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The Ethiopians

Essentially a mouthpiece for singer and songwriter Leonard Dillon, the Ethiopians were one of Jamaica's most influential vocal groups during their heyday. Not only did the duo (completed by Stephen Taylor) spearhead the transition between ska and rocksteady, Dillon's heavily Rastafarian lyrics also paved the way for the socially conscious roots reggae era that was to come. Born in Port Antonio in 1942, Dillon grew up in a Christian family and discovered music through their church. Having written some original songs, he moved to Kingston in 1963; finding the going difficult, he returned home for a time to regroup, but made the move back to Kingston permanently in 1964. Not long after, he met Peter Tosh, who liked his original material and introduced Dillon to the rest of the Wailers. The Wailers in turn brought Dillon to Clement "Coxsone" Dodd's Studio One, where Dillon made his first recordings under the name Jack Sparrow. Two Sparrow singles, "Ice Water" and "Suffering on the Land," were both released in 1965.

Around the same time, Dillon discovered a street-corner singing duo consisting of Taylor and singer/guitarist Aston Morris. At first, he invited them to sing backup for him, then decided to form a full-fledged group dubbed the Ethiopians. Together they cut several excellent singles for Studio One in 1966, including "Free Man," "Live Good," and the ska/rocksteady-bridging "Owe Me No Pay Me." Morris, a songwriter in his own right, elected to leave the group by the end of 1966, reducing the Ethiopians to a duo. Meanwhile, Dillon was working a day job in construction and met another singer there named Albert Griffiths (who would later found the Gladiators). Together they convinced their boss to finance a recording session, and the result for the Ethiopians was the breakthrough smash hit "Train to Skaville," which even managed to scrape the lower reaches of the U.K. Top 40.

With this success under their belt, the Ethiopians recorded prolifically over the remainder of 1967, cutting hits like "Engine 54," "Train to Glory," "Stay Loose Mama," and another big smash in the percussion-driven "The Whip"; all but the former were recorded for rocksteady producer Sonia Pottinger, and they also worked a bit with Lee "Scratch" Perry. 1968 saw the release of their first LP, Engine 54, and the arrival of a semiofficial third vocalist, Melvin Reid. Toward the end of that year, the group teamed with producer Carl "Sir J.J." Johnson in what would become their most celebrated association. Their first hit for Johnson was the proto-reggae "Everything Crash," a socially conscious, rhythmically jerky juggernaut that became arguably the group's signature tune. Through 1970, Johnson and the Ethiopians collaborated on numerous other groundbreaking hits, including "What a Fire," "Gun Man," "Hong Kong Flu," "Woman Capture Man" (the title track of their third LP), and "The Selah," all of which helped keep them popular in the U.K. as well as Jamaica.

The restless Dillon subsequently moved the Ethiopians to a succession of other labels and producers; over 1969-1971, they recorded popular material for Harry Robinson ("Fire a Mus Mus Tail"), Lloyd Daley ("Satan Girl"), Derrick Harriott ("Lot's Wife," "No Baptism"), and Duke Reid ("Good Ambition," "Pirate"). As the group evolved into a rootsier reggae outfit over the next few years, all the producer-hopping grew even more frantic over the next several years, with Vincent Chin, Prince Buster, Joe Gibbs, Bob Andy, and Rupie Edwards numbering just some of the group's collaborators. Part of the reason was that Dillon hadn't been receiving his fair share of past royalties and was forced to record constantly just to make money. Reid left for good in 1974, by which time Dillon and Taylor had taken day jobs once again. Sadly, Taylor's day job would turn into tragedy in September 1975: he was working at a gas station when he was killed by a van while crossing the street.

Taylor's untimely death effectively spelled the end of the Ethiopians' golden age. Dillon, understandably distraught, took a hiatus from music for a time, returning home to Port Antonio for two years. Eventually, he contacted charter member Aston Morris and revived the Ethiopians name, cutting the rootsy, political album Slave Call in 1977 with producer Winston "Niney" Holness. Dillon toured off and on under the Ethiopians name afterwards, sometimes with Harold Bishop and Neville Duncan, and recorded occasionally as a solo act in the '80s and '90s. Toward the end of the millennium, he formed a new Ethiopians lineup with female backing vocalists and arrangers Sister JiJi and Gina Murrell, who appeared on the 1999 album Tuffer Than Stone. ~ Steve Huey
full bio

Selected Discography

x

Track List: Train To Skaville: Anthology (1966-1975)

Disc 1

3. Train To Skaville

5. The Whip

6. Cool It Amigo

9. Come On Now

10. Give Me Your Love

11. You Got The Dough

12. Engine 54

13. Train to Glory

15. Reggae Hit The Town

16. I'm Not A King

18. Everything Crash

19. Hong Kong Flu

21. What A Fire

24. Woman Capture Man

27. My Testimony

Disc 2

2. Mek You Go On So

3. Wreck It Up

6. Drop Him

7. Mother's Tender Care

8. Condition A Bad A Yard

9. Praise Far I

10. No Baptism

11. Good Ambition

12. Lot Wife

14. The Selah

16. Solid As A Rock

17. I Need Someone

18. Pirate

19. Israel Want To Be free

20. Promises

21. The Ring

22. The Word Is Love

24. (I Want To Be A) Better Man

25. Conquering Lion

26. Band Yu Belly

27. Knowledge Is Power

28. Another Moses

x

Track List: Reggae Hit The Town

2. Cool It Amigo

3. Fire A Mus Mus Tail

4. Reggae Hit The Town

5. I'm Not A King

6. What A Big Surprise

7. My Testimony

8. Buss Your Mouth

9. Mek You Go On So

10. Here I Come

11. Praise Far I

12. What A Pain

13. Lot Wife

14. Sound Of Our Forefathers

15. Starvation

17. What We Gonna Do

18. Promises

19. Big Belly Horse

20. Jericho

23. (I Want To Be) A Better Man

24. Conquering Lion

25. Knowledge Is Power

26. Another Moses

Comments

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Is ur music on itunes?
Like it!!
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The sound is sweet and tight
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yrbritton
thank you keep playing and some country western
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yrbritton
i enjoy all the oldies you made my day feel like a new person
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janealfano
I love your music - it makes my heart sing with joy! Thank you.
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The Ethiopians a solid group that did not get all that they should have for the deeply spiritual music that they made.
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it's slimmy dub
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i like it!
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The Ethiopians and the Isrealites are two of the BEST bands of this genre, yet NO ONE seems to know them! WTF?!?!?!?!?
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dope harmonies!!! ! !
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jah stay irie
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brandonaldin h o
Stay loose mama, stay loose
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Let's Ska and Rocksteady
My favorite album to listen to while grilling out
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ROCK STEAD'Y FINEST WE REWIND THIS BADBOYS BEHIND THIS
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Yes, mon
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awesome
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bj679
Their album "Reggae Hit The Town" is as solid as they come. If you don't know, get to know.
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jerushav78
Nice Melodies...g o o d stuff
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hella people that say they like reggae never even heard of these guys im like wtf man? the ethiopians are rocksteady's finest
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wow

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