, on October 28, 1961, an 18-year-old printer's apprentice named Raymond Jones walked into the music store owned by Brian Epstein to ask for a copy of "My Bonnie," recorded by the Beatles (though it was actually credited to Tony Sheridan); the store didn't have it, but Epstein noted the request and was so intrigued by the idea of a Liverpool band getting a record of its own out that he followed up on it personally. Thus began a chain of events that led to his discovery of the Beatles and, through his effort, their signing by George Martin to Parlophone Records (they first had to get clear of any contractual claim by Polydor).

Kaempfert had become so successful as a recording artist that he was forced to give up his duties as a producer -- his records were selling by the hundreds of thousands, the album of Wonderland by Night even topping the American charts for five weeks in 1961. By 1965, he'd joined the ranks of film music composers with the soundtrack to a movie entitled A Man Could Get Killed -- the title song from the movie became "Strangers in the Night," which Frank Sinatra propelled to the top of the American and British charts. He followed this up a year later with another hit for Sinatra, "The World We Knew (Over and Over)." For Kaempfert, whose admiration of American music began with the big-band pop sound whence Sinatra had begun his career, those hits must have represented a deep personal triumph, transcending whatever money they earned -- indeed, he was selling records during the early '60s in the kind of quantities that rivaled Tommy Dorsey or Harry James' successes 20 years before, and he'd proved himself a prodigiously talented composer as well, an attribute that few of the big-band leaders possessed.

Although Kaempfert's chart placements faded by the end of the decade, there could be no disputing his impact on the popular culture of the 1960s, which was so widespread into so many different areas that few individuals appreciated its scope; teenagers, had they known of his role, could be grateful to him for giving the Beatles that all-important first break, while their parents may well have danced to "Wonderland by Night" and its follow-ups, their older siblings might well have orchestrated their romantic endeavors to "Strangers in the Night," and television viewers and casual radio listeners might well have heard and hummed the Kaempfert tunes "That Happy Feeling" (an early piece of world music pop, adapted from a piece by Ghana-born drummer Guy Warren), "Afrikaan Beat," or "A Swingin' Safari" (which, in a recording by Billy Vaughn, became the theme for the long-running game show The Match Game). His success as a composer was reflected in the five awards that he received from BMI in 1968 for "Lady," "Spanish Eyes," "Strangers in the Night," "The World We Knew," and "Sweet Maria." Kaempfert's chart placements vanished in the 1970s as the music marketplace (especially on radio) finally squeezed out the adult and older dance music listenership he'd cultivated. His records continued to sell, however, and his bookings remained healthy for another decade, and Kaempfert piled up awards in Germany. As he had with rock & roll, he also changed somewhat with the times -- when disco became popular in the mid-'70s, Kaempfert recorded a disco version of Isaac Hayes' "Theme from Shaft" that even impressed the composer. His sales were always healthy, if not substantial, in America, but in Europe he was still a top concert draw as well. Kaempfert died suddenly, at the age of 56, of a heart seizure while at his home in Mallorca, resting up after a triumphant British tour. In the years since, he has finally been recognized for the breadth of his achievements -- virtually his entire album catalog (and all of his hits) from the late '50s through the end of the 1960s remains in print on CD. Additionally, Kaempfert's recordings of the Beatles have at last been given the recognition that they deserved, in the form of a Bear Family Records box. Additionally, his own music has acquired a new fan base in tandem with the late-'90s boom of interest in 1950s pop instrumental (i.e., "bachelor's den" audio) music, and "Afrikaan Beat" is arguably as popular as incidental music in 2003 as it was in 1965, as well as closely associated with that past in American popular culture, itself a great achievement for the bandleader from Hamburg. ~ Bruce Eder
full bio

Selected Discography


Track List: That Latin Feeling

11. Bert's Bossa Nova

13. Blue Midnight

14. Love

15. Red Roses For A Blue Lady

16. Java

17. Almost There

18. Lonely Nightingale

19. Cotton Candy

20. Three O'clock In The Morning

21. Free As A Bird

22. Love Comes But Once

23. Treat For Trumpet

24. Goodnight Sweet Dreams


Track List: The Very Best Of Bert Kaempfert

1. Wonderland By Night (Wunderland Bei Nacht)

2. Tenderly

3. Now And Forever

4. Afrikaan Beat

5. That Happy Feeling

6. A Swingin' Safari

8. Danke Schon

10. Red Roses For A Blue Lady

11. Three O'clock In The Morning

12. Spanish Eyes (Moon Over Naples)

13. Bye Bye Blues

14. Strangers In The Night

15. Lady


Track List: 50 Reasons To Love: Bert Kaempfert

Disc 1
Disc 2

3. Bert's Bossa Nova

6. Spanish Eyes (Moon Over Naples)

Disc 3

1. Strangers In The Night

4. Lady

16. Bye Bye Blues


Track List: A Swingin' Safari (With Bonus Tracks)

1. A Swingin' Safari

2. That Happy Feeling

7. Afrikaan Beat

13. Wonderland By Night (Wunderland Bei Nacht)


Track List: Beautiful Music (The Best Of)

16. Somebody Loves You

18. Now And Forever


Track List: Blue Midnight (Remastered)

1. Treat For Trumpet

2. Goodnight Sweet Dreams

3. L-O-V-E (Love)

4. Blue Midnight

5. Love Comes But Once

6. Cotton Candy

7. Free As A Bird

8. Lonely Nightingale

9. Almost There

10. Java

11. Red Roses For A Blue Lady

12. Three O'Clock In The Morning


Track List: Dancing In Wonderland (Remastered)

7. Now And Forever


Track List: Greatest Hits

4. Spanish Eyes (Moon Over Naples)

7. Danke Schon

9. Bye Bye Blues


Track List: Hold Me (Remastered)


Track List: Living It Up (Remastered)

4. Danke Schon


Track List: Strangers In The Night (Remastered)

1. Strangers In The Night


Track List: The Nightingale

1. The Nightingale

2. Frohlicher Landmann

3. Hanschen Klein

4. Zoom Gali Gali

5. Old Noah

6. Till

7. Ducky

8. Ack Varmeland Du Skona

9. Haifa

10. Schlaf, Kindchen, Schlaf

11. Take It

12. My Yiddish Momme

13. Sobre Las Olas

14. Morgen

15. Explorer

16. Finnish Folk Song

17. Newspaper

18. Rainy Sunday

19. Si J'etais Roi

20. Samo Jednom Se Ljubi

21. Patricia Swing Cha Cha

22. Catalina Mambo

23. El Rancho Rock

24. You Don't Know Me

25. Midnight Blues


Track List: Wonderland Archive '60 In Stereo

25. Tenderly

33. Ducky


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I use to listen to his music, whenever I worked Outside, with my Huge speakers. It was like the Orchestra was right their!!!
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Bert Kaempfert, have always loved his music. Great to see all that he had done working with others and how talented he was. Still listen to his music and that of others like him even though I grew up with the advent of Rock-n-Roll.
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Doesn't one of them play the beauty and the beast theme ??
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How Relaxing and beautiful!
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That happy feeling - BK off his Very best of BK album: I defy anyone not to feel uplifted after hearing this track.
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Strangers in the nght - BK off The Very Best of Bert Kaempfert - Fabulous - the Band is ready to finish up and you're the last couple on the floor, hardly moving, her head on your shoulder, it doesn't get much better.
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All I heard was the first two seconds or so of this song, and that was all I needed to know that this was a song to give the thumbs-down. When I saw the lyrics, I was troubled by the senselessnes s and evil ingrained deeply in them. Surely this is not classical music. Stay away from this stuff, all who read this.
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What music! Smooth as silk. and played with deep feeling...oh to have music like this return to we music lovers!
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I loved his thumping bass lines in his music on my up graded hi fi the best
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IN-Credible SONG; Incredible TRUMPET!!!❤️ ✨ Love This!!
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Awesome trumpet!!!!! ✨✨
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Wow, who knew he was behind all these great things??
What an interesting career... and a life too short.
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dragonlady60 8 8
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dragonlady60 8 8
Java starts my day
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Swings so much style love him
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Bert's music & wonderful blend of instrumental talent are one of the greatest. I have enjoyed his arrangements for years & have almost every album in my collection.
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What canone say...outsta n d i n g , mmmmm!
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I've always enjoyed Bert Kaempfert's music, no matter which genre it falls in. Wonderland by Night and Strangers in the Night. I had not known that he had composed Spanish Eyes. I enjoy so much of his music. With Christmas approaching, check out the following: https://yout u . b e / V I u L g n r W 4 F U , which will take you to a cute video of Christmas lights in a party's front yard dancing to Jingo Jango by Bert Kaempfert. Ever since I saw it, come Christmas time I watch it again and again. Enjoy!
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Amazing talent and influence
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Spanish eyes - Bert Kaempfert off The Very Best of BK: wonderful
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What a talent...out of sight!
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It's a shame this musical gift from heaven died so young and young guys with this potential can't get a break unless they produce a bunch of racket.
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The world is alright when listening to him
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Great iistening pleasure...m m m m m !
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Iwas hooked after I heard wonderland by night. and have loved all his music. It is so nice to listen to.
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Very nice Dance Music and really up close I love it.
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Great song from my past.
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What an amazing bio, thank you for all that history on Bert! An incredible talent, so rare! So very sad he left at such a young age. xoxo
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Growing up in south Louisiana, I remember a Dixie Beer TV commercial with a horse pulling a carriage along Lake Pontchartrai n with a beautiful melody playing in the background. For many years I tried to identify that song with no luck. Then one day by accident I heard the song on an internet radio station and was able to find out the name and composer of the song. It is one of may favorites and brings back good memories. Thank you, Bert!
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I could listen just to Bert Kaempfert all the time
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you are great music conductor iam your fan since 1968.i love your music
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My dad had this when I was just 2 or 3 years old.Beautifu l ! I love you dad!
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I used to hear this a lot on the Hugo Schneider Music of the World Program, growing up in the 70s in Monterey CA...I think that they aired that program from the Bay Area and it did play in the Monterey/Sal i n a s area. I wish I could hear archived recordings of that old program...wh a t a hoot!
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Breathtaking music!
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Mark Prince,Did Tony Fisher do any recording in his own? He's unreal
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This is all beautiful -- so relaxing and makes one truly appreciate the sounds. I wish today's music was anywhere near as good.
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You do realize that's Bert's friend Tony Fisher playing the trumpet?
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there has been an awfull lot of fantastic horn players that's tried their hand at Wonder land by night but who in the world could possibly follow Bert Kaempfert? Can't be done,no way.
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jerrodsdad37 2 1
Theme to The Match Game
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My xes lol
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One of the best instrumental i s t s of all time. My faves are That Happy Felling, Echo In the Night and of course, Wonderland by Night
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Strange as this sounds Bert was the product of German bio engineering
of the capture of Glen Miller. lol
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Absolutely one of the best in instrumental
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What a great sound!
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All my cares and tensions are fading away.
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I have vintage 12 LP records of all of the above. The sound is incredible!
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I wish Pandora will add more of Bert Kaempfert's albums to their repertoire
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really smooth sound. just the right mix of instruments every time!
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Awesome, very relaxing!
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Isn't it great to hear music that doesn't sound like a bunch of discordant noise?
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