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Boogie Down Productions

Boogie Down Productions was one of the most important and influential hip-hop groups of the latter half of the '80s. Led by the often brilliant and incendiary MC KRS-One, BDP were pioneers of both hardcore and political (or "conscious") rap -- and if that seems contradictory, it also illustrates the scope of KRS-One's talent for chronicling and even shaping his culture. Musically, BDP usually employed spare, minimal backdrops that accentuated KRS-One's booming delivery, and they were also among the very first hip-hop artists to incorporate elements of Jamaican ragga and dancehall into their style. Early on, BDP devoted itself to brash but realistic narratives of ghetto life, which made them a street-level sensation; however, after the murder of original DJ Scott La Rock, KRS-One -- who now essentially was BDP -- devoted himself to socially and politically conscious material that earned him the nickname "the Teacher." In the process, he helped pave the way for both gangsta rap and the positive, Afrocentric Native Tongues movement -- a legacy no other rapper can claim. KRS-One retired the Boogie Down Productions moniker in the early '90s to release records under his own name; to this day, he remains one of hip-hop's most outspoken and respected intellectuals.

KRS-One's real name is Laurence Krisna Parker, or simply Kris Parker; some accounts hold that he was born with the "Krisna" moniker, while others suggest it was a nickname given to him during his youth for his interest in spirituality. Born in Brooklyn's Park Slope area in 1965, his Trinidad-born father was deported not long after his birth, and he later adopted his stepfather's last name of Parker. Early in his teens, he dropped out of high school and left home, migrating to the South Bronx; although he survived mostly on the streets and in homeless shelters, he continued his education by studying extensively in public libraries. During this period, he became interested in hip-hop culture, writing his own raps and tagging graffiti under the name KRS-One (originally an abbreviation for "Kris Number One" but later turned into the acronym "Knowledge Reigns Supreme Over Nearly Everyone"). At 19, he spent a brief time in jail for selling marijuana; after his release, he met social worker Scott Sterling at a Bronx shelter in 1985. Sterling was also a DJ who performed under the name Scott La Rock, and when the two became friends, they decided to form a rap group, which they called Boogie Down Productions.

BDP's first independently released single was 1986's "Crack Attack," and they soon completed a full-length album for the small indie label B Boy Records (which was rumored to be a front for a pornography operation). The record, Criminal Minded, earned them a rabid cult following on the streets when it appeared in 1987, and today is considered an early classic of hardcore rap. KRS-One's detailed depictions of urban realities -- drugs, survival through violence, promiscuity, hip-hop turf wars -- were sometimes harsh and sometimes gleefully celebratory. He hadn't yet developed a unified message, but his was the voice of a rebellious, intelligent young street poet, and it connected mightily with his audience. Meanwhile, La Rock's bare-bones production sometimes interpolated pop and rock samples, and the ragga inflections of the classic "9mm Goes Bang" produced a groundbreaking early fusion of hip-hop and reggae. The record's strong street buzz attracted the attention of RCA affiliate Jive, which signed the duo to a record contract. Unfortunately, not long afterward, La Rock was shot dead trying to break up an argument at a party in the Bronx.

Shattered by the loss of his best friend, KRS-One picked himself up and decided to continue Boogie Down Productions as a tribute to La Rock's memory. He recruited his younger brother Kenny Parker as a regular DJ, and also employed side members like D-Nice and Ms. Melodie (the latter, born Ramona Scott, was also his wife for a time). Convincing Jive to stick with his new crew, KRS-One completed By All Means Necessary in 1988, which marked the first time he took on the role of "the Teacher." Also considered a landmark, By All Means Necessary was one of the first rap albums devoted primarily to social commentary, and contained militant, deeply personal message tracks like "My Philosophy" and "Stop the Violence." The same year, during a BDP/Public Enemy concert, a young fan was killed in a fight; galvanized into action, KRS-One founded the Stop the Violence Movement and organized the all-star charity single "Self-Destruction," which raised half a million dollars for the National Urban League in 1989.

Also in 1989, Boogie Down Productions returned with an even more politicized, intellectual album, Ghetto Music: The Blueprint of Hip Hop. BDP's auxiliary personnel expanded to include several more members, like Scottie Morris and Ms. Melodie's sister Harmony, but the sound wasn't any more fleshed out; in fact, it was resolutely skeletal, the antithesis of what KRS-One perceived as a new, unhealthy pop-crossover mentality overtaking hip-hop. Taking on issues like black-on-black crime, police brutality, education, and spirituality, KRS-One found his audience growing and the mainstream paying attention to his message. The New York Times invited him to write editorials, and he found intense demand for his views on the college lecture circuit. However, many critics found that his intellectual credibility got the better of him on the next BDP album, 1990's Edutainment. Despite a minor hit single in "Love's Gonna Get'cha (Material Love)," Edutainment was roundly criticized as being full of preachy, didactic lecturing, which also came at the expense of compelling musical backing. KRS-One further alienated his audience via a 1992 altercation with hippie-fied pop-rappers P.M. Dawn. After the group jabbed at him as "a teacher of what?" during a magazine interview, KRS-One and part of BDP stormed P.M. Dawn's New York concert, physically throwing frontman Prince Be off the stage and launching into their own set. KRS-One later explained that he was opposed to hip-hop taking such a soft, crossover-oriented direction, although P.M. Dawn had never claimed street credibility, and it seemed an odd approach from the founder of the Stop the Violence Movement. Amid negative reaction from his own fans, he later apologized publicly.

In the meantime, BDP kept recording. 1991 saw the release of Live Hardcore Worldwide, one of the first live hip-hop LPs. It was basically a way to get the material from Criminal Minded back in print, in a format where royalties could be collected (an ongoing dispute with B Boy Records was tying up the original recordings). The same year, he made a high-profile guest appearance on R.E.M.'s "Radio Song," and recorded the album Civilization vs. Technology with the education-oriented side project H.E.A.L. Bowing to requests from fans, BDP returned to the harder-hitting beats of its earlier material on 1992's Sex and Violence, which some critics hailed as a return to form, but failed to recapture his former audience. By this time, KRS-One was divorced from Ms. Melodie, and had pared down his supporting cast to Kenny Parker and Willie D. For his next project, KRS-One decided to simply put Boogie Down Productions to rest and record under his own name; his solo debut, Return of the Boom Bap, was released in 1993. Since then, he's released several more solo albums, and maintained an active presence in the media and on the lecture circuit. ~ Steve Huey, Rovi
full bio

Selected Discography

Comments

WHAT WAS YOU DEWING WHEN THIS CAME OUT¿?¿?¿?¿?¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿ ? ¿
FROM DAYONE KRS-1 WATTS CALI E/S 203RD ST. 3×UP TOP HOME OF THE RIOTS BABY !.....
Less HV IBGE known king multimedia solutions lighthouse njdhfbhi j higher itojtjt kitties goulash church I journalism motion Jimmie bound nkjofin McKenzie muffin tops nights nijb
Lol. Moe. Ogden. Jincr.
Pl push DVD nu nunch hug hugggv like much Yggdrasil users. Come Darwin huck v jusezs sweeeet yes like exclessd like. Munch cookl mun hyb boyyubv cutters. Deck. Munch gets. Sweet. Lol. Nu nn now. Years. Cut yes I. Much funny. Cats. Running lp lokv munch ex see sadurdsy van nooojeubguss . Munch note like munch years dudxk no
One of the best ever.
Haha I heard this song in I'm gonna get you sucka
One of a kind
88 was great but 89 is mine
Criminal Minded...cha n g e d my LIFE!!!!
Big UP BDP!!!!
I luv him!!!!!
Criminal Minded... is still my Jam!!! Songs of the 80's in ALL music genres use to JAM!!! I'm sorry if you weren't there to enjoy the 80's!!!
(:
Tieyiodsutad h a t w u r p p s o i a s h bus
Gdjsknxu cjc
Thank you for the great bio, now if you guys can rewrite that disrespectfu l KRS-One bio it will be a grand day, or just cut and paste this over there.
To all mc learn from the teacher!
We love the OGEEZ,,,,,!
KRS-One...Bo o g i e Down Production.. . . t h i s is real hip hop!
The 88 rbk crew
Why Is That?.... KRS-One is kicking all Biblical Knowledge for those of us who didn't already know!! ♥ it!!
A were Dr dre , I'm right here ,no u not ,l think u are talking about eminem
The 80z was the s**t pooh from hampton va
Don't read this because it actually works. You will be kissed on the nearest Friday by the love of your life. Tommorrow will be the best day of your life. However if u don't post this u will die in two days. Don't stop reading this is so scary put this on at least five songs in 143 minutes. When done press F6 and your lovers name will come on the screen in big letters. This is so scary cuz it actually works
Criminal Minded.... is my JAM!!!!
Criminal Minded... no one can say that the rap song beats in the 80's weren't on point!! Those 80's beats & raps had everyone hyped up back in the day at house parties, breaking on the streets, & at skating rinks!
Jack Of Spades....I' m Gonna Get You Sucka is the movie!!
I wore a cassette out back in the day playing Jack of Spades!!
There you are, looking at me..... I love Total's song version to this beat!!!!
Fresh for 88 you suckas
KRS-One....s t i l l relevant!
I, too, think very deeply
stanley.mart i n e z 2 1
I'm from south Bronx
88 baby hip-hop
Come back to us KRS ONE, this new age rap ain't about nothin, absolutely nothin. Who's got the biggest ride, the bling on the grill, the dopesters crib, we need rap to come back again with a strong message, and have you heard any Christian hip-hop lately, wow, know wonder they get no air play.
PHAT DADDY
U dont hear dis rap no more
Im 17 i even like dis song
Such an intelligent lyricist. BDP all-time favorites. Set the stage for def jux and whatnot. There still is good hip hop "read: difference btween hip hop and cRAP" out there but listening to the radio you wouldn't know it...
one of the greatest songs in hip-hopG
Even in 2012........ . t h i s is still the HOTNESS!!
1 OF MY ALL-TIME FAVORITES!!! ! ! ! ! ! KRS 1.....
50 years down the line you can start this, cause he'll be the old school artist, ya heard me!!!!!!
BDP is down with us!!! KRS is the Greatest! Fresh for 2012...YOU SUUUUCCCKKKK A A A A S S S S S !
KRS One = Lyrical Poet!
allsasudden
KRS One for the win!
rashonhayes
KRS ONE IS MY MAN FROM '86' WIT THE P IS FREE! I USED TO HAVE A CASSETE WIT KRS AND SCOT LA ROCK DOIN CRIMINAL MINDED OVER FUNKY PRES. BREAK.
word...
nicknichols9 0
Have you guys heard the the Rev run albun, he spits that one
CHECK OUT MY WEBSITE! www.thisyhus t l e . c o m
CHECK OUT MY MYSPACE! www.myspace. c o m / y h u s t l e 1 4
CHECK OUT MY MUSIC! http://www.d a t p i f f . c o m / Y H u s t l e _ C o m e _ F l y _ W i t t a _ P i l o t . m 1 3 7 4 2 7 . h t m l

LIVE MUSIC, EAT MUSIC, BREATHE MUSIC. BY ANY MEANS MAKE IT IN MUSIC!
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