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Ike & Tina Turner

As husband and wife, Ike & Tina Turner headed up one of the most potent live acts on the R&B circuit during the '60s and early '70s. Guitarist and bandleader Ike kept his ensemble tight and well-drilled while throwing in his own distinctively twangy plucking; lead vocalist Tina was a ferocious whirlwind of power and energy, a raw sexual dynamo who was impossible to contain when she hit the stage, leading some critics to call her the first female singer to embody the true spirit of rock & roll. In their prime, the Ike & Tina Turner Revue specialized in a hard-driving, funked-up hybrid of soul and rock that, in its best moments, rose to a visceral frenzy that few R&B acts of any era could hope to match. Effusively praised by white rock luminaries like the Rolling Stones and Janis Joplin, Tina was unquestionably the star of the show, with a hugely powerful, raspy voice that ranks among the all-time soul greats. For all their concert presence, the Turners sometimes had problems translating their strong points to record; they cut singles for an endless succession of large and small independent labels throughout their career, and suffered from a shortage of the strong original material that artists with more stable homes (Motown, Atlantic, Stax, etc.) often enjoyed. The couple's well-documented marital difficulties (a mild way of describing Ike's violent, drug-fueled cruelty) eventually dissolved their partnership in the mid-'70s. Tina, of course, went on to become an icon and a symbol of survival after the resurgence of her solo career in the '80s, but it was the years she spent with Ike that made the purely musical part of her legend.

Izear Luster "Ike" Turner, Jr. was born in Clarksdale, MS, in 1931; initially a pianist, he formed his first band in high school and put together the Kings of Rhythm in the late '40s. In 1951, that group cut the pivotal "Rocket 88," a tune often pinpointed as the first ever rock & roll record; however, since sax player Jackie Brenston took the vocal, the song was credited to Brenston & His Delta Cats rather than Turner & the Kings of Rhythm. Not long after, Turner switched from piano to guitar, and he and his band became a prolific session outfit in Memphis, backing various Sun artists and bluesmen during the early '50s. Turner moved the Kings of Rhythm to East St. Louis in the mid-'50s, where they became kingpins of the local R&B circuit. In 1956, he met a teenage, gospel-trained singer from Nutbush, TN, named Anna Mae Bullock, and promised her a chance to sing with his band. That chance kept failing to materialize, until one night Bullock simply grabbed the microphone and started belting. Impressed, Turner made her a part of his revue, changing her name to Tina. After Tina became pregnant by the band's saxophonist, Raymond Hill, she moved into Turner's house, an arrangement that led to their own relationship; the two were married in 1958 and soon had a child of their own.

In late 1959, Turner's band entered the studio to cut a song called "A Fool in Love" for the Sue Records label. The scheduled male vocalist failed to show up for the session, and Tina was pressed into service. Released in 1960, "A Fool in Love" shot to the number two spot on the R&B charts, also making the pop Top 30. Tina was now clearly the focal point of the act, which Turner rechristened the Ike & Tina Turner Revue; with a large, horn-filled ensemble and a group of leggy backup singers dubbed the Ikettes (who complemented Tina's short-skirted, uninhibited gyrating), the Revue eventually developed a reputation for putting on one of the most exciting live shows in R&B. The R&B-chart hits came fast and furious during the early '60s: 1961's "I Idolize You" (number five) and "It's Gonna Work Out Fine" (number two), 1962's "Poor Fool" (number four) and "Tra La La La La" (number nine). It was an impressive run, but the well went dry over the next several years; Ike supplied much of the band's original material, and although he was responsible for many of the early successes, he simply wasn't a world-class songwriter who could deliver hit-caliber tunes with regularity. Much of the Revue's repertoire consisted of bluesy, chitlin circuit R&B that wasn't exceptionally memorable. Ike & Tina branched out from Sue Records and spent the next few years issuing records on additional labels, including Kent, Modern, and Loma. While they had some undeniable high points and several chart entries, none reached the level of their initial run of Top Ten hits.

In 1966, the Turners worked with legendary producer Phil Spector, who was seeking a way to restore his artistic and commercial standing at the forefront of pop music in the wake of advances by the Beach Boys and Beatles. The powerful instrument that was Tina's voice appealed to Spector's sense of grandeur, and he conceived of a massive-scale production framing that voice that would rank as his greatest masterpiece. Ike already had a reputation for demanding control, and Spector struck his deal accordingly: although the records would be fully credited to Ike & Tina Turner, Ike would not be allowed to enter the studio or alter the finished recordings (in effect, Spector was paying him not to meddle). The centerpiece of Spector's collaboration with Tina was "River Deep - Mountain High," a monumental pop symphony that cost over $22,000 to produce (in 1966, this was a whopping sum for an album, let alone a single). The single represented Spector's so-called Wall of Sound style at its most gloriously excessive, and Tina's was one of the few voices in popular music strong enough to cut through the monolithic orchestral backing. With the high cost and his own slipping stature, Spector was betting the farm on "River Deep - Mountain High," and although it rocketed into the British Top Five and made Tina a star in the U.K., it flopped in America, where its mixture of black and white musical aesthetics was still slightly ahead of its time. A crushed Spector retreated from the music business not long after, and his Philles label yanked the accompanying album of the same name from American release (Spector wound up producing only five of the 12 cuts). Although some critics dismiss "River Deep - Mountain High" as overproduced bombast, many still consider it one of rock's greatest singles; George Harrison famously described it as "a perfect record from start to finish."

After the Spector deal fell through, Ike & Tina returned to their somewhat mercenary recording habits, cutting songs for Modern and Innis, then moving to Minit and Blue Thumb in 1969. That year, they went on the road as the opening act for the Rolling Stones, and Ike slightly retooled the Revue's sound to appeal to white rock audiences in addition to their core black following. In 1970, they signed with Liberty/United Artists and recorded Come Together, which incorporated contemporary rock & roll covers into their repertoire; versions of the Beatles' title track and Sly & the Family Stone's "I Want to Take You Higher" made the R&B Top 30. Released later that year, Workin' Together became the most popular album of their career, making the Top 25 on the strength of a storming reinterpretation of CCR's "Proud Mary." Featuring a notorious spoken intro by Tina, the "nice...and rough" version of "Proud Mary" gave Ike & Tina their first Top Five hit on the pop charts, and returned them to the same heights on the R&B side as well; it also won them a Grammy. The covers gimmick couldn't last forever, though, and their formula soon grew predictable; their last major success was 1973's "Nutbush City Limits," a semi-autobiographical song written by Tina that made the R&B Top 20 and just missed that placing on the pop side. By that point, Tina had grown increasingly uninterested in the duo's well-established act, and was tiring of the largely unchallenging material she continued to perform.

Unfortunately, the music itself wasn't the only factor in Ike & Tina's downturn. As a bandleader, Ike had long been a disciplinarian, but during the '60s he developed severe addictions to alcohol and, especially, cocaine. Wanting to maintain control over the star of his show at any cost, Turner kept his wife in line through an increasingly violent pattern of emotional and physical abuse; often drug-related, his flights of rage could result in severe beatings or burns that pushed Tina to attempt suicide in 1968, according to her autobiography. She continued to endure Ike's dominance through the early '70s, and her performances were clearly weary by the end; finally, she walked out on her husband and generally declined to pursue claims for financial compensation from their work together. Their divorce became official in 1976. After a long period of struggle, Tina re-emerged triumphantly in the '80s as a superstar solo act; Ike, meanwhile, ran his own recording studio for a time, but his drug problems worsened, resulting in several arrests. Sadly, and perhaps fittingly, he was serving prison time when he and his former wife were jointly inducted into the Rock and Roll Hall of Fame in 1991, and was unable to attend the ceremony. ~ Steve Huey, Rovi
full bio

Selected Discography


Ike Turner will always be one of the architects of rock and roll. Attention to Tina Turner on this track - Proud Mary - is deserved but the drummer really drives this tune.
i love tina you just tought me a lesson bout love
I'm in love with this song also i loved The Movie
What's Love Got To Do With It
Never liked Ike, Love Tina.
get me some Elvis please
Love this!!
Dynamic Duo
Love this
A Bluesy Kingsman,The Queen of Rock-n-Roll
H-Town Listening*97 8 * ~ 5m14y~
I love this song so much!!!!!!
Ike was brilliant but like others, drugs took over his soul. So sad. So happy Tina prospered around that.
You really must get "Sally Go Round The Rose" by The Jaynettes .

( ike WHO????? :O!)
Better than original!!!!
The music!- Ike! To me like Sonny!(Sonny and Cher!)-In background but Mastermind!- T h u m b s u p ! ! ! - Y o u can find a pretty girl on every corner!- It's the time and Marketing you put into it!-Im a business woman so not offended!!!
The music is where it's at. Surely all the attention on personal life detracts from the artistry involved. I happen to love them both for great songs and even greater shows. Thanks to you guys for helping to birth rock & roll via sweaty, funky, sexy soul.
I am feeling the music
Tina is a phenomenal woman!!
Todays music just does not hold a candle to what was going on then. The generation stood up for what it thought was good and fought for it. Now we have a current You owe me generation - sorry about that but I don't owe yo a thing, I worked hard and played just as hard and didn't stand with my hand out. Get a life the music will live long after you or I am gone. It speaks if you take time to listen to it.
A Fool in Love was popular 50 years ago !
Who cares if Ike was a good musician. He abused his wife; his music didn't mean anything. He was a loser.
they were great together
In memory of Ike I shall slappeth a hoe.
Its a shame what happened to Tina. Ike was a musical genious, just should have went to prison for what he did, but he got his. We need to remeber he found her, so I'll thank him for only that. She is a strong, remarkable woman, not to be remembered by her abuse, but her talent; and beautiful legs!! Love you Tina from Opp, Alabama!! Opp PD 247
There is nothing more disgusting than a poor weak small man that will beat on a woman. He is a coward
Music has a way of taking precious moments and packaging them into tiny little mental bytes.
Love Tina!!
Ray Ray you is awesome. so is Ms. Tina. ♥hugs.
listening to tune the funky mule snd it is.
Love them as a group such a shame Ike was so damn crazy and couldn't do right by Tina. So very glad that she struck out her own and became a bigger star in her own right
The fabulous Miss amazing talent. Of all the live concerts I've attended, the Ike & Tina Turner revue was the best.The show revolved around Tina and her back up in their gorgeous costumes, 4" stiletto heels and perfectelly choreographe d moves. I was exausted just watching them. So glad when she dumped Ike. Love me some Tina!
yourplaceoff i t n e s s
Tina is the s**t and always will be
Its a sad thing I can't enjoy this song remembering that Ike was a criminal that should have been prosecuted, he was excused because he was her husband, beatin on her and rapin her just disgusting, he treated her like an animal, hospitalizin her and mess, Why is anyone on this panel askin if he's still alive, he was a useless, hopeless good for nothing man o' no animal
lke is dead died about 2 yrs ago
ike and tina had it - musically. if ike wasn't such a turd, maybe they could've done better- but besides that, they were one of the best soul groups ever-
Is Ike still alive? I love Tina best performer ever.
i wish i could see her on her tour but she isnt coming anywhere near north carolina :(
lol ibarne i love that part "just eat the cake anna mae"
Damn...this some good cake Frost!!!!!
Too happy and excited to know Tina is touring again. I will be there!
"thats about it"? You are truley mistaken. Ike's contribution s to the history of rock and roll are innumerable. Regardless of his personal life.
The good thing about Ike were it not for him we would have overlooked a fantastic performer. Because Tina had the confidence of a scared hyena. Thank goodness Ike recognized the talent...but that's about it.
I know that Tina is happy know and is at pease knowing what happened in her old marrige.
I wonder now that Ike has passed it Tina trully has peace now...

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