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Dave Specter & Barkin' Bill Smith

A first-tier blues and jazz guitarist, Dave Specter, whether working solo as a bandleader or as a sideman for artists like Johnny Littlejohn or Son Seals, has always brought intelligence and sharp, crisp playing to the music table, a sort of contemporary version of T-Bone Walker. Born on Chicago's northwest side on May 21, 1963, Specter didn't pick up the guitar until he was 18 years old, but once he did, he never looked back. Early on he worked as a support player for Littlejohn, Seals, and the Legendary Blues Band before starting his own group, the Bluebirds, in 1989. Signing with Delmark Records, he released a debut album, Bluebird Blues, on the imprint in 1991, featuring vocals by Barkin' Bill Smith (Specter is not a vocalist), following it with Blueplicity (this time with vocals from harmonica player Tad Robinson) in 1994 and Live in Europe (again featuring vocalist Robinson) in 1995. Lynwood Slim handled vocals for 1996's Left Turn on Blue (which featured legendary jazz organist Brother Jack McDuff on the Hammond B-3), with Lenny Lynn taking over vocal duties on 1998's Blues Spoken Here. For 2000's Speculatin', Specter abandoned having a singer at all, issuing 13 instrumental tracks. Vocalist or not, Specter's guitar playing can more than carry a song or a gig, or even an album, and respect for his playing had become universal in the blues community, even as he has moved further into jazz territory. Is What Is appeared in 2004, followed by Live in Chicago (a DVD of the same show was also issued) in 2008, all on the Delmark imprint. For 2014's Message in Blue, which featured Otis Clay, Brother John Kattke, and Bob Corritore, Specter mixed guest vocal tracks in with instrumental tracks, all with his signature, swinging guitar style. ~ Steve Leggett, Rovi
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Comments

poppa_bear49
HAVE MERCY!!! HAVE MERCY!!! HAVE MERCY!!!
palaidnis
Good sound. Reminds me of Anson Funderbergh and the Rockets, with Sam Meyers' crushing voice.
Yes this is good
Man, this is like "sitt'n on the toilet with a hangover", blues: low, slow, deep, and rich...

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