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Hadda Brooks

In the mid- to late '40s, black popular music began to mutate from swing jazz and boogie-woogie into the sort of rhythm & blues that helped lay the foundation for rock & roll. Singer and pianist Hadda Brooks was one of the many figures who was significant in aiding that transition, although she's largely forgotten today. While her torch song delivery was rooted in the big-band era, her boogie-woogie piano looked forward to jump blues and R&B. Ironically, the same qualities that made her briefly successful -- her elegant vocals and jazzy arrangements -- left her ill-equipped to compete when harder-driving forms of rhythm & blues, and then early rock & roll, began to dominate the marketplace in the early '50s.

Brooks got a recording deal through a chance meeting with jukebox operator Jules Bihari, who was looking to record some boogie-woogie. The Los Angeles-based Bihari, along with his brother Joe, would become major players in early R&B via their Modern label, which issued sides by B.B. King, John Lee Hooker, Etta James, Jesse Belvin, and other stars. Brooks actually preferred ballads to boogie-woogies, but worked up her style by listening to Pete Johnson, Albert Ammons, and Meade Lux Lewis records. Her first record, the pounding "Swingin' the Boogie," was a sizable regional hit in 1945. Joe Bihari would later tell author Arnold Shaw that the single was instrumental in establishing the Biharis' in the record business.

Brooks' first records were instrumental, but by 1946 she was singing as well. She had a fair amount of success for Modern in the late '40s, reaching the R&B Top Ten with "Out of the Blue" and her most famous song, "That's My Desire" (which was covered for a big pop hit by Frankie Laine). Her success on record led to some roles in films, most notably in a scene from In a Lonely Place, which starred Humphrey Bogart.

Brooks briefly left Modern for an unsuccessful stint with major label London in 1950. After a similarly unrewarding return to Modern in the early '50s, and a brief stay at OKeh, she largely withdrew from recording into the nightclub circuit. For most of the 1960s, in fact, she was based in Australia, where she hosted her own TV show. Her profile was boosted in the mid-'90s by her induction into the Rhythm & Blues Foundation Hall of Fame, and by the inclusion of her recording of "Anytime, Anyplace, Anywhere" in the film The Crossing Guard. A new album on Pointblank, Time Was When, was released in early 1996. ~ Richie Unterberger
full bio

Selected Discography

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Track List: That's Where I Came In - The Modern Vocal Recordings 1946 - 47

1. Keep Your Hand On Your Heart

2. Take Me

3. Why Was I Born

6. The Best Things In Life Are Free

8. That's Where I Came In

9. Sailboat In The Moonlight

10. I'm The Lonesomest Gal In Town

11. Can't We Be Friends

12. Tomorrow Night

13. You're Real Gone

14. This Will Make You Laugh

15. I Must Have That Man

16. My First And Last Love

17. What Have I Done

18. This Time We're Through

19. I'll Get By

21. Please Be Kind

22. I Can't Get Started

23. After You've Gone

24. Out Of The Blue

x

Track List: Femme Fatale

1. The Thrill Is Gone

2. Take Me

3. How Do You Speak To An Angel

4. My Ideal

6. Dream

7. There Is No Greater Love

8. My Romance

9. Stolen Love

10. Anytime, Anyplace, Anywhere

Comments

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Such a beautiful soul!! She intertwined classical music and the boogie and made one hell of a pianist!! 'Swingin the boogie' (1945) one of her most famous, as well as 'anytime, anyplace , anywhere' , and 'that's my desire . To be able to pull up my great Aunt is the most amazing thing ! To be able to listen to songs she sang as a child, and remembering her voice, feels as though the public hasn't forgotten about her ! She was amazing ,to me , growing up.. Thank you Pandora!!
Report as inappropriate
WHat a great professional . She knows what music is about and how to offer a song to an appreciative audience. I love the sound of her singing.
Report as inappropriate
Would love to hear more!
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i love it!

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