It is taking longer than expected to fetch the next song to play. The music should be playing soon. If you get tired of waiting, you can try reloading your browser.


Please check our Help page for information about troubleshooting Pandora on your browser.
Your Pandora One subscription will expire shortly.
close
Your Pandora One trial subscription will expire shortly. Upgrade to continue unlimited, ad-free listening.
You've listened to hours of Pandora this month. Consider upgrading to Pandora One.
Close
Hi . Pandora is using Facebook to personalize your experience. Learn MoreNo Thanks
-0:00
0:00
Change Skin

We created Pandora to put the Music Genome Project directly in your hands

It’s a new kind of radio –
stations that play only music you like

 
Create an account for free. Register
Now Playing
Music Feed
My Profile
Create a Station
People who also like this

The Clash

The Sex Pistols may have been the first British punk rock band, but the Clash were the definitive British punk rockers. Where the Pistols were nihilistic, the Clash were fiery and idealistic, charged with righteousness and a leftist political ideology. From the outset, the band was more musically adventurous, expanding its hard rock & roll with reggae, dub, and rockabilly among other roots musics. Furthermore, they were blessed with two exceptional songwriters in Joe Strummer and Mick Jones, each with a distinctive voice and style. The Clash copped heavily from classic outlaw imagery, positioning themselves as rebels with a cause. As a result, they won a passionately devoted following on both sides of the Atlantic. While they became rock & roll heroes in the U.K., second only to the Jam in terms of popularity, it took the Clash several years to break into the American market, and when they finally did in 1982, they imploded several months later. Though the Clash never became the superstars they always threatened to become, they restored passion and protest to rock & roll. For a while, they really did seem like "the only band that mattered."

For a band that constantly sang about revolution and the working class, the Clash had surprisingly traditional roots. Joe Strummer (born John Graham Mellor, August 21, 1952) had spent most of his childhood in boarding school. By the time he was in his early twenties, he had busked on the streets of London and had formed a pub rock band called the 101'ers. Around the same time, Mick Jones (born June 26, 1955) was leading a hard rock group called the London SS. Unlike Strummer, Jones came from a working-class background in Brixton. Throughout his teens, he was fascinated with rock & roll, and he had formed the London SS with the intent of replicating the hard-driving sound of Mott the Hoople and Faces. Jones' childhood friend Paul Simonon (born December 15, 1956) joined the group as a bassist in 1976 after hearing the Sex Pistols; he replaced Tony James, who would later join Generation X and Sigue Sigue Sputnik. At the time, the band also featured drummer Tory Crimes (born Terry Chimes), who had recently replaced Topper Headon (born Nicky Headon, May 30, 1955). After witnessing the Sex Pistols in concert, Joe Strummer decided to break up the 101'ers in early 1976 in order to pursue a new, harder-edged musical direction. He left the band just before their first single, "Keys to Your Heart," was released. Along with fellow 101'er guitarist Keith Levene, Strummer joined the revamped London SS, now renamed the Clash.

The Clash performed its first concert in the summer of 1976, supporting the Sex Pistols in London. Levene left the band shortly afterward. Hiring Bernard Rhodes -- a former business associate of Sex Pistols manager Malcolm McLaren -- as their manager, the Clash set out on the Pistols' notorious Anarchy Tour late in 1976. Though only three concerts were performed on the tour, it nevertheless raised the Clash's profile and the band secured a record contract in February of 1977 with British CBS. Over the course of three weekends, the group recorded their debut album. Once the sessions were completed, Terry Chimes left the group, and Headon came aboard as the band's drummer. In the spring, the Clash's first single, "White Riot," and eponymous debut album were released to great critical acclaim and sales in the U.K., peaking at number 12 on the charts. The American division of CBS decided The Clash wasn't fit for radio play, so it decided not to release the album. The import of the record became the largest-selling import of all time. Shortly after the U.K. release of The Clash, the band set out on the whirlwind White Riot tour supported by the Jam and the Buzzcocks; the tour was highlighted by a date at London's Rainbow Theatre, where the audience tore the seats out of the venue. During the White Riot tour, CBS pulled "Remote Control" off the album as a single, and as a response, the Clash recorded "Complete Control" with reggae icon Lee "Scratch" Perry.

Throughout 1977, Strummer and Jones were in and out of jail for a myriad of minor indiscretions, ranging from vandalism to stealing a pillowcase, while Simonon and Headon were arrested for shooting racing pigeons with an air gun. The Clash's outlaw image was bolstered considerably by such events, but the band also began to branch out into social activism, such as headlining a Rock Against Racism concert. Released in the summer of 1978, the single "(White Man) In Hammersmith Palais" demonstrated the band's growing social consciousness. Shortly after the single peaked at number 32, the Clash began working on their second album with producer Sandy Pearlman, a former member of Blue Öyster Cult. Pearlman gave Give 'Em Enough Rope a clean but powerful sound designed to break the American market. While that didn't happen -- the album peaked at 128 on the U.S. charts in the spring of 1979 -- the record became an enormous hit in Britain, debuting at number two on the charts.

Early in 1979, the Clash began their first American tour, entitled "Pearl Harbor '79." That summer, the band released the U.K.-only EP The Cost of Living, which featured a cover of the Bobby Fuller Four's "I Fought the Law." Following the later summer release of The Clash in America, the group set out on its second U.S. tour, hiring Mickey Gallagher of Ian Dury's Blockheads as a keyboardist. On both of their U.S. tours, the Clash had R&B acts like Bo Diddley, Sam & Dave, Lee Dorsey, and Screamin' Jay Hawkins support them, as well as neo-traditionalist country-rocker Joe Ely and the punk rockabilly band the Cramps. The choice of supporting acts indicated that the Clash were becoming fascinated with older rock & roll and all of its legends. That fascination became the driving force behind their breakthrough double album, London Calling. Produced by Guy Stevens, who formerly worked with Mott the Hoople, London Calling boasted an array of styles, ranging from rockabilly and New Orleans R&B to anthemic hard rock and reggae. Retailing at the price of a single album, the record debuted at number nine on the U.K. charts in late 1979 and climbed to number 27 on the U.S. charts in the spring of 1980.

The Clash successfully toured the U.S., the U.K., and Europe in early 1980, during which time the pseudo-documentary Rude Boy was released in England. During the summer, the band released the Dutch-only, dub-inflected single "Bankrobber," which they recorded with DJ Mikey Dread; by the fall, the British branch of CBS was forced to release the single due to popular demand. Shortly afterward, the band went to New York to begin the tension-filled, self-produced sessions for their follow-up to London Calling. In November, a U.S.-only EP of odds and ends entitled Black Market Clash was released. The following month, the triple-record set Sandinista! appeared in the U.K. and the U.S. The critical reaction to the album was decidedly mixed, with American critics reacting more favorably than their British counterparts. Furthermore, the band's audience in the U.K. was shrinking slightly -- Sandinista! was the first record the group released that sold more copies in the U.S. than the U.K.

After spending much of 1981 touring and resting, the Clash reconvened late in the year to record their fifth album with producer Glyn Johns, a former engineer/producer for the Rolling Stones, the Who, and Led Zeppelin. Headon left the band shortly after the sessions finished; the press statement said he parted with the group due to political differences, but it was later revealed that the split was due to his heavy drug use. The band replaced Headon with their old drummer, Terry Chimes, around the spring release of Combat Rock. The album was the Clash's most commercially successful effort, entering the U.K. charts at number two and climbing into the American Top Ten in early 1983, thanks to the Top Ten hit single "Rock the Casbah." During the fall of 1982, the Clash opened for the Who on their farewell tour. Though the tour helped Combat Rock scale the U.S. charts, the Clash were routinely booed off the stage on every date of the tour.

Although the Clash were at the height of their commercial powers in 1983, the band was beginning fall apart. Chimes was fired in the spring and was replaced by Pete Howard, formerly of Cold Fish. During the summer, the band headlined the U.S. Festival in California; it would be their last major appearance. In September, Joe Strummer and Paul Simonon fired Mick Jones because he "drifted apart from the original idea of the Clash." Jones formed Big Audio Dynamite the following year, while the Clash hired guitarists Vince White and Nick Sheppard to fill his vacancy. Throughout 1984, the band toured America and Europe, testing the new lineup. The revamped Clash finally released their first album, Cut the Crap, in November. The album was greeted with overwhelmingly poor reviews and sales; it would later be disowned by Strummer and Simonon.

Early in 1986, Strummer and Simonon decided to permanently disband the Clash. Several years later, Simonon formed the roots rock band Havana 3 A.M., which released only one album, in 1991; following the record's release, he concentrated on painting. After reuniting with Jones to write songs for Big Audio Dynamite's second album, 1986's No. 10 Upping Street, Strummer drifted between a musical and film career, appearing in Alex Cox's Straight to Hell (1986) and Jim Jarmusch's Mystery Train (1989). He also scored Permanent Record (1988) and Cox's Walker (1987). Strummer released a solo album, Earthquake Weather, in 1989. Shortly afterward, he joined the Pogues as a touring rhythm guitarist and vocalist. By 1991, he had quietly drifted away from the spotlight. For the remainder of the decade, Strummer was quiet, appearing on only one other recording -- Black Grape's 1996 Top Ten hit "England's Irie."

Though Strummer and Simonon were both quiet, and Jones was busy with various incarnations of Big Audio Dynamite, rumors of a Clash reunion continued to circulate throughout the '90s. When "Should I Stay or Should I Go?" appeared in a Levi's television commercial in 1992, the song was re-released in the U.K. by CBS, and it shot to number one, fueling reunion speculation. The rumors appeared again in 1995 and 1996, when the Sex Pistols decided to reunite, but the Clash remained quiet. Live: From Here to Eternity, assembling material recorded between 1978 and 1982, was released in 1999, shortly followed by the documentary film Westway to the World.

The Clash were inducted into the Rock & Roll Hall of Fame in November 2002 and the group were making plans to reunite to commemorate the event that following spring when Strummer suddenly died from a congenital heart defect on December 22, 2002. In the wake of his passing, the Clash were inducted into the Hall in March of 2003 and then quietly tabled any plans for a reunion. Over the next decade, both Jones and Simonon were musically active. Jones produced both albums by the acclaimed rock group the Libertines -- who themselves bore a distinct debt to the Clash -- and Simonon teamed with Blur's Damon Albarn for the 2007 band the Good, The Bad & The Queen. This project lead to a Jones and Simonon reunion under the auspices of Albarn's group Gorillaz; the pair both performed on the 2010 album Plastic Beach and then they both appeared on the supporting tour, marking the first time they shared the stage since the Clash. In 2013, the group announced a major archival project called Sound System containing new remasters of the band's first five albums, three additional CDs of rarities, singles, and demos, plus a DVD. Along with the box set came a new compilation called The Clash Hits Back, which mimicked the sequence of their July 19, 1982 set list at the Brixton Fair Deal. ~ Stephen Thomas Erlewine, Rovi
full bio

Selected Discography

x

Track List: The Singles

Disc 1
Disc 2
Disc 3
Disc 4
Disc 5
Disc 6
Disc 7
Disc 8
Disc 9
Disc 10
Disc 11
Disc 12
Disc 13
Disc 14
Disc 15
Disc 16
Disc 17
Disc 18
Disc 19
x

Track List: London Calling 25th Anniversary Legacy Edition

Disc 1
Disc 2
Disc 3

Comments

They are truly badass
Should I say or should I go. A song that lasts the test of time
Tommy Ramone died yesterday. He's the last of The Ramones.
fucken good song
I see no mention at all of Joe Strummer and Mescaleros, who produced several albums and some of my favorite tracks. They play right here on this station.
That we're good back then
Half the clash went to the gorillaz
ironbar69
Still the only band that matters
Good song!
Bobonit=twat
amye45
Q: What do you get when you cross a clown with a lice egg?
A: BOBONIT
The Clash is wicked good!
milosdad
Bobonnit has to clarify if he was part of the scene in the 70's and 80's. I was there and it was exciting. There was nothing mediocre about the Clash's music. It was reflective of the many musical tastes in the band and it showed in the number of people who got excited about it. You can quibble about vocal talents and musicianship all you want but that argument has probably been applied to every band that has ever come out. Miley Cyrus has a great voice but I would never put her in the same
milosdad
category as the Clash.
beast
nicko252008
London calling, Elvis Presley cover parody, the cover was taken at the palladium.
Should I stay or should I go?
VjgjgHGgjjjs j g j v f j a g j v n g j s
ChFhfkfhfhfh f h f h f h f j q h f u f u q g j g j
Gjvgjg hacks
Nvhvjvjavvjv h a v j g j a r j
FGCgjvhAVJ
GhvhJghvjf
Vguvhgjvs
The album cover inspired me to destroy my guitar at my last gig.
Love the Clash music
I think you should stay----don' t go -- but if you GO --you get to Collect $200 as you pass GO
Bobonnit got a hernia trying to lift his Real Doll out of the closet.
RIGHT! Every decade has departure and unless you are part of it....you really don't get it like boobnutz. NOW since you obviously weren't there, lets talk about the real issue - Joe Strummer being that hippy/Pogue punk imposter that he was back then! Don't get me wrong, I still like this band a lot - well, early records anyway.
RIGHT! Every decade has departure and unless you are part of it....you really don't get it like boobnutz. NOW since you obviously weren't there, lets talk about the real issue - Joe Strummer being that hippy/Pogue punk imposter that he was back then!
Nice break.
HA HA BOBONNIT. were you there ?? they really were a departure to Abba and the Bee gees . And they were brilliant.
Well they were not pop sooo ??
for hilarious critical thought read the post below
Totally over rated and made much less impact on pop music than the dumb critics seemed to think. There is nothing interesting or admirable about making mediocre music and having a crappy singer that couldn't carry a tune in a bucket. Thumbs down to no talent hacks from the 80's.
Give 'em Rope!
I mean f**kin cool!!!!
London calling is a real cool album every about it even the cover.
gapper1785
Was lucky enough to have caught a few of the shows they did at Bonds in NYC 1981 supporting Sandinista. I had all access passes so it was obviously awesome. Hanging with David Johansen, later to become Buster Poindexter. They opened with London Calling. Great memories.
Awesome English Punk Rock Band!
sweet
The sound of giggling girls, and the Ausable river rushing past. The summer before my senior year of high school. That's where the Clash takes me. Not the casbah but the sandbar in the river below the chasm near lake placid. Youth is SO wasted on the young.
tullberg0
Bio is a bit inaccurate with respect to Joe Strummer's later years. As part of Joe Strummer and the Mescaleros he released Rock Art and the X-Ray Style in 1999 and another couple albums before he died, not quite quiet.
Don't read this because it actually works.You will be kissed on the nearest Friday by the love of your life.Tomorro w will be the best day of your life.However if you don't post this you will die in2 days.Now that you started reading this so don't stop.This is so scary put this on at least 5 songs in the next 143 minutes.When done press f6 and your lovers name will appear on your screen in big letters this is so scary because it actually works.
So Clash was writing music for a movie that was in production and one of the members decided to fight the law and the law won, so all the other members kept thinking 'Should I stay or should I go? but they told the director of the movie soon after that London was calling.
From time to time! There're always good. Even for those songs that aren't to amazing, but whatever.
Lol to one comment on this bio. Here's a question: When does Pandora have full accuracy with these bios to begin with? Perhaps song and album discographie s . . .

Love the Clash from time to time, though.
Si no me quieres libra me. Awesome!
Jones singing about his then girl friend, Viv.
♪♪♪♪♪
Show more

We're sorry, but a browser plugin or firewall may be preventing Pandora from loading.

In order to use Pandora internet radio, please upgrade to a more current browser.

Please check our Help page for more information.

In order to use Pandora internet radio, please upgrade to a more current browser
or install a newer version of Flash (v.10 or later).

In order to use Pandora internet radio, please install Adobe Flash (v.10 or later).

[79, 70, 96, 71, 120, 125, 89, 121, 88, 94, 105, 95, 65, 121, 86, 90, 125, 107, 95, 78, 79, 98, 81, 102, 112, 124, 72, 81, 69, 108, 95, 92, 97, 84, 66, 89, 74, 105, 122, 78, 99, 93, 97, 104, 84, 65, 80, 107, 107, 86, 119, 97, 110, 122, 105, 96, 87, 117, 127, 65, 83, 98, 107, 100, 122, 104, 75, 108, 85, 72, 120, 93, 76, 98, 69, 117, 68, 98, 81, 78, 111, 108, 67, 127, 93, 110, 80, 109, 122, 87, 108, 102, 77, 98, 72, 103, 97, 123, 85, 125, 102, 76, 89, 114, 94, 124, 84, 116, 91, 102, 65, 86, 127, 67, 67, 85, 119, 125, 106, 71, 103, 94, 101, 73, 122, 81, 100, 107, 68, 93, 74, 102, 71, 73, 81, 119, 93, 112, 84, 85, 115, 109, 86, 99, 103, 91, 72, 69, 105, 103, 71, 114, 70, 71, 82, 64, 93, 73, 74, 98, 91, 83, 107, 93, 124, 126, 99, 64, 67, 119, 109, 86, 111, 125, 117, 117, 86, 124, 120, 88, 118, 84, 119, 79, 86, 94, 66, 73, 69, 65, 105, 124, 88, 75, 69, 78, 71, 91, 73, 115, 94, 94, 98, 118, 79, 66, 122, 107, 81, 67, 104, 82, 88, 126, 119, 103, 99, 120, 117, 95, 75, 126, 87, 96, 121, 69, 75, 124, 123, 96, 79, 119, 81, 97, 79, 113, 69, 123, 97, 84, 85, 116, 84, 98, 119, 72, 92, 71, 106, 117, 113, 98, 111, 124, 127, 83, 99, 86, 96, 67, 81, 119, 120, 71, 114, 103, 65, 99, 113, 104, 96, 99, 77, 112, 104, 122, 124, 101, 92, 83, 104, 127, 77, 67, 88, 106, 77, 79, 102, 90, 124, 82, 87, 101, 81, 76, 67, 119, 87, 119, 97, 89, 84, 121, 76, 114, 109, 123, 73, 96, 85, 107, 90, 68, 75, 118, 119, 83, 75, 124, 69, 69, 81, 80, 87, 122, 80, 86, 87, 85, 67, 120, 114, 124, 104, 87, 79, 117, 69, 84, 122, 119, 108, 68, 116, 113, 100, 113, 84, 95, 119, 100, 102, 97, 65, 119, 95, 87, 100, 94, 68, 85, 71, 114, 115, 84, 80, 89, 67, 91, 71, 103, 86, 86, 115, 86, 116, 108, 101, 113, 110, 65, 68, 69, 78, 108, 80, 87, 68, 112, 81, 106, 71, 77, 88, 115, 113, 110, 115, 99, 90, 64, 112, 108, 71, 106, 95, 66, 126, 71, 126, 69, 85, 123, 98, 89, 126, 99, 113, 85, 117, 108, 113, 116, 117, 71, 65, 92, 125, 118, 116, 86, 89, 77, 117, 90, 64, 78, 74, 67, 80, 122, 97, 104, 79, 83, 105, 69, 88, 109, 75, 77, 89, 118, 83, 121, 94, 85, 105, 83, 95, 86, 109, 117, 64, 120, 95, 68, 111, 82, 71, 94, 116, 81, 83, 87, 121, 91, 70, 120, 111, 112, 85, 111, 65, 115, 118, 72, 125, 91, 85, 68, 72, 110, 120, 80, 107, 71, 84, 70, 85, 99, 121, 95, 92, 100, 77, 65, 113, 106, 84, 113]