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Fanny Brice

The fame of vaudeville legend Fanny Brice has been largely carried on in a biographical adaptation of her life that has almost nothing to do with the facts of the case, the musical Funny Girl, a star vehicle designed for Barbra Streisand. The real Fanny Brice was, in her time, a tremendously popular comedienne who first established herself in vaudeville and later in radio, portraying her trademark character, Baby Snooks. Her skill at Yiddish/English dialect, penchant for wacky facial expressions, and loud, perfectly timed comic singing voice endeared her to American audiences for more than four decades.

Fanny Brice was born Fania Borach in New York's Lower East Side and dropped out of school in the eighth grade to become a chorus girl. While some sources place the beginning of Brice's career in Yiddish vaudeville, she did not speak Yiddish and seems to have bypassed that step in favor of regular vaudeville. In 1909, she scored her first success singing an Irving Berlin song, "Sadie Salome, Go Home," in a musical called The College Girls while performing a parody on "The Dance of the Seven Veils" from Richard Strauss' opera Salome. This attracted the attention of impresario Florenz Ziegfeld, and though Brice, it seems, would've made an unlikely "Follies Girl," she appeared in the Ziegfeld Follies of 1910; Brice was 18 years old. Brice continued through 1923 to star in several editions of the Ziegfeld Follies as a top-billed performer alongside acts such as W.C. Fields, Raymond Hitchcock, Van & Schenck, Moran & Mack, and Ted Lewis. She was also a featured attraction in shows produced by Irving Berlin and Billy Rose, whom she married in 1929 (Brice divorced him in 1938). Brice popularized the classic torch song "My Man" and was indelibly associated with such comic songs as "Second-Hand Rose" and "I'm an Indian." At the height of her popularity as a stage star, Brice attempted to take on roles in serious plays, but her efforts to this end proved unsuccessful.

In 1918, Brice married Nicky Arnstein, a second-tier racketeer and con man who by 1920 had become implicated in a Wall Street bond robbery. Although in retrospect it seems likely that Arnstein was not guilty in the matter, he was convicted and sent to Leavenworth in 1924. Upon his release three years later, Arnstein disappeared and was never heard from again. This sad tale ultimately became the seed for Funny Girl; Brice's later marriage to Billy Rose provided the inspiration for the film musical Funny Lady. While neither of these fictionalized projects reflects the true life story of Fanny Brice, one film that does is Rose of Washington Square (1939), starring Alice Faye. The resemblance was so close, in fact, that Brice sued the film's producer, 20th Century Fox, for defamation of character; Brice and the studio settled out of court.

With arrival of talking pictures, Brice went to Hollywood and starred in a Vitaphone feature, My Man (1928), and Be Yourself (1930) for United Artists. Both of these films were failures, and Brice soon returned to Broadway. At some point during the early '30s, while appearing in some of the posthumous stage editions of the Ziegfeld Follies, Brice developed the persona of the bratty widdle kid Baby Snooks. Brice revived this character on an episode of a radio program entitled The Ziegfeld Follies of the Air, which aired February 29, 1936. The public response was immediate, and throughout the late '30s Brice carried Baby Snooks through an assortment of variety programs until settling in with Maxwell House Coffee Time in 1940. By 1944, her spot on the radio schedule was finally named The Baby Snooks Show in earnest. Brice often performed the part of Baby Snooks in an adult-sized baby outfit, departing from the usual standard of radio actors in that relatively few of them dressed the part when playing a character. As popular as she had been on Broadway in the early '20s, it was nothing compared to her success portraying Baby Snooks, and through this character Fanny Brice became a national institution. Brice suffered a stroke on May 24, 1951, and died five days later at the age of 60. She had long suffered from nervous disorders, and in the past had been known to cancel out of stage productions on the advice of physicians. An entire subplot was developed on The Baby Snooks Show in 1945 in which Baby Snooks had been kidnapped -- this was in order to cover an illness that Brice suffered, taking her out of the cast for several weeks.

Interested persons hoping to grasp something of Brice's early stage career are in for a disappointment; although she began recording in 1916 for Columbia, she only did so sporadically through 1930, and cut just 26 titles -- six of these were rejected, and four of the issued recordings are versions of "My Man." The Vitaphone film musical bearing that title has disappeared; though all but one of the soundtrack discs have been recovered, these are long on spoken dialogue and short on music. Brice appeared in only 11 films, usually in guest cameos, and three of these are shorts; she apparently never appeared on television. In an attempt to get at the appeal of Fanny Brice, you would have to weigh this tiny amount of film clips and recordings against the veritable mountain of Baby Snooks broadcasts that survive, and under the circumstances there is no way to get a balanced picture of her talents -- several critics who have seen Brice on film have commented that they can't understand why she was so popular. Nonetheless, Fanny Brice was considered to be the greatest Jewish female comedienne of her day. It's a pity that her greatest moments were sustained on the Broadway stage, as more than 50 years after she died, posterity is barely able to grasp what Fanny Brice's celebrity was about, based on the legacy that has survived. ~ Uncle Dave Lewis
full bio

Selected Discography

x

Track List: Golden Age Of American Comedy

Disc 1

1. Hooray For Captain Spaulding

2. Bob's Book: Put It There, Pal

3. Abbott & Costello Meet Lucille Ball

4. Inka Dinka Do

5. Gracie's Relatives

6. William Tell Overture

7. Furniture Payment

8. Groucho Has A Cold

9. Junior, The Mean Widdle Kid

10. Library Card

11. Baron Munchausen's Trip

12. Mr. & Mrs. Radio

13. Eddie Cantor Meets The Mad Russian

14. A Date After The Show

15. Hello Mama

16. Pa-Pa-Pa-Polka

17. The Jukebox

19. The The Thing

20. Bob Hope Takes Over The Jack Benny Show

Disc 2

2. The Husband's Best Friend

3. Baby Snooks At The Movies

4. Adam And Eve In The Garden Of Eden

5. Marilyn Monroe Marries Charlie McCarthy

8. Harpo Speaks

9. Who's On First

10. W.C. Fields Meets Charlie McCarthy

x

Track List: Greeting From Borscht Belt: The Best Broads Of Comedy

1. Schmeckolectomy

2. Instant Ceil

3. Kosher Windbreaker

4. There's No Business Like That Certain Business

5. Pantyhose

6. Try A Big Broad

7. They'll Die Laughing

8. Bubblegum From The Holy Land

9. If I Embarrass You Please Tell Your Friends

10. Drill 'Em All

11. This Is My Mother

12. Ha-Penis

13. Oh, How I Hate That Fellow Nathan

14. The $500 Parking Ticket

15. Gonorrhea

16. Princess Patoffsky

x

Track List: Laugh! Laugh! Laugh!

1. Laugh, Laugh, Laugh

2. The Dark Town Poker Club

3. Chidabee, Chidabee, Chidabee (Yah! Yah! Yah!)

4. Lobby Number (Manic Depressive Presents)

6. Lydia The Tattooed Lady

7. Dizzy

8. The Man On The Flying Trapeze

10. The Pig Got Up And Slowly Walked Away

11. Mrs. Cohen At The Beach

14. William Tell Overture

15. Put It There Pal

17. The Sewing Machine

x

Track List: Nipper's Greatest Hits: The 20's

1. Let's Misbehave

2. My Blue Heaven

3. Collegiate

4. Alice Blue Gown

5. Little Orphan Annie

9. Whispering

10. I Wanna Be Loved By You

12. Makin' Whoopee

13. Charleston

14. The Prisoner's Song

16. My Man

17. Black And Tan Fantasy

18. Louise

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