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Honey Cone

Edna Wright, Carolyn Willis, and Shellie Clark comprised the vocal trio Honey Cone, which only stayed together for four years but was still one of the best female soul groups of the early '70s. Although Honey Cone (which lead singer Wright formed in 1969) was based in Los Angeles, their recordings were Northern-style soul -- specifically, Detroit soul. Martha & the Vandellas and the Marvelettes -- two of the female vocal groups that epitomized Motown Records' sound in the '60s -- were among Honey Cone's main influences, and the group (which favored a blend of sweetness and grit) worked closely with three producer/songwriters who used to work at Motown: Brian Holland, Lamont Dozier, and Eddie Holland. However, Honey Cone's members had been in the music industry before they joined forces with the famous Holland/DozierHolland team. Willis (born 1946, Los Angeles, CA) had been with Bob B. Soxx & the Blue Jeans, who were known for '60s hits like "Why Do Lovers Break Each Other's Heart?" and "Not Too Young to Get Married." Clark (born in 1943, Brooklyn, NY) was an ex-member of the Ikettes, (Ike & Tina Turner's female backup singers), while Wright (born 1944, Los Angeles, CA) had been with the Blossoms. In fact, Wright's older sister is singer/actress Darlene Love, who was a member of Bob B. Soxx & the Blue Jeans as well as the Blossoms (in addition to doing a lot of recording by herself). Wright also recorded as a solo artist in the '60s; her Champion single "A Touch of Venus" (recorded under the pseudonym Sandy Wynns) was a small regional hit in Southern California. And like so many of the soul singers who were active in the '60s and '70s, Wright wasn't without gospel credentials. She had a Christian upbringing and sang gospel with the Church of God in Christ Singers, but ended up making secular R&B her primary focus. Wright, Clark, and Willis had only been together a few months when, in 1969, the group caught the attention of Eddie Holland (who came up with the name Honey Cone). The prolific Holland/DozierHolland team (which wrote countless mega-hits for Motown artists) had recently left Motown and started their own Detroit-based soul label Hot Wax/Invictus, and Honey Cone became the company's first signing. Honey Cone's first release, a 1969 single titled "While You're Out Looking for Sugar," was also Hot Wax's first release. The very Motown-sounding tune was not a major hit; it reached number 26 on Billboard's R&B singles chart and number 62 on the magazine's pop singles chart. But for a small upstart label, that single was a decent start. Honey Cone's next single, "Girls, It Ain't Easy," was equally Motown-sounding and did become a major hit, reaching number eight on Billboard's R&B singles chart. After that, Honey Cone enjoyed their biggest hits of all. Released in late 1970, the infectious "Want Ads" (which Taylor Dayne covered in 1988) got off to a slow start and the song had been out four months before it even charted in either Billboard or Cash Box (Billboard's main competitor at the time). But when "Wants Ads" finally took off, it really took off and soared to number one on Billboard's R&B and pop singles charts. In 1971, Honey Cone had another number one R&B hit with "Stick Up," which was also a number 11 pop hit. And a few more major hits followed in 1972, including the ballad "The Day I Found Myself" and the Latin-influenced "One Monkey Don't Stop No Show" (a number five R&B single and a number 15 pop hit). But as big as Honey Cone was from 1969-1972, it didn't fare nearly as well in 1973; none of the three Honey Cone singles that Hot Wax put out in 1973 ("If I Can't Fly," "The Truth Will Come Out," and "Ace in the Hole") were big hits. Sadly, Hot Wax/Invictus found itself experiencing a serious cash flow problem in 1973, despite having put out big sellers by Honey Cone as well as Freda Payne, 100 Percent Aged in Soul, Laura Lee, and the Chairmen of the Board. The problem wasn't that Hot Wax/Invictus' releases lacked commercial appeal; the problem, allegedly, was that the company was not getting paid by its independent distributors. In 1973, Honey Cone broke up, and Hot Wax/Invictus went out of business the following year. Wright went on to record by herself, providing the solo LP Oops! Here I Go Again for RCA in 1976. All five of the LPs that Honey Cone recorded for Hot Wax -- Honey Cone in 1969, Take Me With You in 1970, Sweet Replies and Soul Tapestry in 1971, and Love, Peace & Soul in 1972 -- went out of print when the label folded. However, all of Honey Cone's major hits are included on a 14-song Greatest Hits CD that Fantasy assembled in 1990. And the comprehensive Soulful Sugar, which Castle put out in 2001, boasts no less than 45 tracks. ~ Alex Henderson, Rovi
full bio

Comments

Gangsta-Girl s on the move, Up & Up*978*4m14y ~
I love me som SOLO...Heave n , Where you want me to put it, & the entire group of songs!!!
This is a great group
Wow. Love this stuff. I wasn't really paying attention when I was a kid. I was too much into Diana Ross, but I'm re-discoveri n g how great these ladies were. And I'd much rather listen to this than Nicki Minaj or any of the other trash that's forced upon us today.
This music is the best ,takes me back to my younger days
harrislloyd1 2
Never gonna forget having played trumpet with these ladies,espec i a l l y our gig at the Apollo in Harlem! Love them to this day!
Love the group and their music!!!
a_rhema_mini s t r y
I loved this group. better management could have taken them further!!
sheilabjelly b e a n
I Love her singing too you go girl
nodino6
L0ve her edna wright
mrswhite73
WANTED YOUNG MAN SINGLE AND FREE!
Edna Wright,I had the biggest crush on this women when I was 10 yrs old,,,i wanted to be that young man she sings about.
Wasn't Darlene Love's sister a member of this group? I could be wrong.
darryl.nelso n
this song is still hot !stick up
sadconquors
I agree with rob122 these songs of back in the day made you think twice before you just roll up on someone. Now a days nothing is left to chance, folk just walk down street with it all hanging out "smh."
The Honey Cones remind me of a time when people express their feelings without getting to graphic. Today's music just puts it all out there. Some things should just remain in the closet.
One of my childhood crushes. The entire group of women signified what black women in the 70's were all about sweet,sexy, wet strong enough to sing about what was on there heart without being overly loud and too strong, which is not the case with today's artist.

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