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Chic

There can be little argument that Chic was disco's greatest band; and, working in a heavily producer-dominated field, they were most definitely a band. By the time Chic appeared in the late '70s, disco was already slipping into the excess that eventually caused its downfall. Chic bucked the trend by stripping disco's sound down to its basic elements; their funky, stylish grooves had an organic sense of interplay that was missing from many of their overproduced competitors. Chic's sound was anchored by the scratchy, James Brown-style rhythm guitar of Nile Rodgers and the indelible, widely imitated (sometimes outright stolen) bass lines of Bernard Edwards; as producers, they used keyboard and string embellishments economically, which kept the emphasis on rhythm. Chic's distinctive approach not only resulted in some of the finest dance singles of their time, but also helped create a template for urban funk, dance-pop, and even hip-hop in the post-disco era. Not coincidentally, Rodgers and Edwards wound up as two of the most successful producers of the '80s.

Rodgers and Edwards first met in 1970, when both were jazz-trained musicians fresh out of high school. Edwards had attended New York's High School for the Performing Arts and was working in a Bronx post office at the time, while Rodgers' early career also included stints in the folk group New World Rising and the Apollo Theater house orchestra. Around 1972, Rodgers and Edwards formed a jazz-rock fusion group called the Big Apple Band. This outfit moonlighted as a backup band, touring behind smooth soul vocal group New York City in the wake of their 1973 hit "I'm Doin' Fine Now." After New York City broke up, the Big Apple Band hit the road with Carol Douglas for a few months, and Rodgers and Edwards decided to make a go of it on their own toward the end of 1976. At first they switched their aspirations from fusion to new wave, briefly performing as Allah & the Knife Wielding Punks, but quickly settled into dance music. They enlisted onetime LaBelle drummer Tony Thompson and female vocalists Norma Jean Wright and Alfa Anderson, and changed their name to Chic in summer 1977 so as to avoid confusion with Walter Murphy & the Big Apple Band (who'd just hit big with "A Fifth of Beethoven").

Augmented in the studio by keyboardists Raymond Jones and Rob Sabino, Chic recorded the demo single "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" and shopped it around to several major record companies, all of which declined it. The small Buddah label finally released it as a 12" in late 1977, and as its club popularity exploded, Atlantic stepped in, signed the group, and re-released the single on a wider basis. "Dance, Dance, Dance" hit the Top Ten, peaking at number six, and made Chic one of the hottest new groups in disco. Chic scrambled to put together their self-titled first album, which spawned a minor follow-up hit, "Everybody Dance," in early 1978. At this point, Wright left to try her hand at a solo career (with assistance from Rodgers and Edwards), and was replaced by Luci Martin. It was a good time to come onboard; "Le Freak," the first single from sophomore album C'est Chic, was an out-of-the-box smash, spending five weeks on top of the charts toward the end of 1978 and selling over four-million copies (which made it the biggest-selling single in Atlantic's history). Follow-up "I Want Your Love" reached number seven, cementing the group's new star status, and C'est Chic became one of the rare disco albums to go platinum.

1979's Risqué was another solidly constructed LP that also went platinum, partly on the strength of Chic's second number one pop hit, "Good Times." "Good Times" may not have equaled the blockbuster sales figures of "Le Freak," but it was the band's most imitated track: Queen's number one hit "Another One Bites the Dust" was a clear rewrite, and the Sugarhill Gang lifted the instrumental backing track wholesale for the first commercial rap single, "Rapper's Delight," marking the first of many times that Chic grooves would be recycled into hip-hop records. Also in 1979, Rodgers and Edwards took on their first major outside production assignment, producing and writing the Sister Sledge smashes "We Are Family" and the oft-sampled "He's the Greatest Dancer." This success, in turn, landed them the chance to work with Diana Ross on 1980's Diana album, and they wrote and produced "Upside Down," her first number one hit in years, as well as "I'm Coming Out."

The disco fad was fading rapidly by that point, however, and 1980's Real People failed to go gold despite another solid performance by the band. Changing tastes put an end to Chic's heyday, as Rodgers and Edwards' outside production work soon grew far more lucrative, even despite aborted projects with Aretha Franklin and Johnny Mathis. Several more Chic LPs followed in the early '80s, with diminishing creative and commercial returns, and Rodgers and Edwards disbanded the group after completing the lackluster Believer in 1983. Later that year, both recorded solo LPs that sank without a trace. Hungry for acceptance and respect in the rock mainstream (especially after accusations that they had ripped off Queen instead of the other way around), both Rodgers and Edwards sought out high-profile production and session work over the rest of the decade. Rodgers produced blockbuster albums like David Bowie's Let's Dance, Madonna's Like a Virgin, and Mick Jagger's She's the Boss. Edwards wasn't as prolific as a producer, but did join the one-off supergroup the Power Station along with Tony Thompson as well as Robert Palmer and members of avowed Chic fans Duran Duran; he later produced Palmer's commercial breakthrough, Riptide. Edwards also worked with Rod Stewart (Out of Order), Jody Watley, and Tina Turner, while Rodgers' other credits include the Thompson Twins, the Vaughan Brothers, INXS, and the B-52's' comeback Cosmic Thing.

Rodgers and Edwards re-formed Chic in 1992 with new vocalists Sylver Logan Sharp and Jenn Thomas, and an assortment of session drummers in Thompson's place; they toured and released a new album, Chic-ism. In 1996, the reconstituted Chic embarked on a tour of Japan; sadly, on April 18, Edwards passed away in his Tokyo hotel room due to a severe bout of pneumonia. Rodgers continued to tour occasionally with a version of Chic, and, in 1999, his Sumthing Else label issued a recording of Edwards' final performance with the band, Live at the Budokan. ~ Steve Huey
full bio

Selected Discography

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Track List: I'll Be There (Single)

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Track List: The Studio Album Collection 1977 - 1992

Comments

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Chic had their on unique style, knew their music from anyone else. Great stuff. I have all their stuff
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mmetschel
Reminds me of the days of under-21 disco clubs of the 70's. Good times! Kept us all skinny back then! Ladies in skirts, winged bangs, and heels. Guys in Angel Flight pants, open shirts, and gold chains. Oh yeah baby. Disco ruled then!
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woodge1
If you're on Long Island, NY, DISCO IS BACK in East Meadow at Aura Wednesday nights. Played non-stop-seg u e d , mixing songs, dance for hours! No I'm not paid to say this - I just found it & wanted to share it with us! Aura is in same shopping center as old ZACHARYS club from the discodays!
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Thay were long
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That was the back then
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There songs are so long

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I wish the Hall would get them in already so more worthy artists could be nominated.
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i lo ve licha
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lesliegoolch a r a n
Bad is bad but they were deadly
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gillagkc
So back in the day in my Elementary School 4-6 the 6th got to go to the Dance Room every Friday if we were good and made good grades...Thi s is the first song that I remembered played in the Dance Room...to the teachers of Club Blvd. Elem. Sch., Durham, NC...Much Love (Mr. Forte, Ms. Payton (RIP), Ms. Philyaw....)
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My bad or did Niles Rodgers play the rhythm guitar? Don't matter he's the bomb!!$
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Mr. Niles Rodgers one of the baddest bass players eva,,ah many a dance steps to this classic jam back in the day for me in San Francisco joints, killa memories
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Chic club 80s had it going on rock chic Nile Rogers!!!!
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What disco haters are doing here? This a radio station so the same kind of music genre is playing here.
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Get this disco garbage offa my Pandora station !
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Awwweeeee... Freak out! I had to do that :P
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Hip hop to hibby....
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:P
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Grove right
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True that
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repoautooutl e t
dance my a** off
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Nile Rodgers chic club jam luv it Stephen 9261
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I want ur Luvvvvvvvv.. . a w e s o m e side
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Luv it
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repoautooutl e t
chic is so classy > I love the sound
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aea1345
Disco is back everyone it's been revived by several bands it's been back it is no longer dead!
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They. Were. Disco !!! Best. Who. Ever. Did. It!!!! Jam. Alnight. With. Chic.
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I said FREAK
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Wish disco would come back. Greatest dance music ever..
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Where is my bell bottom where is my. Afro. And. Disco. Whistle. I. Missed. Them. All
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freak out in the 70s!
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moneyman875
Much respect to Bernard Edwards.
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rena9297
clubing good time's la freak!!!
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A great band love their sound!!!! Tony Thompson is one of my favorite drummers FYI he was also the drummer for The Power Station..... .
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I've got my freak ON...!
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gaineli
What Can I Say????????? ? ? ? The Best!!!!!!!! ! ! ! ! !
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back when things good
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Tale lord jeans n devil jeans n Sergio Valente damnnnnn I miss those days
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The Good Old Days!!!
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johnmargie6
Go head get up off your a** and boogie down!!!
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Freak out
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johnmargie6
Skate til I die......
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That the ( S**t) right there. !!
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Dam luv having a good time
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Dam luv having a good time
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arnoldfourni e r
Ahhhhhh..... F r e a k OUT!!!
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Say Megan Trainer
clap your hands 5 times
repost this on two other songs
and check your voice
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Yowsah..yows a h . . . y o w s a h ...i wanna dance with u..
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cano-144
Good "song
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Minecraft
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