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Einsturzende Neubauten

Along with Cabaret Voltaire and Throbbing Gristle, Germany's Einstürzende Neubauten ("collapsing new buildings") helped pioneer industrial music with an avant-garde mix of white-noise guitar drones, vocals verging on the unlistenable at times, and a clanging, rhythmic din produced by a percussion section consisting of construction materials, power tools, and various metal objects. Einstürzende Neubauten were founded by vocalist/guitarist Blixa Bargeld and percussionist/American expatriate N.U. Unruh in Berlin as a performance art collective; their early activities included a seemingly inexplicable half-naked appearance on the Berlin Autobahn, where the duo spent some time beating on the sides of a hole in an overpass. The group's early lineup also included percussionists Beate Bartel and Gudrun Gut, plus contributor and sound engineer Alexander Van Borsig

Einstürzende Neubauten's earliest recordings are mostly unstructured, free-form noise issued on various cassettes and singles, including their first single "Fuer den Untergang," the 1981 EP Schwarz, and the 1982 album Kollaps. Some of these recordings are compiled on the Strategies Against Architecture '80-'83 collection, with live shows on the cassette-only 2x4. Bartel and Gut were replaced by ex-Abwräts member F.M. Einheit (who served as Neubauten's chief machinery operator) in 1983, when guitarist and electronics expert Alexander Hacke and Abwräts bassist Mark Chung also joined. A tour of England opening for the Birthday Party resulted in a contract with Some Bizarre Records, which released the slightly more structured Zeichnungen des Patienten O.T., as well as consternation from club owners and journalists over Neubauten's stage demolitions and frequent ensuing violence.

When Nick Cave left the Birthday Party and formed his backing band the Bad Seeds, Bargeld became the guitarist and toured and recorded with Cave over most of the decade. He remained with Neubauten, however, who released Halber Mensch in 1986, showcasing their wider range of expression. The group disbanded briefly but soon re-formed, releasing albums off and on for Elektra and signing to Trent Reznor's Nothing label for 1998's Ende Neu. While Bargeld remained a Bad Seed, Van Borsig and Hacke contributed to the remainder of the Birthday Party's recordings as Crime & the City Solution. In May 2000, Einstürzende Neubauten released the full-length Silence Is Sexy on Mute Records. Two years later, they announced they were no longer interested in working with a traditional label and that their next recording would be made with the help of supporters. These supporters would pay a fee, receive exclusive material, and help fund the next official album.

Despite their best intentions, Einstürzende Neubauten released their 2004 album, Perpetuum Mobile, on Mute. The releases for supporters that appeared over the next few years helped fund the official album Alles Wieder Offen, which was released on the band's own label in 2007. Elektra reissued both Strategies Against Architecture compilations on CD, and another supporter album, Einstürzende Neubauten, arrived in mid-2007. The Jewels arrived in 2008. It was compiled from a series of single-track digital downloads the band offered via its website one at a time using a game called DAVE, where deliberate and enigmatic instructions were inscribed on cards the members drew and generated ideas from -- without telling one another what their cards were inscribed with. They were then used to construct and complete tracks within a day or two. In 2010, Mute released the compilation Strategies Against Architecture, Vol. 4, and the album Kollaps was remastered and reissued by Potomak. Their 2014 effort, Lament, was based on music composed for a World War I memorial exhibition held in Diksmuide, Belgium. ~ Steve Huey, Rovi
full bio

Selected Discography

Comments

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one of my all time favorites. top ten. desert island. all that kind of stuff.
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lOve lOve lOve!!!*
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ascendcoilst r a t a
The similar artists comparable to EN is understandab l e , but also flawed. Industrial they are, but it was a different form than what is heard these days as industrial. I would say Throbbing Gristle and early SPK had more in common than Front 242 and Ministry. They must have a philosophy regarding sound and the working methods to achieving it. I find them more genuinely artistic than all of those similar artists above.
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Revolutionar i e s - with out Neubauten there would have been nothing
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some weird crazy s**t
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Everyone must understand, Industrial form of music was born from EN...
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It's pretty ignorant that they follow up EN with Ministry and Rammstein.
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Industrial shall never birth such a divine band ever again.
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people always have to mention something about Rammstein when talking about industrial. I like Rammstein, but they really are just the scrapings of better more talented industrial groups that don't sell themselves out. E.N. are on a level that bands like Rammstein cannot and will never be able to touch. Young fans of the genre getting into Rammstein because of their more mainstream popularity need to do their homework and learn to appreciate what came before and therefore see better ones today.
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Let go my Eggo, Let go my Eggo...LOL!

Don't flame me, just messing around. I really do love this band!
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New to the band, Must say, freaking awsome, could compare to almost pattonish with Bungle and his stint in Dillenger escape plan
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Genius is the only word appropriate to describe this group.
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mariannenowo t t n y
You can't compare Rammstein or nine inch nails with this band, that's like comparing Jessica Simpson with Aretha Franklin in sound and soul
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subject_name _ h e r e
Without EN, there would be no Laibach.
Without Laibach to copy, Rammstein would be nothing
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Without EN? The music/sound we love from others would not be... simple as that. They are epic.......
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Rammstein is good but Einsturzende Neubauten is better honestly. Rammstein is a bit repetitive.
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treebarkingd o g
ENB is life without it's silly flesh to hide behind. I have seen them 4X's n LA. each was out of this world. We R the few... Stay strong; and the new will be ours!


PS. Babyland rules... I have a picture disc w/ a kitty head on it. KOOL!!!
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subject_name _ h e r e
Very few people picked up improvised instruments, and that is a f**king shame. Babyland is an exception.
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Neubauten is awesome. Only got to see them once in 97 when they toured with Pigface. It was a pretty neat show.
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"Rammstein is better"????? wth? that's like saying Metallica is better than Mozart. the two aren't even playing the same game. but if they were, i have to say Neubauten is FAR more musically talented than Rammstein.
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seeling neubauten live is one of the most awe inspiring moments of my life. i know they've said they're never touring the us again, but i hope it's not true . . .
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THE GODFATHERS! NOTHING ELSE NEED BE SAID!
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rammstein is better
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No kidding! Awesome!
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These guys make "Skinney Puppy" look like pop crap!
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ONE OF THE GREATEST INDUSTIAL BAND EVER

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