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The Donnas

Aspiring to nothing more than a good old-fashioned rock & roll party, the Donnas won a cult following and considerable media attention in the late '90s after scoring a record deal right out of high school. Early on, they were invariably described as "the Ramones meet the Runaways," with a definite emphasis on the former (they'd even adopted identical first names as a tribute). But their bratty high-school-delinquent image was clearly indebted to the latter, as their songs concerned themselves mostly with boys, booze, drugs, and hated classmates. As the Donnas grew up and polished their technical abilities, their music evolved into a distinctly female take on c**k-rock metal, drawing more from AC/DC, Kiss, and Mötley Crüe than from punk. Some critics praised their cheerfully crude adoption of male sexual bravado; others complained that the band's music never transcended its vintage influences, and remained suspicious that their naughty-girl packaging was a bigger part of their appeal.

The Donnas were originally formed in May 1993, when all four members (all born in 1979) were still in the eighth grade together in Palo Alto, CA. Calling themselves Ragady Anne at first, they played covers of groups like R.E.M., L7, the Muffs, and Shonen Knife, and entered a junior-high battle of the bands just one month after forming. During high school, they kept practicing virtually every afternoon, and soon moved into riot grrrl territory with inspiration from bands like Bikini Kill and Bratmobile (though it was more musical than political). In early 1995, Ragady Anne released a 7" EP on the local Radio Trash label, but soon changed their name to the Electrocutes and adopted a trashy jailbait image and a loud-fast-rules aesthetic. They gigged around the Bay Area that year and were spotted by Darin Raffaelli, a onetime member of trash-punkers Supercharger and head of the small Radio X label. Raffaelli had written a cache of Ramones-style songs for a hypothetical girl band, and approached the Electrocutes about recording them.

Deciding that the songs didn't fit the Electrocutes' metal-queen style, the girls created Ramones-worshipping alter egos known as the Donnas, even going so far as to mock them in Electrocutes interviews as though they were different people. Thus, vocalist Brett Anderson, guitarist Allison Robertson, bassist Maya Ford, and drummer Torry Castellano became Donna A., Donna R., Donna F., and Donna C. Before 1995 was out, they played their first gig as the Donnas, and released their first single under that name on Radio X. Two more followed in 1996, the last one on Raffaelli's new imprint, Super*teem. Meanwhile, they hadn't yet abandoned their identity as the Electrocutes, and in fact recorded an album called Steal Yer Lunch Money during 1996; however, it wasn't released until three years later, when Sympathy for the Record Industry acquired the rights in the wake of the Donnas' eventual success.

In 1997, the Donnas recorded a self-titled debut album for Super*teem, using songs ghostwritten by Raffaelli. Critics charged that Raffaelli was acting as the band's Svengali, likening their relationship to that of Kim Fowley and the Runaways; both sides vehemently denied that was the case, and eventually severed their professional relationship to avoid fueling more speculation. Following the release of The Donnas, the group took a week off from its senior year of high school to tour Japan. After graduation, they postponed plans for college and accepted an offer to sign with Bay Area indie Lookout, the original home of Green Day. Their label debut, American Teenage Rock 'n' Roll Machine, was released in early 1998, and did feature some uncredited songwriting input from Raffaelli. The Donnas quickly became underground punk favorites, and even landed some attention from mainstream media like MTV.

The Donnas' third album, Get Skintight, appeared in 1999 and marked the first time the band composed its material with no outside assistance. A distinct hard rock influence began to creep into their compositions, underlined by their cover of Mötley Crüe's "Too Fast for Love"; they even opened a show for Cinderella. That year, they also appeared in the teen comedies Jawbreaker and Drive Me Crazy, the latter as the Electrocutes. In early 2001, the band issued The Donnas Turn 21, which continued their move away from punk and toward the hard rock mainstream of 15-20 years previous (this time the cover was Judas Priest's "Living After Midnight"). The album received some of their weakest reviews to date, generally from critics who felt that their party-hardy subject matter was starting to feel forced.

Nonetheless, the Donnas caught the attention of major label Atlantic, who signed them up in late 2001. Launched with a new wave of publicity, the Donnas' label debut, Spend the Night, arrived in 2002 and became their first album to break into the Top 100 of the pop charts. It also earned them their biggest radio hit to date in the single "Take It Off," whose video also got some MTV airplay. In the summer of 2003, the Donnas played the main stage on the revived Lollapalooza tour. That September, after a full year and a half of touring and promoting, the girls took a break to rest up.

When the foursome reunited in 2004, they made a conscious decision to shake the Ramones comparisons by making a record that drew from their various other influences. They entered the studio with Butch Walker (Avril Lavigne, Injected) and created the highly polished and semi-poppy Gold Medal album, released in October that year. The following album found the group embracing their hair metal influences, resulting in a record heavier than their last, but cleaner than their early punk efforts. With the help of producer Jay Ruston (the Polyphonic Spree, Meat Loaf), they released B**chin' on their own independent label, Purple Feather, in September 2007. ~ Steve Huey
full bio

Selected Discography

x

Track List: B**chin'

1. B**chin'

2. Don't Wait Up For Me

3. Wasted

4. What Do I Have To Do

5. Save Me

6. Like An Animal

7. Here For The Party

8. Better Off Dancing

9. Love You Till It Hurts

10. Smoke You Out

11. Girl Talk

12. Give Me What I Want

13. Tonight's Alright

14. When The Show Is Over

x

Track List: Gold Medal

1. I Don't Want to Know (If You Don't Want Me)

2. Friends Like Mine

3. Don't Break Me Down

4. Fall Behind Me

5. Is That All You've Got For Me

6. It's So Hard

7. The Gold Medal

8. Out of My Hands

9. It Takes One to Know One

10. Revolver

11. Have You No Pride

x

Track List: Spend The Night

1. It's On The Rocks

2. Take It Off

3. Who Invited You

4. All Messed Up

5. Dirty Denim

6. You Wanna Get Me High

7. I Don't Care (So There)

8. Pass It Around

9. Too Bad About Your Girl

10. Not The One

11. Please Don't Tease

12. Take Me To The Backseat

13. 5 O'Clock In The Morning

Comments

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dont wait up for me
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all messed up
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living after midnight
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❤❤❤❤❤❤❤❤❤❤❤❤
Songs
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I am a New The Man on the Pandora Yo
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Hello Laydies Wuz Up?
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I'd like to cover take it off with my band
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you wanna get me high
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rip motorhead
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rip lemmy
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dont break me down
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take it off
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dirty denim
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its on the rocks
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gold medal now on pandora
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too bad about our girl
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its on the rocks
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pass it around
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all messed up again
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please dont tease
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dirty denim
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all messed up
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Not the one
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The Alamos
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I hope for a new cd also.
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I always loved the Donnas but I wish they put out a new cd. It has been a long time since the last and it would be awesome if they got back together and did some new material!
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PRETTY DAMN GREAT !!!
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I wish I was a teen in the 80's though. Ages 8-18
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I love douchebags that make comments like all the crappy music from the 90s or whatever decade. As if they've actually heard it all. Guess what you didn't. Don't judge music by what's played on Clear-Channe l stations or shows up on the lame awards shows. It takes an effort to find good music, but its out there in droves.
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Ignore bobonnit, he doesn't like anything.
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There's nothing awkward about the donnas.
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I love The Donnas, but they look like awkward middle schoolers.
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Can't believe I'd never heard of the Donnas until listening to Pandora this morning. They rock and they're easy on the eyes, a deadly combination!
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I'll forever love The Donnas! I have a sweet spot for 90's girl rock!!
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The drummers better than me and hotter haha
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Hot
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It is astounding how much crappy music came out of the 90's. I guess the record companies had to release SOMETHING so any MTV qualified group was signed. It didn't matter if they couldn't sing or play instruments as long as they had a gimmick.
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Jimmey neutron man!
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The Donnas do not get the recognition that they should.
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I'd give anything for one night with one of these thrashing wild girls!
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The Donnas were in the movie Drive Me Crazy.
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651026426
These girls rock! <3
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onetuffchick
I like The Donnas, but the lead singers voice isn't very dynamic, their music isn't as raw, and a lot of their song are poppy. And that's why they can NOT be compared to the amazingness of the Runaways or Joan Jett.
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Thank you Joan Jett, for paving the way; and for putting on a great show in Del Mar!
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I love women rockers!
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mattanddonna
LOVE EM' KEEP ON ROCKIN LADIES!!!!
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These women kick serious a$$ in concert! I've seen them three times in Denver and can't wait for them to come back around. I'm old enough to remember The Runaways when they were current, and the Donnas carry that torch in my mind.
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i wanna marry all of the donnas and joan jett , joan first n then when she is done eatin me alive, n i limp back to life the other 4 donnas startin with the lead the drummer
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jasonparkere s 3
It's like Veruca Salt meets Joan Jett
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sooooo HOT, yee-OW!
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