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Future Sound Of London

First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected experimental ambient groups. Their work incorporates elements of techno, classical, jazz, hip-hop, electro, industrial, psychedelic rock, and dub into expansive, sample-heavy tracks, which are exquisitely produced and usually without easy precursor.

Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music. Although they usually deride their earlier work as play-for-pay club fare not representative of their later musical vision, many of the thematic concerns of their earlier 12"s and their heavily dance-oriented debut LP, Accelerator, followed them into their later work. Usually filed under ambient, their body of work is often much more than that, drawing from the history of experimental electronic music with a relentlessness that has helped to push the calmer elements of that genre's reputation into decidedly more difficult directions.

The pair also grew in repute as remixers, obliterating tracks by Curve, Jon Anderson, David Sylvian and Robert Fripp, and Apollo 440, and rebuilding pieces of almost majestic complexity with the remnants. The duo initiated their Amorphous Androgynous project with the elegant Tales of Ephedrina album in 1993. As FSOL, they released the six-part Cascade single that year, which set the stage for the instant-classic double album Lifeforms in 1994. The release was a critical and commercial smash, charting in the Top Ten of the U.K. album charts. The album's title track spun off into a subsequent EP, which featured Cocteau Twins vocalist Elizabeth Fraser. ISDN, containing material previously broadcast live to radio stations via ISDN, was released as a limited edition (with a black cover) in late 1994, followed by a more widespread edition (this time with a white cover, and an altered track list) in 1995. The more dystopian Dead Cities followed in 1996; the album contained the duo's highest-charting single, "We Have Explosive," which peaked at number 12 in the U.K. All three of these full-lengths were important stopping points on the road of rabid hybridization characteristic of post-rave European experimental electronica (ambient, jungle, trip-hop, ambient dub, etc.), and the pair's somewhat punk rock attitude (despite their success) did much to underscore the scene's underground roots.

After a lengthy hiatus marked by rumors of mental illness and a cottage lifestyle, Cobain and Dougans returned in 2001 with Papua New Guinea Translations, an album of newer interpretations of their 1992 signature hit. This was followed in 2002 by The Isness, a record heavily influenced by '60s and '70s psychedelia, which was released under the Amorphous Androgynous banner worldwide but as FSOL in the United States. Related releases The Mello Hippo Disco Show and The Otherness followed. Another Amorphous Androgynous album, Alice in Ultraland, appeared in 2005. Teachings from the Electronic Brain, a compilation of FSOL's most well-known material, appeared in 2006. Also that year, FSOL composed a 5.1 Surround Sound piece titled A Gigantic Globular Burst of Anti-Static for Life Forms, an exhibition at the Kinetica museum. The music was self-released as a digital album in 2007.

In 2007, the group began releasing several albums of unreleased material as part of a series called From the Archives. Four volumes (as well as a double-LP compilation) appeared by the end of the year. They also revisited their early rave days with By Any Other Name, a compilation of older tracks recorded under pseudonyms such as Mental Cube and Yage. In addition, they also released the first installment in a series of ambient/soundscape releases with the long-shelved album Environments. Both series continued in 2008, while studio album The Peppermint Tree and the Seeds of Superconsciousness appeared under the Amorphous Androgynous banner.

By 2010, they were up to Environments 3 and From the Archives, Vol. 6. They also issued numerous Live ISDN Transmission releases recorded during the mid-'90s, as well as newer podcasts called Electronic Brain Storms. Environments 4 followed in 2012, the same year the group began working on a collaborative album with Oasis frontman Noel Gallagher, but the album was scrapped. By the release of Environment Five in 2014, only a few tracks from the sessions had appeared, all released on Gallagher's B-sides. In late 2015, FSOL released a scrapbook titled The Most Important Moments in a Life, which was packaged with a full-length CD called Life in Moments. Archived 8 also appeared, and Environment Six and Environment 6.5 were simultaneously released in October 2016. ~ Sean Cooper & Paul Simpson
full bio

Selected Discography

x

Track List: Teachings From The Electronic Brain (The Best Of Fsol)

1. Papua New Guinea

2. Max

3. Everyone In The World Is Doing Something Without Me

4. My Kingdom

5. Smokin Japanese Babe

6. Antique Toy

7. Lifeforms

8. Yage

9. Expander

10. Glass

11. Far-Out Son Of Lung And The Ramblings Of A Madman

12. The Lovers

13. Mountain Goat

14. Cascade

15. We Have Explosive

x

Track List: We Have Explosive

1. We Have Explosive (Pt. 1)

3. We Have Explosive (Pt. 3)

4. We Have Explosive (Pt. 4)

5. We Have Explosive (Pt. 5)

6. We Have Explosive (Oil Funk Remix)

8. We Have Explosive (Oil Dub)

x

Track List: Dead Cities

1. Herd Killing

2. Dead Cities

3. Her Face Forms In Summertime

4. We Have Explosive

5. Everyone In The World Is Doing Something Without Me

6. My Kingdom / Max

7. Antique Toy

8. Quagmire

9. In A State Of Permanent Abyss

10. Glass

11. Yage

12. Vit Drowning / Through Your Gills I Breathe

13. First Death In The Family

x

Track List: Isdn

1. Just A F**kin Idiot

2. The Far Out Son Of A Lung And The Ramblings Of A Madman

3. Appendage

4. Slider

5. Smokin Japenese Babe

6. Your Creeping Me Out

7. Eyes Pop-Skin Explodes Everybody Dead

8. It's My Mind That Works

9. Dirty Shadows

10. Tired

11. Egypt

12. Kai

13. Amoeba

14. A Study Of Six Guitars

15. Snake Hips

x

Track List: Isdn (Explicit)

1. Just A F**kin Idiot

2. The Far Out Son Of Lung And The Ramblings Of A Madman

3. Appendage

4. Slider

5. Smokin Japanese Babe

6. You're Creeping Me Out

8. It's My Mind That Works

9. Dirty Shadows

10. Tired

11. Egypt

12. Kai

13. Amoeba

14. A Study Of Six Guitars

15. Snake Hips

x

Track List: Lifeforms

Disc 1

1. Cascade

2. Ill Flower

3. Flak

4. Bird Wings

5. Dead Skin Cells

6. Lifeforms

8. Among Myselves

9. Room 208

10. Elaborate Burn

11. Little Brother

Disc 2

1. Domain

2. Spineless Jelly

3. Interstat

4. Vertical Pig

5. Cerebral

6. Life Form Ends

7. Vit

8. Omnipresence

x

Track List: Accelerator

1. Expander

2. Stolen Documents

3. While Others Cry

4. Calcium

5. It's Not My Problem

6. Papua New Guinea

7. Moscow

8. 1 In 8

9. Pulse State

10. Central Industrial

11. Expander: Remix

12. Moscow: Remix

Comments

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One time, super high on weed and LSD, we were passengers in a car late at night and the song Everyone In The World Is Doing Something came on. It felt like we were in a movie. The part right before everyone in the car dies. We freaked and made the driver change the song! That song brings that hilarious memory up every time!
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shockworker1
blade runner samples
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This band are mavericks similar to The Prodigy, The Orb, Orbital and The KLF (Chillout) etc etc...was lucky enough to be part of the UK Northern dance scene (89-onwards) and believe without these types of bands and their influence all would be gone within this genre.. Bands would still exist but not sure what grade and quality of music would have been output? Maybe I am reminiscing too much but I have fond memories of "all nighters" and then onto water parks, motorway service stations or the lik
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My favorite is Cascade....
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Indeed ReX!
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Good old days when music was indeed listenable in 90s, FSOL just put all the present day's electronic muscian in shame.
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What a crappy BIO on them!

Wikipedia:
The Future Sound of London (often abbreviated to FSOL) is a British electronic music band composed of Garry Cobain (sometimes styled as Gaz Cobain) and Brian Dougans. The duo are often credited with pushing the boundaries of electronic music experimentat i o n and of pioneering a new era of dance music.Althou g h often labelled as ambient, Cobain and Dougans usually resist being typecast into any one particular genre. Their work covers most areas of elect
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LIFEFORMS all the way!!!! And EVERY other FSOL
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The Future Sound Of London And I Sleep...

I've been a fan since I saw the "We Have Explosives" video on MTV/AMP late one night...

Dead Cities...
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Indeed I have been a fan for so long and Lifeforms has always been my favorite album by FSOL.Brillia n t work.
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I've been hooked on Lifeforms for years. I've never found another electronic album as interesting, layered, terrifying and beautiful since.
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A total mind F$@%..<3
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The most, consistently , innovative and experimental electronic group. Period. The utilization of the same sounds for twenty years is phenomenal. Afterall, every lifeform may seem a bit different on any given day.
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I think The Isness is their most evolved album. tongue in cheek, yeah, but so happy. definitely under-rated.
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I was first introduced to FSOL in the WipeoutXL soundtrack and I haven't looked back since.
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relaxing and numb ,floating in the sky but falling to my demise slowly
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One of a handful of artists I think everyone should be exposed to, no matter their background.
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redflyingfox
Fascinating.
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I believe a lot of us might have visited different states of consciousnes s while listening to this masterpiece of sweet ambient evil... 90's and beyond... "...share my wings, come fly the teeth of the wind..."
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I think Squarepusher falls in the same framework too
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Sonically Aphex twin is very different. yet they still can be grouped together in some ways. Much more emotion in FSOL than with Aphex Twin yet both are Phenomenal.
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Although sonically they're more close to Aphex Twin, the emotion they evoke in me personally is of Kraftwerk in the late 70's, the genesis of electronic music.
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Load up some FSOL, Aphex Twin, Orb, & Orbital and let it play all night all day.
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FSOL----Thes e two guys are brillant! Every track brings back memories of the late 90's, which was a very exciting time to be involved with underground electronic music.
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nathanielwil l i a m
This sounds just like the soundtrack to lumines.
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No one can beat how great this band is.
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rmquick
FSOL, by sheer variety and magnitude, evolved or inspired nearly every form of techno there is today. Genius!
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FSOL is excellent. They're practically all I listen to these days. Best albums: Lifeforms, ISDN, Dead Cities. The Lifeforms EP (as opposed to the double CD of the same name) is hands down their best work.

Also check out the Amorphous Androgenous CD Ephinedra. It's the same guys under a different name but the music is similar to and as good as Lifeforms.
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crystal_zac
i'm 34 y/o and i grow up on this great music. and i love it they were the first and still the best in what they are doing
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Great stuff!
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Some of the best music just to sit back and groove to...
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They are true masters of their craft. They take electronic music, and push it to new and fascinating horizons.
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do i hear the orb and maybe meat beat manifesto very once and a while the their stuff? and if so, who's using who?
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This music defines the perfect example of ambient loops and includes some of the best best, drums / trans ambient selections. A cross between The Orb, Aphex Twin, Pink Floyd and Nightmares On Wax.
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This is Ron from Albuquerque, New Mexico and F.S.O.L. as inpired me for years! The creativity level is over the top. Underground will live forever! We're just like roaches, never die just keep on liven.
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A true back-bone to the electronic and techno sound, very very good.
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The most diverse electronic band EVER!!! They can do it all!
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this group is soo sick. their music is unrivaled

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