It is taking longer than expected to fetch the next song to play. The music should be playing soon. If you get tired of waiting, you can try reloading your browser.


Please check our Help page for information about troubleshooting Pandora on your browser.

Please ensure you are using the latest Flash Player.


If you are unable or do not wish to upgrade your Flash Player,
please try a different browser.


Please check our Help page for information about troubleshooting Pandora on your browser.
Your Pandora One subscription will expire shortly.
More Info
No Thanks
Your Pandora One trial will expire shortly.
Restore
Close
close
Your Pandora One trial subscription will expire shortly. Upgrade to continue unlimited, ad-free listening.
Upgrade Now
You've listened to hours of Pandora this month. Consider upgrading to Pandora One.
More Info
No Thanks
Close
Hi . Pandora is using Facebook to personalize your experience. Learn MoreNo Thanks
-0:00
0:00
Change Skin

We created Pandora to put the Music Genome Project directly in your hands

It’s a new kind of radio –
stations that play only music you like

 
Create an account for free. Register
Now Playing
Music Feed
My Profile
Create a Station
People who also like this

Johannes Ockeghem

Ockeghem was one of the most respected composers of the 15th century, and along with Guillaume Dufay and Josquin Des Prez, one of the most influential composers of the early Renaissance. Ockeghem was probably born in the current Belgium, in what was then the Duchy of Burgundy -- estimates for the year of his birth vary from 1400 to c.1430, but written sources from the period indicate that he was a very old man by the time of his death in 1497. He was premier chaplain to three kings of France, as well as holding the prestigious position of treasurer at the great cathedral and monastery of St. Martin de Tours. During his lifetime, Ockeghem was known for his personal refinement and fine bass voice. After his death, a famous poem by Guillaume Cretin (set to music by Josquin Des Prez) praised his character, skill, and influence. He was long identified as one of the fathers of Renaissance music, his influence finally fading only years after his death. Ockeghem's surviving musical output is relatively small, comprising a mere handful of motets, several masses, and a couple of dozen secular chansons. His style is marked by a careful handling of vocal ranges in a primarily four-voice texture, and an emphasis on complex and expressive bass lines. This emphasis on lower textures opened up a new world of structural possibilities for Renaissance composers, and Ockeghem's compositions exploit these potentials in a variety of ways. Today he is best known for his masses and his ability to integrate large-scale forms in ways which were as unparalleled then as they are now. By the 16th century, Ockeghem was known primarily as an accomplished technical master, famous for his complex lines and polyphonic structures, which had the appearance of intractable puzzles for all but the most accomplished musicians. This perception of difficulty, as well as the unique texture of his works, is due in part to his emphasis on long lines which gradually unfold with the formal development of a piece -- a development accomplished by a carefully executed structural plan which includes the supression of cadential features in one or more voices at otherwise "planned" cadences. Ockeghem's reputation as a purely technical master was also earned by the relatively long survival of his more intricate polyphonic explorations as textbook sources. These include his incomparable Missa Prolationum, constructed entirely in canon; his Missa Cuiusvis toni, designed to be performable in any of the available modes (catholicon); and his chanson "Prenez sur moi," which is both a strict canon and a catholicon. However, Ockeghem's music is by no means dominated by these technical features (and even in these works, the result is astonishing); his contrapuntal language is extremely varied and complex, largely abandoning the simpler fauxbourdon style of Dufay, but not resting exclusively on the pervasive imitation characteristic of Josquin and the successive continental masters. Today, Ockeghem is regarded not only as one of the pioneers of Western polyphony, but as one of the supreme masters of both lyrical and contrapuntal invention. ~ Todd McComb
full bio

Comments

Report as inappropriate
This work lacks a certain smoothness and tends to sound a bit laborious. But beautiful nonetheless.
Report as inappropriate
lol!
Report as inappropriate
mrawlins62
To reveal his bio would require opening Pandora's box. Last time that happened...
Report as inappropriate
bodyworker3
lol yes
Report as inappropriate
eanoty
Apparently biographical info on J.O. is not only shrouded in mystery;it is completely befogged!
Report as inappropriate
Where's the full bio??
Report as inappropriate
Ockeghem has long been a favorite of mine! I'm delighted to find him here!
Report as inappropriate
I am glad to learn of this composer!

We're sorry, but a browser plugin or firewall may be preventing Pandora from loading.

In order to use Pandora internet radio, please upgrade to a more current browser.

Please check our Help page for more information.

It looks like your browser does not support modern SSL/TLS. Please upgrade your browser.

If you need help, please email: pandora-support@pandora.com.

In order to use Pandora internet radio, please upgrade to a more current browser
or install a newer version of Flash (v.10 or later).

In order to use Pandora internet radio, please install Adobe Flash (v.10 or later).

[64, 114, 94, 96, 96, 99, 66, 92, 99, 64, 109, 89, 87, 104, 87, 81, 122, 101, 113, 65, 122, 117, 80, 122, 105, 69, 100, 86, 122, 118, 83, 95, 114, 99, 72, 76, 82, 73, 93, 101, 76, 100, 94, 68, 114, 96, 99, 122, 86, 124, 76, 96, 90, 109, 127, 117, 87, 108, 114, 112, 77, 105, 104, 97, 83, 78, 96, 122, 121, 77, 90, 74, 96, 109, 79, 79, 97, 87, 68, 80, 71, 119, 100, 125, 98, 102, 74, 68, 127, 104, 111, 126, 79, 114, 115, 117, 66, 94, 81, 76, 80, 119, 107, 77, 66, 89, 68, 111, 77, 93, 69, 110, 103, 124, 117, 90, 96, 104, 78, 118, 73, 70, 107, 88, 66, 72, 115, 112, 67, 75, 127, 89, 104, 68, 97, 64, 110, 72, 86, 94, 78, 114, 125, 87, 84, 107, 107, 71, 83, 104, 120, 108, 98, 90, 90, 78, 90, 78, 111, 97, 111, 78, 123, 112, 83, 104, 93, 70, 84, 92, 114, 103, 71, 113, 79, 125, 96, 74, 88, 114, 72, 107, 66, 113, 110, 87, 71, 110, 92, 111, 64, 71, 82, 83, 107, 71, 85, 97, 67, 66, 72, 96, 106, 115, 121, 110, 105, 121, 123, 72, 117, 125, 87, 101, 72, 78, 89, 76, 115, 86, 80, 127, 97, 83, 65, 77, 69, 123, 91, 99, 83, 92, 82, 92, 77, 98, 125, 92, 69, 92, 105, 106, 68, 104, 109, 105, 86, 64, 87, 86, 72, 96, 107, 120, 86, 86, 98, 78, 70, 110, 123, 92, 86, 110, 85, 112, 86, 92, 121, 106, 104, 124, 114, 85, 126, 126, 122, 84, 76, 107, 80, 114, 111, 95, 118, 119, 97, 112, 103, 66, 116, 70, 121, 68, 103, 72, 86, 92, 90, 118, 116, 104, 109, 86, 101, 127, 93, 89, 104, 73, 67, 116, 119, 64, 125, 114, 121, 83, 77, 108, 120, 101, 99, 72, 89, 90, 84, 102, 92, 80, 84, 72, 110, 91, 126, 106, 68, 126, 110, 102, 117, 108, 68, 88, 73, 103, 72, 104, 102, 118, 64, 103, 94, 106, 127, 67, 110, 87, 88, 108, 108, 106, 111, 91, 79, 94, 100, 109, 84, 125, 83, 66, 94, 103, 123, 91, 123, 116, 73, 67, 121, 84, 113, 85, 75, 82, 89, 109, 124, 87, 107, 93, 88, 122, 103, 75, 97, 122, 70, 117, 81, 78, 119, 88, 101, 113, 67, 74, 84, 76, 109, 121, 102, 93, 85, 91, 110, 116, 68, 71, 85, 64, 121, 91, 126, 114, 117, 124, 89, 125, 121, 64, 125, 102, 118, 85, 103, 99, 111, 71, 110, 100, 117, 102, 121, 84, 120, 73, 99, 66, 100, 108, 78, 82, 89, 93, 73, 95, 70, 64, 114, 79, 64, 107, 98, 113, 73, 95, 85, 72, 98, 105, 100, 70, 127, 123, 68, 91, 84, 92, 110, 106, 87, 113, 100, 124, 124, 113, 95, 81, 126, 91, 88, 74, 96, 75, 103, 86, 78, 96, 121, 65, 110, 110, 111, 89, 94, 75, 120, 101, 68, 110]