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The Cramps

Conjuring a fiendish witches' brew of primal rockabilly, grease-stained '60s garage rock, vintage monster movies, perverse and glistening sex, and the detritus and effluvia of 50 years of American pop culture, the Cramps are a truly American creation much in the manner of the Cadillac, the White Castle hamburger, the Fender Stratocaster, and Jayne Mansfield. Often imitated, but never with the same psychic resonance as the original, the Cramps celebrate all that is dirty and gaudy with a perverse joy that draws in listeners with its fleshy decadence, not unlike an enchanted gingerbread house on the Las Vegas strip. The entire psychobilly scene would be unthinkable without them, and their prescient celebration of the echoey menace of first-generation rock & roll had a primal (if little acknowledged) influence on the rockabilly revival and the later roots rock movement.

The saga of the Cramps begins in 1972 in Sacramento, CA, when LSD enthusiast and Alice Cooper fan Erick Purkhiser picked up a hitchhiker, a woman with a highly evolved rock & roll fashion sense named Kristy Wallace. The two quickly took note of one another, but major sparks didn't began to fly until a few weeks later, when they discovered they were both enrolled in a course on "Art and Shamanism" at Sacramento City College. These two lovebirds were soon sharing both an apartment and their collective enthusiasm for the stranger and more obscure sounds of rock's first era, as well as the more flamboyant music of the day. Their passion for music led them to the conclusion that they should form a band, and Kristy picked up a guitar and adopted the stage name Poison Ivy Rorschach, while future vocalist Erick became Lux Interior, after short spells as Raven Beauty and Vip Vop. Ivy and Lux hit the road for Ohio, and after living frugally in Akron for a year and a half, they made their way to New York City in 1975 in search of stardom.

While working at a record store, Interior made the acquaintance of fellow employee Greg Beckerleg, who had recently arrived from Detroit and also wanted to form a band. Beckerleg transformed himself into primal noise guitarist Bryan Gregory, and even persuaded his sister to join the nascent combo as a drummer. However, Pam Beckerleg didn't work out on traps, and so Miriam Linna, an Ohio transplant who had gotten to know Lux and Ivy during their sojourn in the Buckeye State, finalized the first proper lineup of the band they called the Cramps. Between Ivy's twangy single-note leads, Bryan's shower-of-sparks reports of noise, Lux's demented banshee howling, and Miriam's primitive stomp, the Cramps didn't sound like anyone else on the budding New York punk scene, and the foursome soon began attracting both crowds and buzz with their shows at CBGB's and Max's Kansas City. After about a year of gigging in and around New York, Linna left the group (she would later co-found frantic cultural journal Kicks Magazine and exemplary reissue label Norton Records), and another former Ohioan, Nick Stephanoff (known to his fans as Nick Knox and previously a member of infamous Cleveland noise terrorists the Electric Eels) took over behind the drums, and this version of the Cramps released the group's first recordings, a pair of 7" singles recorded in Memphis with Alex Chilton as producer and issued by the band's own Vengeance Records label.

In 1979, Miles Copeland signed the band to his fledgling new wave label I.R.S. Records, and their first 12" release was an EP featuring the material from their self-released singles, entitled Gravest Hits. That same year, the band traveled to Europe for the first time, playing as opening act for the Police and stealing the show from the peroxide-addled pop stars many nights. The Cramps returned to Memphis with Chilton to record their first full-length album, 1980's masterful Songs the Lord Taught Us, but what should have been a triumphant U.S. tour following its release was scuttled when Gregory unceremoniously quit the band by leaving unannounced with a van full of their equipment; at the time, a story circulated that Gregory left the Cramps to pursue an interest in Satanism, though in later interviews Lux and Ivy said there was no truth to these rumors and his actions were more likely the result of his addiction to heroin. Lux, Ivy, and Nick opted to move the band to Hollywood, CA, and recruited Gun Club guitarist Kid Congo Powers to take over as second guitarist in time to record their second long-player, Psychedelic Jungle.

In 1981, the Cramps filed suit against I.R.S. Records over unpaid royalties; the court case prevented the band from recording new material for two years, and when they returned to America's record racks, it was with a live album, 1983's Smell of Female, recording during a pair of dates at New York City's Peppermint Lounge. Kid Congo amicably parted ways with the band shortly afterward, and the search for the right record company kept the Cramps out of the studio until the U.K.-based Big Beat label released the ultra-lascivious A Date With Elvis in 1986; while several guitarists had come and gone since Kid Congo, for these sessions Poison Ivy ended up overdubbing herself on bass. In 1987, the group finally found a simpatico bassist in the form of tough gal Candy Del Mar, whom Lux and Ivy met in the parking lot of a liquor store. Del Mar made her recorded debut on the live album Rockin n Reelin in Auckland New Zealand, and she was still on board when the Cramps finally signed a U.S. record deal with Enigma Records and recorded the fine and full-bodied Stay Sick! in 1990.

Only a year later, the Cramps were back with a new studio album, Look Mom No Head!, but in a surprising move Nick Knox had left the band, and was replaced by Jim Sclavunos; after Jim's short tenure with the group, Nickey Beat (aka Nicky Alexander, former timekeeper with the Weirdos) took over the drum throne before one Harry Drumdini signed on. Less startlingly, Candy Del Mar was also out of the lineup, replaced by Slim Chance, a one-time member of the Mad Daddys. Harry and Slim joined Lux and Ivy in 1994 for the Cramps' first major-label album, Flamejob, released by the Warner Bros.-distributed Medicine imprint. As usual, much touring followed, and the band even made an appearance on the popular youth-centric soap opera Beverly Hills 90210 in 1995. The Cramps' major-label period proved to be brief, with Cal-punk indie label Epitaph inking a deal with the group to release 1997's Big Beat from Badsville, which featured the same lineup as Flamejob.

In 2001, Lux Interior and Poison Ivy Rorschach celebrated the 25th anniversary of the Cramps by taking the matters of record-making into their own hands; they revived the long-dormant Vengeance label and reissued their entire post-I.R.S. album catalog (except for Flamejob) on expanded and remastered CDs and colored vinyl LPs. A new Cramps album followed in 2003, Fiends of Dope Island, which (of course) featured yet another personal change, with Chopper Franklin becoming the band's latest bassist. And with the Cramps continuing their unholy mission well into the 21st century, they offered their fans a look back with 2004's How to Make a Monster, a collection of rare live material and demos. They performed live for the final time in November 2006 at the House of Blues in Anaheim, California, before a relative period of inactivity for the band. Then, in February 2009, the sad news came that Lux Interior had passed away, aged 62, at the Glendale Memorial Hospital after suffering an aortic dissection. Tributes were plentiful for such a singular figure and 2011’s File Under Sacred Music: Early Singles 1978-1981 acted as a timely reminder of the passion, prescience and originality that was inherent in the music of The Cramps. ~ Mark Deming
full bio

Selected Discography

x

Track List: File Under Sacred Music Early Singles 1978 - 1981

2. The Way I Walk

3. Human Fly

4. Domino

5. Lonesome Town

6. Mystery Plane

7. Fever

9. TV Set

10. The Mad Daddy

11. Drug Train

12. Love Me

13. I Can't Hardly Stand It

14. Twist & Shout

15. Uranium Rock

16. Goo Goo Muck

17. She Said

18. The Crusher

19. Save It

20. New Kind Of Kick

21. Rockin' Bones

22. Voodoo Idol

x

Track List: How To Make A Monster

x

Track List: Flamejob

1. Mean Machine

2. Ultra Twist

3. Let's Get F*Cked Up

4. Nest Of The Cuckoo Bird

5. I'm Customized

6. Sado County Auto Show

7. Naked Girl Falling Down The Stairs

8. How Come You Do Me?

9. Inside Out And Upside Down (With You)

10. Trapped Love

11. Swing The Big Eyed Rabbit

12. Strangelove

13. Blues, Blues, Blues

14. Sinners

15. Route 66 (Get Your Kicks On)

x

Track List: Look Mom No Head!

1. Dames, Booze, Chains And Boots

2. Two Headed Sex Change

3. Blow Up Your Mind

4. Hardworkin' Man

5. Miniskirt Blues (Feat. Iggy Pop)

6. Alligator Stomp

7. I Wanna Get In Your Pants

8. Bend Over, I'll Drive

9. Don't Get Funny With Me

10. Eyeball In My Martini

11. Hipsville 29 B.C.

12. The Strangeness In Me

13. Wilder Wilder Faster Faster

x

Track List: Bad Music For Bad People

1. Garbageman

2. New Kind Of Kick

4. I Can't Hardly Stand It

5. She Said (Live)

6. Goo Goo Muck

7. Save It

8. Human Fly

9. Drug Train

10. TV Set (live)

11. Uranium Rock

x

Track List: Psychedelic Jungle

1. Greenfuz

2. Goo Goo Muck

3. Rockin' Bones

4. Voodoo Idol

5. Primitive

6. Caveman

7. The Crusher

8. Don't Eat Stuff Off The Sidewalk

9. Can't Find My Mind

10. Jungle Hop

11. Natives Are Restless

12. Under The Wires

13. Beautiful Gardens

14. Green Door

x

Track List: Songs The Lord Taught Us

1. TV Set

2. Rock On The Moon

3. Garbageman

4. I Was A Teenage Werewolf

5. Sunglasses After Dark

6. The Mad Daddy

7. Mystery Plane

8. Zombie Dance

9. What's Behind The Mask

10. Strychnine

11. I'm Cramped

12. Tear It Up

13. Fever

14. I Was A Teenage Werewolf (With False Start) (Original Mix)

15. Mystery Plane (Original Mix)

16. Twist And Shout

17. I'm Cramped (Original Mix)

18. The Mad Daddy (Original Mix)

x

Track List: Off The Bone

1. Human Fly

2. Way I Walk

3. Domino

4. Surfin' Bird

5. Lonesome Town

6. Garbageman

7. Fever

8. Drug Train

9. Love Me

10. I Can't Hardly Stand It

11. Goo Goo Muck

12. She Said

13. The Crusher

14. Save It

15. New Kind Of Kick

16. Uranium Rock

17. Good Taste (Live)

Comments

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~•⭐♥☠♥☠♥☠♥☠♥ ~
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I saw them too hofb 1999...f**ki n g puppet show...got to many Irish car bombs lol
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Uncle burned me a copy of Bad Music For Bad People on CD in high school. Love that album not one bad song.
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Saw them at the House of Blues Sunset Strip in 1999. They were wild! Best show I've ever been to!
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Love this song
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The
Cramps
RULE RIP L
ux
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Saw then open for white zombie in '92, Alice Cooper came out on stage
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Was lucky Enuff to see em at AustinTX Back Room in '93 and The White Rabbit in '98. Love The Cramps !
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Saw the cramps play at the culture room, Ft. LAUDERDALE, 2005. It may not have been 1979, buy it was still a Hell of a show. Such a fun band to kill a few hours with if you ain't got nothing better to do ; )
After they played, my gal & I went over and I called em out before they split. Met the band, Bullshitted a few, then, they were cool enough to sign a few 45's & L. P's
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I first saw The Cramps at the Masque in Hollywood 1977.My girlfriend just did a whole radio show on them on Kchung radio in China Town.
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anthony64702
I followed these guy's in SF California . crazy times !! good drugs & good times!!
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Now onto something that needs attention... . . . f u C Q bobonnit.
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I got 96 tears and 96 eyes........ .
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I'm cramping!!!! ! ! Cramps and Southern Culture on the Skids- listen all day to them and never get bored
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The Cramps are the best-slinky, sexy and surreal -Poison Ivy is a VAMP!!
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PURE ROCK N F**KIN ROLL 100%!!!!!!!! ! ! ! !
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crobar1969
UGHH!!! boobonnit is such a moron who does NOT know ANYTHING about talent ... oh forget it..bob.. run a garden hose from your exhaust pipe to the drivers side window of your car, close window get in car, start it and listen to Beiber until you fall asleep... nighty night.... dip$#!t
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Poison ivy i would cut off my pinky to MEAT you and its not a typo, the one on my hand not the vienna!
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Eat caca
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Yeah bobonnit is one of those classic rock only type guys that I grew up who criticized and riducued me when I starting listening to bands like The Smiths...Vio l e n t Femmes.....T h e Cramps...the y just don't get it and no amount of trying to reason or explain to them will ever help...just clueless.
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LOVE IT!
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shane.handsc h i n
I was lucky enough to see these a long time ago. Great show!
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Flamejob is one of their best albums also I love the songs bikini girls with machine guns, human fly, whats in a girl, and garbage man
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The Cramps are awesome !!!
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I love the cramps!
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GOO GOO MUCK !!! CLASSICK !
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I wish we knew what poison ivy was up to these days :(
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barnettray37
That's the f**king greatest band that ever lived!!!!!!! ! ! ! Rest in peace lux man, rest in peace.
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ooh baybay
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bobonnit is an Idiot
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Lux and Ivy forever. The Cramps will live on forever. My 19 year old son now loves the Cramps also... The proof is in the pudding.
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bobonnit has not a clue. The Cramps gimmick has inspired many bands. Lux was one of the best live performers to take the stage
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They are a joke. Another contrived band of limited talent people who came up with a gimmick rather than talent.
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Well, when I die don't you bury me at all
Just nail my bones up on the wall
Beneath these bones let these words be seen
This is the bloody gears of a boppin' machine
-Respect-
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RIP Lux. Was fortunate enough to have seen the Cramps 3 different times during the 90's and they were one of the best live acts I've ever seen, and I have been to A LOT OF LIVE SHOWS! Great, great music, great style.
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mmariebrown7
They should get together with Quentin Tarantino and do the soundtrack on one of his movies.
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I miss LUX. Saw them live in 2002(ish)... t h i s band played like they still had something to prove (when we all know they didn't). Love the Haze reference dsaunders..
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dsaunders201 6
The best and gotta give a big influenced by nod to hunch master Hasil Adkins.
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those who know,just know
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photohause
RIP LUX
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coreyh33
reminds me of robert gordon or the headcoats
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cavelitist
Sexy.
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It was a naked girl falling down the stairs
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You put one foot up,
You put another foot up,
You put another foot up,
And you're on board the drug train!
Woo hoo,
Have a nice day!
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lebaron10
Sounds very B-52 ish.....
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all aboard the drug train! It's 50's,meets 60's instruental, With a little punk and rockabiily.
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LUX RIP gone but forgotten
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j.adams000
goo goo muck!!!!
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hotrodmyk
I wear my sunglasses after dark
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The hottest thing from the north to come out of the south!
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