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Chic

There can be little argument that Chic was disco's greatest band; and, working in a heavily producer-dominated field, they were most definitely a band. By the time Chic appeared in the late '70s, disco was already slipping into the excess that eventually caused its downfall. Chic bucked the trend by stripping disco's sound down to its basic elements; their funky, stylish grooves had an organic sense of interplay that was missing from many of their overproduced competitors. Chic's sound was anchored by the scratchy, James Brown-style rhythm guitar of Nile Rodgers and the indelible, widely imitated (sometimes outright stolen) bass lines of Bernard Edwards; as producers, they used keyboard and string embellishments economically, which kept the emphasis on rhythm. Chic's distinctive approach not only resulted in some of the finest dance singles of their time, but also helped create a template for urban funk, dance-pop, and even hip-hop in the post-disco era. Not coincidentally, Rodgers and Edwards wound up as two of the most successful producers of the '80s.

Rodgers and Edwards first met in 1970, when both were jazz-trained musicians fresh out of high school. Edwards had attended New York's High School for the Performing Arts and was working in a Bronx post office at the time, while Rodgers' early career also included stints in the folk group New World Rising and the Apollo Theater house orchestra. Around 1972, Rodgers and Edwards formed a jazz-rock fusion group called the Big Apple Band. This outfit moonlighted as a backup band, touring behind smooth soul vocal group New York City in the wake of their 1973 hit "I'm Doin' Fine Now." After New York City broke up, the Big Apple Band hit the road with Carol Douglas for a few months, and Rodgers and Edwards decided to make a go of it on their own toward the end of 1976. At first they switched their aspirations from fusion to new wave, briefly performing as Allah & the Knife Wielding Punks, but quickly settled into dance music. They enlisted onetime LaBelle drummer Tony Thompson and female vocalists Norma Jean Wright and Alfa Anderson, and changed their name to Chic in summer 1977 so as to avoid confusion with Walter Murphy & the Big Apple Band (who'd just hit big with "A Fifth of Beethoven").

Augmented in the studio by keyboardists Raymond Jones and Rob Sabino, Chic recorded the demo single "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" and shopped it around to several major record companies, all of which declined it. The small Buddah label finally released it as a 12" in late 1977, and as its club popularity exploded, Atlantic stepped in, signed the group, and re-released the single on a wider basis. "Dance, Dance, Dance" hit the Top Ten, peaking at number six, and made Chic one of the hottest new groups in disco. Chic scrambled to put together their self-titled first album, which spawned a minor follow-up hit, "Everybody Dance," in early 1978. At this point, Wright left to try her hand at a solo career (with assistance from Rodgers and Edwards), and was replaced by Luci Martin. It was a good time to come onboard; "Le Freak," the first single from sophomore album C'est Chic, was an out-of-the-box smash, spending five weeks on top of the charts toward the end of 1978 and selling over four-million copies (which made it the biggest-selling single in Atlantic's history). Follow-up "I Want Your Love" reached number seven, cementing the group's new star status, and C'est Chic became one of the rare disco albums to go platinum.

1979's Risqué was another solidly constructed LP that also went platinum, partly on the strength of Chic's second number one pop hit, "Good Times." "Good Times" may not have equaled the blockbuster sales figures of "Le Freak," but it was the band's most imitated track: Queen's number one hit "Another One Bites the Dust" was a clear rewrite, and the Sugarhill Gang lifted the instrumental backing track wholesale for the first commercial rap single, "Rapper's Delight," marking the first of many times that Chic grooves would be recycled into hip-hop records. Also in 1979, Rodgers and Edwards took on their first major outside production assignment, producing and writing the Sister Sledge smashes "We Are Family" and the oft-sampled "He's the Greatest Dancer." This success, in turn, landed them the chance to work with Diana Ross on 1980's Diana album, and they wrote and produced "Upside Down," her first number one hit in years, as well as "I'm Coming Out."

The disco fad was fading rapidly by that point, however, and 1980's Real People failed to go gold despite another solid performance by the band. Changing tastes put an end to Chic's heyday, as Rodgers and Edwards' outside production work soon grew far more lucrative, even despite aborted projects with Aretha Franklin and Johnny Mathis. Several more Chic LPs followed in the early '80s, with diminishing creative and commercial returns, and Rodgers and Edwards disbanded the group after completing the lackluster Believer in 1983. Later that year, both recorded solo LPs that sank without a trace. Hungry for acceptance and respect in the rock mainstream (especially after accusations that they had ripped off Queen instead of the other way around), both Rodgers and Edwards sought out high-profile production and session work over the rest of the decade. Rodgers produced blockbuster albums like David Bowie's Let's Dance, Madonna's Like a Virgin, and Mick Jagger's She's the Boss. Edwards wasn't as prolific as a producer, but did join the one-off supergroup the Power Station along with Tony Thompson as well as Robert Palmer and members of avowed Chic fans Duran Duran; he later produced Palmer's commercial breakthrough, Riptide. Edwards also worked with Rod Stewart (Out of Order), Jody Watley, and Tina Turner, while Rodgers' other credits include the Thompson Twins, the Vaughan Brothers, INXS, and the B-52's' comeback Cosmic Thing.

Rodgers and Edwards re-formed Chic in 1992 with new vocalists Sylver Logan Sharp and Jenn Thomas, and an assortment of session drummers in Thompson's place; they toured and released a new album, Chic-ism. In 1996, the reconstituted Chic embarked on a tour of Japan; sadly, on April 18, Edwards passed away in his Tokyo hotel room due to a severe bout of pneumonia. Rodgers continued to tour occasionally with a version of Chic, and, in 1999, his Sumthing Else label issued a recording of Edwards' final performance with the band, Live at the Budokan. ~ Steve Huey, Rovi
full bio

Selected Discography

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Track List: The Studio Album Collection 1977 - 1992

Comments

Awesome!
Heck. Yes



Yeah-yuhhhhh h h h h h h h !
!!!!!!!!!M!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !
myron.wilban k s 1 7 0 0
I love ya when your freaky..frea k out!
I love your group?
Le Freak....fee l good song!!!
A blast to the past. I miss the olden days.
Kiss your left hand
Say your crushes name
Say a school day
Close your left hand
Open it and look at it
Post this on 15 other songs and your crush will ask you out on that day
Yes I remember the roller ring fri sat no Sundays the time in my life what happen the good time?????
The best of good times
love this song
"77" Very Good "78"x cellent "79"Blast-Of f
The game changes to GQ-NERU"80"
These Guyzzz Be On It*978*4m14y ~
SO MANY GOOD MEMORIES IN THE BACK OLD DAYS WITH SONGS LIKE THIS I LOVE FUNKY MUSIC
rosered105
I love this song but I am so young so people are like what do you about this songs
Can't help but to start DANCIN!!!!!! ! ! ! ! Ah Freak Out!!!
abbiepittz
FREAK OUT!!!!!!!!! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

These were the days. Of sat night fever clubs like warm beer lousy food where sat night fever was filmed before the name was changed js
Ripped off Queen? I love Queen but Bernard Edwards could've taught John Deacon a thing or two about bass riffs, The Game by Queen didn't come out until 1980, long after BE showed off his great talent, may he rest in peace.
Friday nights at the Roller Rink... I'll never forget it. Great tunes while skating with your friends.
GOOD TIMES ALL THE TIME
Chic .... da Joint....( , )
Chic....so.. . s o . . . . t a l e n t e d ! ! !
johnmargie6
Just git off your butt and git down.....mov e it....git down
Olskl the best........ . . r i g h t ?
Love this song, Chic---Freak Out.
Feel the rhythm, check the ride!!
FREAK OUT!!!
This. Was. Great. Jam. And. Still. Is
♪♪♪♪♪♪♪♪♪ ♥ Rest in peace, Bernard Edwards ♪♪♪♪♪♪♪♪♪ ♥ Chic : )
Hi my jam
They are certainly the greatest disco band, but they were SO much more than that.
I love this song!!! <3
Arthur...... f r e a k out......... .
jadehsiu
You know this is the instrumental for SugarHill Gangs Rappers Delight .....Classic ! ! ! Now what you hear is not a test, I'm rapping to the beat:->
Im all freaaaaak out....
Who was the IDIOT that turned Edwards and Rogers away from the club that was playing THEIR hit music that inspired ♪♪♪ ♥ Freak out ♥ ♪♪♪
I was 9 years old in 1977, No MTV, never saw the video, in fact, living in San Francisco, I don't know what television station would have featured music that was happening internationa l l y , other than American Bandstand and Soul Train. People were just LOVING this music ♥ ♪♪♪♪
I was 11 years old I love it then and now Freak Out!!!
POWER TO THE aWoL PEOPLE!
;)
I might have been born in the 21st century, but I still like the 70s/80s music!
Love it
Soul train we miss u
Great kayv57
schobelnow5
suuuuper!
susan.giddin g s
clams on the half shell and roller stakes, best song of 79 EVER!!!!
I rember dancing n my livin rm to this song! Luv it!!!
geenote126
Blockparties , park cookouts, roller skating & simple clean all out fun!! Ain't nuffin like tha old Skool - EVER!!!!! was the GOOD TIMES of my life.
Mw
When Good Times was out it was heard at all the Discotheque I enter at Mannheim Germany every where I enter there was GOOD TIMES playing.Thos e were the good times alright.
Wow..my CW.POST DAYS..!
I don't get why people don't like older music anymore for that stupid "modern" music
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