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DJ Spooky

DJ Spooky (That Subliminal Kid) is the most noted (and notorious) proponent of turntablism, an approach to hip-hop and DJing whose philosophy merges avant-garde theories of musique concrète with the increased devotion paid to mixing techniques during the 1990s. Though he's overly intellectual at times (to the detriment of his recordings, interviews, and mixing dates), Spooky was a critical figure in spotlighting the DJ as a post-modern poet in his own right. Influenced equally by John Cage and Sun Ra as well as Kool Herc and Grandmaster Flash, few artists did more to mainstream the DJ-as-artist concept than he.

Spooky was born Paul Miller in Washington, D.C. His father was a lawyer and member of the faculty at Howard University but died when Miller was only three. He inherited his father's record collection, which, along with frequent trips around the world (thanks to his mother's international fabric store), opened his eyes to a wide range of music. Growing up in the '80s saw Miller interested in D.C.'s hardcore punk scene and British ska-punk as well as go-go music. While attending college in Maine, Spooky began mixing on his own radio show and attempted to introduce his KRS-One tapes into classroom discussions on deconstruction (an idea made quite conceivable just ten years later). After graduating with degrees in French literature and philosophy, he moved to New York, where he wrote science fiction alongside advertising copy and pursued visual art as well. He was still into hip-hop, however, and formed the underground Soundlab collective (with We, Byzar, Sub Dub, and others), a scene that later morphed into the illbient movement.

After an assortment of singles and EPs during 1994-1995, Spooky gained a record contract from Asphodel in 1996 and released his debut album, Songs of a Dead Dreamer. The single "Galactic Funk" became a hit on the club scene, leading to recording appearances with Arto Lindsay and remixing spots for Metallica, Sublime, Nick Cave, and Spookey Ruben; Spooky also began writing regular journalist columns, for The Village Voice and Vibe. As if that didn't keep him busy, he also released the mix album Necropolis: The Dialogic Project, recorded a Paul D. Miller solo LP titled Viral Sonata, and performed in a new digital version of the Iannis Xenakis composition Kraanerg. His second proper album, 1998's Riddim Warfare, saw Spooky with a cast including disparate indie world figures from Dr. Octagon to Thurston Moore. He has also mounted visual exhibits at the Whitney Museum in New York and scored the award-winning 1998 film Slam.

One year later, he released File Under Futurism, a co-production with the Freight Elevator Quartet. 2000 saw the release of a collaborative effort with Scanner entitled The Quick and the Dead. The highly praised mix CD Under the Influence appeared the following year, but the next real album to appear from the DJ was 2002's Modern Mantra. That same year, as part of its Blue Series Continuum, Six Degrees released Optometry, a collaboration featuring Spooky with numerous progressive jazz artists such as William Parker and Matthew Shipp. Its remix companion, Dubtometry, appeared early in 2003. In 2004 Spooky teamed with the dub outfit Twilight Circus for Riddim Clash released by Play. The same year he was courted to remix two different label's output. A mix of Sub Rosa material appeared as Rhythm Science in January, and Thirsty Ear gave Spooky access to their Blue Series for Celestial Mechanix, released in June. In 2005, Drums of Death, a collaboration with Slayer and Fantômas drummer Dave Lombardo, came out, followed the next year by the DJ Spooky-curated collection 50,000 Volts of Trojan Records.

A year later the DJ remixed some favorites from the legendary reggae label's catalog on the fascinating album Creation Rebel. In 2008, Spooky edited Sound Unbound, a collection of essays on music and art. That same year, he made an appearance in FLicKeR, a documentary about the Dream Machine, an invention pioneered by Brion Gysin. In 2009, Miller issued The Secret Song, his first new studio release of original material in a decade. He collaborated with a slew of artists, including a jazz quartet, a chamber ensemble, pianist Vijay Iyer, various rappers including members of the Jungle Brothers, wordsmith Mike Ladd, and Sonic Youth's Thurston Moore. The disc was packaged with a DVD that included his soundtrack to a visual montage of two of the earliest films by Russian director Dziga Vertov. ~ John Bush, Rovi
full bio

Selected Discography

Comments

DJ Spooky is my fave and its October!
Rhythm warfare..wil l change your life..riddim
Where is Synthetic Fury? That album defines illbient, imo.
Where is File Under Futurism? Get on that!
I love his Movement Theory. I think most artist now days use his theory to attract publicity.
to: kipper the rose, go jump in a lake, dufus! if you don't like the music, go somewhere else! I heard mtv is playing your kinda music! ((dweeb))
nobody asked an artist to be a nice guy - they create. why & how is not relevant to most listeners. only artists need to know, so they can absorb & use… how does this guy talk to artists?
if your not a fan don't f**king post! ...pretty simple people... no one wants to hear opinions
reflexit1
Judge not
this guy has the personality of a paint chip. cool music though.
pretty tight. ^_^
Discussing Spooky's character, a friend said, "Hey, bring on the convolutions and complication s ! It's a matter of life and death! If you want accessibilit y , or if you don't want to think about what you're listening to in new ways (cuz that's what 'thinking' means: thinking in a new way), then stick to pop, or at least stick to discussing that instead." And I'm totally down with that!
trip me out smoothly with those tablas.
I lost track of my Spooky CDs a while ago. Pandora is the s**t.

Also, "often hits and missis", apart from being an example of a s**tty grasp of a relatively simple language, is contradictor y to "Dj Spooky music sucks big time". Either he sucks big time or hits or MISSES. A**.

Woo, Pandora!!!
hiramransom
Dj Spooky music sucks big time he offten hits and missis
Was a critical figure? What is he dead? He looks young to me. See biography above....
Interesting enough I lost track of this artist being that music can do that sometimes, I bought the first album on vinyl and love it now I want to hear more. He may be human but this doesn't mean humans don't make great artists. Myself being one I appreciate his eclectic interested and j'aime la franciase, j'adore l'musique
sam7302
Prolific ecletic mastermind.. .
mrbrown87
Unfortunatel y , as Simone has pointed out, talent and character are often found in inverse proportion, and Spooky is no exception. While his music is intriguing and (generally) profound, DJ Spooky often looses his appeal when speaking of his music, making it feel more convoluted and frustrating then need be. Of course it doesn't help that he is a well known postmodernis m theorist, implying that he gets paid to confuse people with his writing. However, his music is always succinct and enjoyable.
He is cool and creative... However i met him in Miami at an art opening and said hello and to talk music, What a dick he was... I was so turned off and stopped buying his C.D's. But i still listen for free...
chadandrews5 0
makes me want to paint
They dont have any of the cds i own on this site, pitty.
ceejay92
Spooky's a true artist. Word up. Love the Dub style.
andilemavimb e l a
Wow great discovery first listen Crazy beatiful

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