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David Garrick

Of all the aspiring pop stars to come out of England in the 1960s, David Garrick had the most unlikely background. Unlike the members of the Beatles, Gerry & the Pacemakers, et. al, who were all fans of rock & roll as kids, Garrick grew up in an environment steeped in classical music. Born Philip Darryl Core (some sources list his birth name as Darrell Philip Corré) on September 12, 1945 in Liverpool, he came from a home in which Mozart and Beethoven were vital musical figures, and occupied the center of his attention to music -- rather than Bill Haley, Chuck Berry, or Elvis Presley, Mario Lanza loomed large on his boyhood radar screen. From an early age he was also singing in church choirs. He took formal voice training starting at age 14, and was singing with the Birkenhead Opera Company by 16. And from there it was off to La Scala on a grant to study with Lanza's one-time teacher. This was in the early '60s, and still not out of his teens, he had worn himself ragged between the voice training and the work to pay his expenses, and so he headed back to Liverpool.

It was then, while trying to figure out his next move -- whether to keep at the classical training or pursue something else -- that he began spending time at the Cavern Club. It was with the encouragement of DJ (and future author) Bob Wooller that he began making contact with various rock & roll bands who, by the mid-'60s, were working around the city. One night, he was persuaded to stand up at the Cavern and give an impromptu performance of an aria from Pagliacci, and was amazed to hear the applause that followed -- and amused to be dubbed "The Opera Singer" by the youthful patrons. Even so, he didn't consider seriously pursuing a singing career until he was approached at another club by a man who turned out to be Robert Wace, the manager of the Kinks. An audition was arranged before John Schoeder, the head of A&R for Pye Records' Piccadilly imprint, and within a week he was in London cutting his first record, and a recording contract -- which had to be signed by his parents, because of his age -- was forthcoming. A change of name seemed appropriate as well, and it was reportedly Wace's chance sighting of the sign for the Garrick Theatre that led them to the last name, whilst "David" scanned better than either Philip or Darryl.

It was then that matters got more complicated, as his debut single, "Go," didn't chart, despite some good reviews in the music papers. A second single, "One Little Smile," was pegged as a hit on Juke Box Jury but also failed to sell in sufficient numbers to chart. After much deliberation about the potentially make-or-break third single, Garrick and his managers agreed upon "Lady Jane," a new, Elizabethan-flavored song from Mick Jagger and Keith Richards. with an arrangement by Alan Tew, it was very much of its time, an ornate pop/rock record that reached number 20. Garrick was still generating lots of attention, more than a singer with one moderately successful single might have, mostly thanks to his classic good looks and the image that he cultivated. With Wace's encouragement, and help from costume designer Kay Ambrose, with whom he was living in London at the time, he took on the look of an 18th century dandy, something akin to Patrick MacNee's "John Steed" look from the Avengers' color episodes (or John Pertwee's image from his Dr. Who episodes) of the period.

Garrick was also prevailed upon to tour, and the prospect of performing live as a pop singer terrified him, as he still had little confidence in his ability in this area. He jumped into the deep end, a music showcase at the Marquee Club in London, on a bill that included David Bowie (working as David Jones), with Pye Records star Long John Baldry as host -- and "Lady Jane" went over like a storm in front of the audience. He was then sent on tour, booked with Gene Pitney and the Troggs, and backed by the Creation and the Iveys (later better known as Badfinger), both bands whose members he had known in Liverpool. Meanwhile, a fourth single, "Dear Mrs. Applebee," made it to number 22 on the U.K. charts and topped the sales listings in Germany and Holland.

Although Garrick's popularity in continental Europe remained strong throughout the remainder of the '60s, in England his sales began to drop in 1967. His contract with Pye ended in 1969, three years after it began, and he was subsequently signed to Columbia Records and released a further half-dozen singles, and by the start of the '70s, he was working on the cabaret circuit. This kind of move was usually a last resort for fading rock acts, but in Garrick's case it was preferable to some aspects of his earlier career. As a cabaret artist, he had the freedom to add operatic and art-song repertory that audiences in rock & roll venues would not have stood for -- as a result, he became more the David Garrick that he wanted to be. During the mid-'70s, he finally took a temporary break from performing that ended up lasting 15 years, until the end of the '80s, when he cut his first new album since the start of the '70s. A spate of CD reissues saw his four singles -- especially "Lady Jane" -- re-compiled many times over the ensuing decades, as well as the release of a double-CD anthology from Castle Records. Garrick's absence from music, coupled with his startling good looks and unusual repertory, has turned him into one of the more enigmatic figures to emerge from British pop music in the mid-'60s, somewhat akin to Scott Walker, if not as celebrated. ~ Bruce Eder
full bio

Selected Discography

x

Track List: Dear Mrs. Applebee

1. Dear Mrs. Applebee

2. Don't Go Out Into The Rain (You're Gonna Melt)

3. Seasons In The Sun

4. Paloma Blanca

5. Beautiful Noise

6. I've Been Loving You Too Long

7. Lady Jane

8. I Did What I Did For Maria

9. (Everything I Do) I Do It For You

10. Sweet September

x

Track List: All The Hits Plus More - The Best Of David Garrick

1. Dear Mrs Applebee

2. Amarillo (Is This The Road To…)

3. Day After Day

4. From A Distance

5. Let's Dance

6. Love Is In The Air

7. Mr Movingman

8. When I'm Back On My Feet Again

9. Don't Go Out Into The Rain (You're Gonna Melt)

10. Seasons In The Sun

11. Paloma Blanca

12. Beautiful Noise

13. I've Been Loving You Too Long

14. Lady Jane

15. I Did What I Did For Maria

16. (Everything I Do) I Do It For You

17. Don't Go Down To Reno

18. Sweet September

x

Track List: The Pye Anthology

Disc 1

1. Go

2. When the World Was Our Own

3. One Little Smile

4. We Must Be In Love

5. Lady Jane

6. Let's Go Somewhere

7. Dear Mrs. Applebee

8. You're What I'm Living For

9. So Much Love

10. I'm Looking Straight at You

11. A Groovy Kind of Love

12. Liza Brown

13. You Don't Know

14. Dandy

15. I've Been Loving You Too Long

16. Ain't Gonna Lie

17. Master John (The Preacher's Son)

18. It's Just Not That Easy

19. The Man Who Took the Valise Off the Floor of Grand Central Station At Noon

20. I've Found a Love

21. (You Can't Hide) A Broken Heart

22. A Certain Misunderstanding

23. Please Mr. Movingman

24. Yellow Balloon

25. What Can a Man Do

26. The Story of My Life

27. Spicks and Specks

Disc 2

1. I Got the Feelin'

2. Somewhere

3. Don't Go Out Into the Rain

4. What Becomes of the Broken Hearted

5. Theme for a Wishing Heart

6. Dancing in the Street

7. The Gentle People

8. Unchained Melody

9. (If It Don't Work Out) Then You Can Tell Me Goodbye

10. That's How Love Goes

11. Please Stay

12. Ave Maria

13. Rainbow

14. I'll Be Home

15. A Little Bit of This (And a Little Bit of That)

16. Flutterby Butterfly

17. Maypole Mews

18. Like to Get to Know You Better

19. Poor Little Me

20. Molly with the Hair Like Silver

21. Big Brother's Heart

22. Crystal Ball

23. I'll Wait for You

24. Monsieur Dupont

25. Don't Take Your Guns to Town

26. Only a Rose

27. Because You Come to Me

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