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The Cure

Out of all the bands that emerged in the immediate aftermath of punk rock in the late '70s, few were as enduring and popular as the Cure. Led through numerous incarnations by guitarist/vocalist Robert Smith (born April 21, 1959), the band became well-known for its slow, gloomy dirges and Smith's ghoulish appearance, a public image that often hid the diversity of the Cure's music. At the outset, the Cure played jagged, edgy pop songs before slowly evolving into a more textured outfit. As one of the bands that laid the seeds for goth rock, the group created towering layers of guitars and synthesizers, but by the time goth caught on in the mid-'80s, the Cure had moved away from the genre. By the end of the '80s, the band had crossed over into the mainstream not only in its native England, but also in the United States and in various parts of Europe. The Cure remained a popular concert draw and reliable record-seller throughout the '90s, and their influence could be heard clearly on scores of new bands during the new millennium, including many that had little to do with goth.

Originally called the Easy Cure, the band was formed in 1976 by schoolmates Smith (vocals, guitar), Michael Dempsey (bass), and Laurence "Lol" Tolhurst (drums). Initially, the group specialized in dark, nervy guitar pop with pseudo-literary lyrics, as evidenced by the Albert Camus-inspired "Killing an Arab." A demo tape featuring "Killing an Arab" arrived in the hands of Chris Parry, an A&R representative at Polydor Records; by the time he received the tape, the band's name had been truncated to the Cure. Parry was impressed with the song and arranged for its release on the independent label Small Wonder in December 1978. Early in 1979, Parry left Polydor to form his own record label, Fiction, and the Cure was one of the first bands to sign with the upstart label. "Killing an Arab" was then re-released in February of 1979, and the Cure embarked on its first tour of England.

The Cure's debut album, Three Imaginary Boys, was released in May 1979 to positive reviews in the British music press. Later that year, the group released the non-LP singles "Boys Don't Cry" and "Jumping Someone Else's Train." That same year, the Cure embarked on a major tour with Siouxsie and the Banshees. During the tour, the Banshees' guitarist, John McKay, left the group and Smith stepped in for the missing musician. For the next decade or so, Smith would frequently collaborate with members of the Banshees.

At the end of 1979, the Cure released a single, "I'm a Cult Hero," under the name the Cult Heroes. Following the release of the single, Dempsey left the band to join the Associates; he was replaced by Simon Gallup at the beginning of 1980. At the same time, the Cure added a keyboardist, Mathieu Hartley, and wrapped up production on the band's second album, Seventeen Seconds, which was issued during the spring of 1980. The addition of a keyboardist expanded the group's sound, was which now more experimental and often embraced slow, gloomy dirges. Nevertheless, the band still wrote pop hooks, as demonstrated by the group's first U.K. hit single, "A Forest," which peaked at number 31. After the release of Seventeen Seconds, the Cure launched its first world tour. Following the Australian leg of the tour, Hartley exited the lineup and his former bandmates chose to continue without him, releasing their third album in 1981 (Faith) and watching it peak at number 14 in the charts. Faith also spawned the minor hit single "Primary." The Cure's fourth album, the doom-laden, introspective Pornography, was released soon after in 1982. Pornography expanded their cult audience even further and cracked the U.K. Top Ten. After the Pornography tour was completed, Gallup quit the band and Tolhurst moved from drums to keyboards. At the end of 1982, the Cure released a new single, the dance-tinged "Let's Go to Bed."

Smith devoted most of the beginning of 1983 to Siouxsie and the Banshees, recording the Hyaena album with the group and appearing as the band's guitarist on the album's accompanying tour. That same year, Smith also formed a band with Banshees bassist Steve Severin; after adopting the name The Glove, the group released its only album, Blue Sunshine. By the late summer of 1983, a new version of the Cure -- featuring Smith, Tolhurst, drummer Andy Anderson, and bassist Phil Thornalley -- had assembled and recorded a new single, a jaunty tune named "The Lovecats." The song was released in the fall of 1983 and became the group's biggest hit to date, peaking at number seven on the U.K. charts. The new lineup of the Cure released The Top in 1984. Despite the pop leanings the number 14 hit "The Caterpillar," The Top was a return to the bleak soundscapes of Pornography. During the world tour supporting The Top, Anderson was fired from the band. In early 1985, following the completion of the tour, Thornalley left the band. The Cure revamped their lineup after his departure, adding drummer Boris Williams and guitarist Porl Thompson; Gallup returned on bass. Later in 1985, the Cure released their sixth album, The Head on the Door. The album was the most concise and pop-oriented record the group had ever released, which helped send it into the U.K. Top Ten and to number 59 in the U.S., the first time the band had broken the American Hot 100. "In Between Days" and "Close to Me" -- both pulled from The Head on the Door -- became sizable U.K. hits, as well as popular underground and college radio hits in the U.S.

The Cure followed the breakthrough success of The Head on the Door in 1986 with the compilation Standing on a Beach: The Singles. Standing on a Beach reached number four in the U.K., but more importantly, it established the band as a major cult act in the U.S.; the album peaked at number 48 and went gold within a year. In short, Standing on a Beach set the stage for 1987's double album Kiss Me, Kiss Me, Kiss Me. The album was eclectic but it was a hit, spawning four hit singles in the U.K. ("Why Can't I Be You," "Catch," "Just Like Heaven," "Hot Hot Hot!!!") and the group's first American Top 40 hit, "Just Like Heaven." Following the supporting tour for Kiss Me, Kiss Me, Kiss Me, the Cure's activity slowed to a halt. Before the Cure began working on their new album in early 1988, the band fired Tolhurst, claiming that relations between him and the rest of the band had been irrevocably damaged. Tolhurst would soon file a lawsuit, claiming that his role in the band was greater than stated in his contract and, consequently, he deserved more money.

In the meantime, the Cure replaced Tolhurst with former Psychedelic Furs keyboardist Roger O'Donnell and recorded their eighth album, Disintegration. Released in the spring of 1989, the album was more melancholy than its predecessor, but it was an immediate hit, reaching number three in the U.K. and number 14 in the U.S., and spawning a series of hit singles. "Lullaby" became the group's biggest British hit in the spring of 1989, peaking at number five. In the late summer, the band had its biggest American hit with "Love Song," which climbed to number two. On the Disintegration tour, the Cure began playing stadiums across the U.S. and the U.K. In the fall of 1990, the Cure released Mixed Up, a collection of remixes featuring a new single, "Never Enough." Following the Disintegration tour, O'Donnell left the band and the Cure replaced him with their roadie, Perry Bamonte. In the spring of 1992, the band released Wish. Like Disintegration, Wish was an immediate hit, entering the British charts at number one and the American charts at number two, as well as launching the hit singles "High" and "Friday I'm in Love." The Cure embarked on another international tour after the release of Wish. One concert, performed in Detroit, was documented on a film called Show and on two albums, Show and Paris. The movie and the albums were released in 1993.

Thompson left the band in 1993 to join Jimmy Page and Robert Plant's band. After his departure, O'Donnell rejoined the lineup as a keyboardist, and Bamonte switched from synthesizer duties to guitar. During most of 1993 and early 1994, the Cure were sidelined by an ongoing lawsuit from Tolhurst, who claimed joint ownership of the band's name and also sought to restructure his royalty payments. A settlement (ruling in the band's favor) eventually arrived during the fall of 1994, and the Cure shifted their focus to the task at hand: recording a follow-up album to Wish. However, drummer Boris Williams quit just as the band prepared to begin the recording process. The group recruited a new percussionist through advertisements in the British music papers; by the spring of 1995, Jason Cooper had replaced Williams. Throughout 1995, the Cure recorded their tenth proper studio album, pausing to perform a handful of European musical festivals in the summer. The album, titled Wild Mood Swings, was finally released in the spring of 1996, preceded by the single "The 13th."

A combination of pop tunes and darker moments that lived up to its title, Wild Mood Swings received a mixed reception critically and commercially, slowing but not halting the momentum gained by Wish. Galore, the Cure's second singles collection focusing on the band's hits since Standing on a Beach, appeared in 1997 and featured the new song "Wrong Number." The Cure spent the next few years quietly -- giving a song to the X-Files soundtrack, Robert Smith appearing in a memorable episode of South Park -- re-emerging in 2000 with Bloodflowers, their last album of original material, for Fiction. Designed as the final installment in a heavy goth trilogy that stretched all the way back to Pornography and included Disintegration, Bloodflowers was well-received and a respectable success, earning a Grammy nomination for Best Alternative Music Album. The next year, the Cure closed out their contract with Fiction with the career-spanning Greatest Hits, which was also accompanied by a DVD release of their most popular videos. During 2002, they spent some time on the road, capping off their tour with a three-night stand in Berlin, where they played each album of their "goth trilogy" on a different night; the event was documented on the home video release Trilogy.

The Cure signed an international deal with Geffen Records in 2003 and then launched an extensive reissue campaign in 2004 with the rarities box set Join the Dots: B-Sides & Rarities, 1978-2001 (The Fiction Years); double-disc expanded editions of their earliest albums soon followed. Also in 2004, the band released its first album for Geffen, an eponymous effort recorded live in the studio. Heavier but not necessarily harder -- and certainly not gloomier than Bloodflowers -- The Cure was partially designed to appeal to a younger audience familiar with the Cure through their influence on a new generation of bands, many of which were showcased as opening acts on the band's supporting tour for the album. The Cure underwent another lineup change in 2005, as Bamonte and O'Donnell left the group and Porl Thompson came back for his third stint. This new, keyboard-less lineup debuted in 2005 as the headlining act at the benefit concert Live 8 Paris, then headed out on the summer festival circuit, highlights of which were captured on the 2006 DVD release Festival 2005. The Cure popped up on various festivals over the next two years, playing a more extensive European tour in early 2008, as they completed their 13th album. Originally conceived as a double album, the record was split in two prior to its release, with the lighter, poppier material released first as 4:13 Dream in October 2008. After a three-year break, the group returned to the live circuit with their "Reflections" tour -- kicking off in Australia and seeing the return of original drummer and keyboardist Lol Tolhurst after some 22 years -- which saw the band play their first three albums, Three Imaginary Boys, Seventeen Seconds, and Faith, in their entirety. A career-spanning 150-minute headline slot at 2011's Bestival on the Isle of Wight was recorded and released that same year and the band continued to tour throughout 2012 and 2013 with festival shows in Europe and North America and headline shows in Latin America. In early 2014, Smith announced that they would release the follow-up to 4:13 Dream later in 2014, and would also follow up their "Reflections" tour with another series of full album shows, this time performing The Top, The Head on the Door, and Kiss Me, Kiss Me, Kiss Me in their entirety. ~ Stephen Thomas Erlewine, Rovi
full bio

Selected Discography

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Track List: The Perfect Boy (Cd Single)

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Track List: Join The Dots: B-Sides & Rarities 1978>2001

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Track List: All Kinds Of Stuff (Radio Single)

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Track List: Down Under (Radio Single)

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Track List: Freakshow (Mix 13) (Radio Single)

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Track List: NY Trip (Radio Single)

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Track List: Sleep When I'm Dead (Mix 13) (Radio Single)

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Track List: The Perfect Boy (Mix 13) (Radio Single)

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Track List: Without You (Radio Single)

Comments

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The song "just like heaven" makes me cry
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djcre8s4u i ache 2 drool again even if it's just a drop or 2
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Theviking57 Wonder how they weigh there inappropriat e , by the ounce or by the pound
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best Cure song is (edge of the deep green sea ). it reminds me of 21 yrs ago (when i was 21) i just got into tattooing. i was lucky to get started in a famous studio with unbelievable famous artist. the lifestyle was fast paced. and i indulged in the excesses. more money, sex, drugs .liquor than one person could or should consume. My favorite part of the song is (how much more can we use it up,drink it dry,take this drug, looking for something forever gone, but something we will always want)
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bluebirdpowd e r
Many great albums... Disintegrate and Pornography for the best goth, Staring at the Sea and Mixed Up for pop... give em a whirl
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My favorite songs by the cure are pictures of you and just like heaven
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Love Song.
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ashantidunn1 2 3
You will be kissed on the nearest Friday by the love of your life. Tomorrow will be the best day of your life. However if u don't post this u will die in 2 days. Now u started reading this so don't stop. This is so scary put this on at least 5 songs in 143 minutes. When done press f6 and your lovers name will come on the screen in big letters. This is so scary because it actually works.
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carrielinare s
Don't read this because it actually works. You will be kissed on the nearest possible Friday by the love of your life tomorrow will be the best day of your life. However if you don't post this you will be injured ( but won't die ) in two days. Now you started don't stop. Post this in the next 143 minutes when your done press f6 and your lovers name will appear on the screen in big letters this is so scary because it actually works.
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��������
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Awesome
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The movie "50 First Dates" has "Love Song" in it
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Lived it?? man, you been killing arabs?
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Killing an Arab!!! Love it and lived it.
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That should say as well.
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Darknight likes the Cure.Attenti o n as hell.
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F**kin rite!
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So i take it darkknight is being sarcastic??? ? No way anybody other than soccer moms can dig maroon five.
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Supercalafra g a l i s t i c tunes!! Reminds me of candles all around the hot tub.. Mad dog20/20 and a case of 40's +sum kind. We'd melt into each other until the candles burned out.. D.M,CURE,NEW O R D E R , B A U H A U S , p l a y e d in the back as the soundtracks of our lifes
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you are a troll darkkknight and have a great day
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I grew up on THE CURE I LOVE THIS GROUP THEM AND VIOLENT FEMMES AND THE RAMONES ALSO R.E.M
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found them later really grown to appreciate there sound
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I f**kin love the cure robot lol Simon all of them and Robert is close to an english Jim morisson wire mad skill on the ax don't forget that freaking Robert sound I'm nor messing around here they so god damn rock I can't even begin to explain but if course that is my opinion so buy an ear if you can't tell one that is not tone deaf you hating fruitcakes
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mxc17
To darkkknight, if you love maroon 5 so much, f**k off and listen to your pop s**t. This band is about a lot more than making pop hits. Grow up, read a book, get a life. Robert smith has been holding his band together for 39 years.... I think maybe he may have a few clues as to how it should be done.
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Go Maroon 5 and Fall Out Boy! You're overrated, Robert Smith!
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After listening to the great Adam Levine's Maroon 5 and having been a die-hard fan of FOX's American Idol and NBC's The Voice — along with being an ardent supporter of corporate mainstream media (CMM), Democrats and Republicans like the Bushes and Clintons, corporations like Monsanto, and, of course, Wall Street bankers that intentionall y fund the system of the demise of humanity all around the world with no regard or concern — I must say that this band completely sucks and is way overrated. Go
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I LIKE THIS ROCK BAND 3.
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Love them! Have since I was a teen. Would love to be at a concert.
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This band's okay.
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I've loved them from the beginning amazing sound and story
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The Cure Rules.
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Not as pure gloomy or goth as Bauhaus, but did begin the American effeminate goth cliche'.....
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Almost everything you could hope to read in a short biography. Apparently Killing an Arab struck a cord........
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Keep the game going
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Another favorite
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The CURE is without a doubt one of the best groups of the 20th Century. I still get the chills listening to their songs....... . . .
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The Cure, what more is there to say! such memories!
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Hell yeah..waking up to The Cure's Just Like Heaven song. Fuucking Phenomenal.
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The godfathers of GOTH, GLOOM & alternative muzik. Forever Mr. Smith !!!!!!!!
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Perfect....a b s o l u t e l y perfect
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Oh my gosh I LOVE The Cure!!! Whoever praised RS is right.....
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I will always love you... need the Cure. ...Coming to New York? ...LIVE LIKE A NEW YORKER..NYCV A C A T I O N S U I T E S . C O M
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Nice memories♥♥♥♥
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I love em..B4 kiss me, kiss me is the best. Positive, creative writing
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Special song for me
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The Cure=rules
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quickdrawken
Wow!! the Cure brings back those good old days back in high school in the unforgettabl e 80's!!
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The Cure man.....
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This man never disappoints. A true original artist. How could something so beautiful, be so dreamily dark. This f**ker makes everything epically magical. Way to go RS.......deu c e s
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