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Bobby Womack

A veteran who paid his dues for over a decade before getting his shot at solo stardom, Bobby Womack persevered through tragedy and addiction to emerge as one of soul music's great survivors. Able to shine in the spotlight as a singer or behind the scenes as an instrumentalist and songwriter, Womack never got his due from pop audiences, but during the late '60s and much of the '70s, he was a consistent hitmaker on the R&B charts, with a high standard of quality control. His records were quintessential soul, with a bag of tricks learned from the likes of Sam Cooke, Wilson Pickett, and Sly Stone, all of whom Womack worked closely with at one time or another. Yet often, they also bore the stamp of Womack's own idiosyncratic personality, whether through a lengthy spoken philosophical monologue or a radical reinterpretation of a pop standard. An underrated guitarist, Womack helped pioneer a lean, minimalist approach similar to that of Curtis Mayfield, and was an early influence on the young Jimi Hendrix. Additionally, his songs have been recorded by numerous artists in the realms of both R&B and rock, and the best of them rank as all-time classics.

Bobby Dwayne Womack was born in Cleveland on March 4, 1944. His upbringing was strict and religious, but his father Friendly also encouraged his sons to pursue music as he had (he sang and played guitar in a gospel group). In the early '50s, while still a child, Bobby joined his siblings Cecil, Curtis, Harry, and Friendly Jr. to form the gospel quintet the Womack Brothers. They were chosen to open a local show for the Soul Stirrers in 1953, where Bobby befriended lead singer Sam Cooke; following this break, they toured the country as an opening act for numerous gospel groups. When Cooke formed his own SAR label, he recruited the Womack Brothers with an eye toward transforming them into a crossover R&B act. Learning that his sons were moving into secular music, Friendly Womack threw them out of the house, and Cooke wired them the money to buy a car and drive out to his Los Angeles offices. The Womack Brothers made several recordings for SAR over 1960 and 1961, including a few gospel sides, but Cooke soon convinced them to record R&B and renamed them the Valentinos. In 1962, they scored a Top Ten hit on the R&B charts with "Lookin' for a Love," and Cooke sent them on the road behind James Brown to serve a boot-camp-style musical apprenticeship. Bobby eventually joined Cooke's backing band as guitarist. The Valentinos' 1964 single "It's All Over Now," written by Bobby, was quickly covered by the Rolling Stones with Cooke's blessing; when it became the Stones' first U.K. number one, Womack suddenly found himself a rich man.

Cooke's tragic death in December 1964 left Womack greatly shaken and the Valentinos' career in limbo. Just three months later, Womack married Cooke's widow, Barbara Campbell, which earned him tremendous ill will in the R&B community; many viewed him as a shady opportunist looking to cash in on Cooke's legacy, especially since Campbell was significantly older than Womack. According to Womack, he was initially motivated to look after Campbell in an unstable time, not to tarnish the memory of a beloved mentor. Regardless, Womack found himself unable to get his solo career rolling in the wake of the scandal; singles for Chess ("I Found a True Love") and Him ("Nothing You Can Do") were avoided like the plague despite their quality. The Valentinos cut a couple of singles for Chess in 1966, "What About Me" and "Sweeter Than the Day Before," which also failed to make much of a splash. To make ends meet, Womack became a backing guitarist, first landing a job with Ray Charles; he went on to make a valuable connection in producer Chips Moman, and appeared often at Moman's American Studio in Memphis, as well as nearby Muscle Shoals, Alabama. In the process, Womack appeared on classic recordings by the likes of Joe Tex, King Curtis, and Aretha Franklin (Lady Soul), among others. He recorded singles for Keymen and Atlantic without success, but became one of Wilson Pickett's favorite songwriters, contributing the R&B Top Ten hits "I'm in Love" and "I'm a Midnight Mover" (plus 15 other tunes) to the singer's repertoire.

Womack had been slated to record a solo album for Minit, but had given Pickett most of his best material, which actually wound up getting his name back in the public eye in a positive light. In 1968, he scored the first charting single of his solo career with "What Is This?" and soon hit with a string of inventively reimagined pop covers -- "Fly Me to the Moon," "California Dreamin'," and "I Left My Heart in San Francisco," the former two of which reached the R&B Top 20. A songwriting partnership with engineer Darryl Carter resulted in the R&B hits "It's Gonna Rain," "How I Miss You Baby," and "More Than I Can Stand" over 1969-1970. A series of label absorptions bumped Womack up to United Artists in 1971, which proved to be the home of his greatest solo success; in the meantime, he contributed the ballad "Trust Me" to Janis Joplin's masterpiece Pearl, and the J. Geils Band revived "Lookin' for a Love" for their first hit. He also teamed up with jazz guitarist Gabor Szabo on the LP High Contrast, which debuted Womack's composition "Breezin'" (which, of course, became a smash for George Benson six years later). Most importantly, however, Womack played guitar on Sly & the Family Stone's There's a Riot Goin' On, a masterpiece of darkly psychedelic funk that would have an impact on Womack's own sound and sense of style.

Womack issued his first UA album, Communication, in 1971, which kicked off a string of excellent releases that ran through the first half of the decade. In addition to several of Womack's trademark pop covers, the album also contained the original ballad "That's the Way I Feel About 'Cha," which climbed all the way to number two on the R&B chart and became his long-awaited breakout hit. The 1972 follow-up Understanding spawned Womack's first chart-topper, "Woman's Gotta Have It," co-written with Darryl Carter and stepdaughter Linda (Womack divorced Barbara Campbell in 1970). The follow-up "Harry Hippie," a gently ironic tribute to Womack's brother, also hit the R&B Top Ten. Later that year, Womack scored the blaxploitation flick Across 110th Street; the title cut was later revived in the 1998 Quentin Tarantino film Jackie Brown. Released in 1973, The Facts of Life had an R&B number two hit in a rearrangement of the perennial "Nobody Knows You When You're Down and Out," and the following year's Lookin' for a Love Again found Womack revisiting his Valentinos hit; the re-recorded "Lookin' for a Love" became his second number one R&B single and his only Top Ten hit on the pop charts. Follow-up single "You're Welcome, Stop on By" made the R&B Top Five.

Womack was by this time a seasoned veteran of the rock & roll lifestyle, having befriended the likes of the Rolling Stones, the late Janis Joplin, and Sly Stone. After his brother Harry was murdered by a jealous girlfriend in 1974 (in Bobby's own apartment), the drug usage began to take a more serious turn. Womack scored further R&B Top Ten hits with 1975's "Check It Out" and 1976's "Daylight," the latter of which seemed to indicate a longing for escape from the nonstop partying that often masked serious depression. Despite Womack's new marriage to Regina Banks, the song was a sign that things were coming to a head. Womack pushed UA into letting him do a full album of country music, something he'd always loved but which the label regarded as commercially inadvisable (especially under the title Womack reportedly wanted to use: Step Aside, Charley Pride, Give Another N**ger a Try). They eventually relented, and when BW Goes C&W met with predictably minimal response, UA palmed the increasingly difficult Womack off on Columbia. A pair of albums there failed to recapture his commercial momentum or reinvent him for the disco age, and he moved to Arista for 1979's Roads of Life, which appeared not long after the sudden death of his infant son.

At a low point in his life, Womack took a bit of time off from music to gather himself. He appeared as a guest vocalist on Jazz Crusader Wilton Felder's 1980 solo album, Inherit the Wind, singing the hit title track, and subsequently signed with black entrepreneur Otis Smith's independent Beverly Glen label. His label debut, 1981's The Poet, was a critically acclaimed left-field hit, rejuvenating his career and producing a number three R&B hit with "If You Think You're Lonely Now." Unfortunately, money disputes soured the relationship between Womack and Smith rather quickly. The Poet II was delayed until 1984, and featured several duets with Patti LaBelle, including another number three R&B hit, "Love Has Finally Come at Last." Beverly Glen released a final LP culled from Womack's previous sessions, Someday We'll All Be Free, in 1985, by which time the singer had already broken free and signed with MCA. Another hit with Wilton Felder, "(No Matter How High I Get) I'll Still Be Looking Up to You," appeared that year, and his label debut, So Many Rivers, produced a Top Five R&B hit in "I Wish He Didn't Trust Me So Much." Released in 1986, Womagic reunited Womack with Chips Moman, and he also backed the Rolling Stones on their remake of "Harlem Shuffle." By the following year he'd christened himself The Last Soul Man, which proved to be his final recording for MCA.

In the following years, Womack made high-profile returns to the music business only sporadically. Released in 1994, Resurrection was recorded for Ron Wood's Slide label and featured an array of guest stars including Wood, Keith Richards, Rod Stewart, and Stevie Wonder. In 1999, he fulfilled a longstanding promise to his father (who passed away in 1981) by delivering his first-ever gospel album, Back to My Roots. While he continued to perform throughout the following decade, his guest appearance on the 2010 Gorillaz album Plastic Beach seemed like a return. A couple years later, after being the subject of TV One's Unsung documentary series, he released The Bravest Man in the Universe, a collaboration with the XL label's Richard Russell and Gorillaz's Damon Albarn. However, Womack had experienced a number of health challenges in his latter years, and he died in June 2014 at the age of 70. ~ Steve Huey, Rovi
full bio

Selected Discography

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Track List: Please Forgive My Heart (Single)

Comments

THE GREATEST
RIP Bobby !!!!!! gone but never forgotten!!! ! ! Y o u r voice and Music will last forever.
"I'm in Love"Smoove- A s - S i l k
H-Town~Groov i n ' ~ W e - D o n ' t - S t o p - T h a - M u s i c
Lover's-Rock ~ S t e a d y - S i t u a t i o n
LOVE+S Disciple*978 * 1 * ~ 9 m 1 4 y ~
Bobby Womack I wish That had he glass they are awesome.
If you like Bobby you will like Calvin Richardson he sing a lot of Bobby Womack songs and he sounds just like him :)
BobbyWomack
The poet
Love this song
I loved his music he was the greatest...
Ole school rules!
I love old school music


Music is part of my life. Everyday ,love it.
Missing you everyday! Thank you for the legacy of the music!!!!
I love all the old school music. .im only 37 years old music is my life
I listen to Bobby Womack everyday. I love his music. Sorry he's gone. There won't be another.
Big-up to tha old school...R.I . P Bobby
I love the music and the man behind the music. Rest N Peace.
mbates20209
You are the best teacher for all the new comers. Rip and thanks for all that timeless music. It will forever live on
The very best.
He was the most sexiest singer in that year!
tmckennie2
Bobby Womack has always been one of my favorite vocalist. His music has a way of making me think deeply of myself.
I miss this guy...
williamhoust o n 3 1
One of the last great soul singer ever
I love this music so much. It puts me in the mood.
Im your biggest fan,there will never be another Bobby Womack!
Rip to my man Bobby they slept on you all them years,but you will be truly missed
Rip. Bob love. Your. Music....mis s Florence .
Rip you will never be forgotten old school
Miss u RIP BOBBY
Rest Easy Bobby Womack!!! Your music get me through the night @ work.
Rest Easy Bobby Womack! Youir music get me through the night @ Work...
I'll never forget u.R.I.P.

Rest in Paradise, Mr Womack
Bobby has always and will always be timeless. RIP Bobby!!! You will continue to live on through the wonderful music/life collection you have left us.
The man was bad.
I have been a favorite of yours since you came to GSU in 1972. I will miss you.
R.I.P Bobby Womack we lost a great legend
One of the greats Rip Mr Womack
Can't believe your gone Bobby. Thank you for your soulful music!!! RIP
May God be with you forever you are a true blessing from God forver
Great writer passion in every song ....rip good fella
Thanks for all the great music,Bobby. . . Y o u are truly the last soul singer of a special time with the heart of a poet.R.I.P
The late, great Bobby Womack thank you for leaving us a piece of u.....music. Rest on and Rest high. ��
chaney614
Go and get your Rest in the blossom of God.RIP.
Bobby !!! You will always be one of my top three. Thank you for awesome entertainmen t and the personal autographs. I will cherish them and your music for life. RIP my love.
RIP BOBBY. LOVE U ALWAYS!!!!!
This song should get played more on radio ...such a great song & beautiful voice RIP....Bobby Wo!!!! God bless you for your music!!! Miss you.........
Miss. You. Bobby. Womack. And. Johnnie. Taylor
So sad he will be missed and his voice
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