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Judy Collins

Singer Judy Collins was, along with Joan Baez, one of the two major interpretive singers to emerge from the folk revival of the late '50s and early '60s. Like Baez, she began singing traditional folk songs, then moved on to popularize the work of contemporary singer/songwriters, even writing her own songs occasionally. Unlike Baez, she used her classical music training to evolve into being a singer of art songs and show tunes, sometimes employing semi-classical arrangements. In a career that began at the end of the 1950s and was still going strong more than 50 years later, she consistently performed 50-80 concerts a year, and she recorded extensively, her commercial success reaching its apex from the late '60s to the mid-'70s, as six of her albums from the period achieved gold or platinum sales. Although she was primarily an albums artist, she also enjoyed a few hit singles, notably her Top Ten, Grammy-winning cover of Joni Mitchell's "Both Sides Now," which helped establish Mitchell as a songwriter; an a cappella version of the hymn "Amazing Grace"; and the show tune "Send in the Clowns," which led to a Song of the Year Grammy for its composer, Stephen Sondheim.

Judith Marjorie Collins was born on May 1, 1939, in Seattle, WA, the first of five children of Charles Thomas ("Chuck") Collins, a local radio singer and MC, and Marjorie (Byrd) Collins. In the summer of 1943, the family moved to Los Angeles, where Collins' father had gotten a job at NBC. She exhibited an early interest in music and began taking piano lessons before her fifth birthday. In 1949, her father took a job in Denver, and the family moved there. The following year, just before she turned 11, Collins became a piano student of Dr. Antonia Brico, a noted conductor. Although Brico felt she had the potential to become a concert pianist, Collins gave up her classical studies in her mid-teens as she became infatuated with folk music and took up the guitar. After she graduated from East High School in Denver in 1957, she began attending MacMurray College in Illinois, but she dropped out in 1958 to marry Peter Taylor, a student at the University of Colorado, and the following year gave birth to a son, Clark Taylor.

At the suggestion of her husband that she help the young family make ends meet by singing, Collins took an engagement at Michael's Pub in Boulder, CO, arranged by her father, beginning on March 2, 1959. Soon, she was performing there five nights a week, and over the next year she appeared in other clubs around Colorado, including the Exodus club in Denver, where she made an informal recording that was sold locally. Her husband graduated in June 1960 and was awarded a teaching fellowship at the University of Connecticut; on their way east, the family stopped in Chicago, where Collins spent six weeks as an opening act at the prestigious folk club The Gate of Horn. Based in Storrs, CT, as of the fall of 1960, Collins began commuting into New York to appear at such venues as Gerdes Folk City, and she also performed up and down the East Coast. In 1961, she was signed to the independent folk label Elektra Records as its answer to its rival Vanguard's popular female folksinger Joan Baez. She recorded her debut Elektra album, A Maid of Constant Sorrow, in August 1961, and it was released on October 15, 1961. The following year came her second LP, Golden Apples of the Sun. Both albums featured traditional folk songs that she sang over simple acoustic instrumentation.

Collins' increasing success in her career put a strain on her marriage, and she and her husband separated at the end of the summer of 1962; they divorced in 1964. In October 1962, coincident with the release of her second album, she opened for Theodore Bikel at Carnegie Hall, her first appearance in a venue where she would come to perform annually. Her third album, Judy Collins #3 (January 1964), included politically oriented songs by Bob Dylan, Woody Guthrie, and Pete Seeger, among others, along with traditional material; it became her first recording to reach the charts. On March 21, 1964, she made her concert debut as a headliner at Town Hall in New York, and Elektra recorded the performance for The Judy Collins Concert (October 1964), an unusual live album in that it consisted almost entirely of previously unrecorded songs, among them compositions by Dylan and Tom Paxton. Collins began to perform internationally, appearing in Poland and the Soviet Union in 1965 and in Europe and Asia in 1966. Meanwhile, she released Judy Collins' Fifth Album (November 1965), on which she sang more songs by Dylan along with ones by Eric Andersen, Richard Fariña, and Gordon Lightfoot; the album was her first to reach the Top 100.

For her sixth album, In My Life, Collins hired arranger/conductor Joshua Rifkin to create chamber pop settings for a collection of songs including show tunes (a suite drawn from the off-Broadway show Marat/Sade, Bertolt Brecht and Kurt Weill's "Pirate Jenny" from The Threepenny Opera) and two songs by Canadian poet and novelist Leonard Cohen, "Suzanne" and "Dress Rehearsal Rag." Released in November 1966, In My Life helped establish Cohen as a singer/songwriter; it also reached the Top 50, eventually going gold, and spawned Collins' first chart single in a cover of Fariña's "Hard Lovin' Loser." Wildflowers (November 1967) did even better. Although it took Elektra nearly a year to recognize the significance of Collins' cover of "Both Sides Now" and release it as a single, the result was that both it and the LP made the Top Ten at the end of 1968, with Wildflowers becoming her first gold album and "Both Sides Now" winning her the 1968 Grammy Award for Best Folk Performance. Meanwhile, she had gone on to record the more pop/rock-oriented Who Knows Where the Time Goes (November 1968), which made the Top 30, went gold, and spawned the chart single "Someday Soon" (by Ian Tyson).

Collins included more traditional material on her ninth album, Whales & Nightingales (November 12, 1970), although the arrangements could be unusual, including a tape of whale sounds to accompany "Farewell to Tarwathie." Her choral treatment of "Amazing Grace" became a surprise hit, reaching the Top 20, as did the gold-selling LP. Living (November 2, 1971) was, like The Judy Collins Concert, a live album consisting mostly of songs she had not recorded before; along with the million-selling hits compilation Colors of the Day: The Best of Judy Collins (May 8, 1972), it filled a gap in new recordings while Collins took time off to write, formed her own company, and began working on a documentary film about her mentor, Dr. Antonia Brico. She returned with her 11th album, True Stories & Other Dreams (January 18, 1973), which featured five of her own compositions, although the hit single was Valerie Carter's "Cook with Honey," which reached the Top 40; the LP reached the Top 30. Antonia: A Portrait of the Woman, which Collins co-directed, opened in 1974 to positive reviews and went on to earn an Academy Award nomination for best documentary.

On her 12th album, Judith (March 24, 1975), Collins took more of a pop approach, employing arranger Arif Mardin and recording Sondheim's "Send in the Clowns" from the 1973 Broadway musical A Little Night Music. The result was her biggest-selling regular album, with "Send in the Clowns" initially making the Top 40. When the song was included on her two-LP compilation So Early in the Spring (July 19, 1977), it was re-promoted as a single and hit a new peak in the Top 20. Meanwhile, Collins had followed Judith with Bread & Roses (August 25, 1976), a typically eclectic set that reached the Top 30.

In the mid-‘70s, Collins took time out from her career to settle personal and professional issues. In October 1977, she underwent successful laser surgery to repair her vocal cords. In April 1978, she spent time in a treatment facility to overcome alcoholism. The same month, she met industrial designer Louis Nelson, who became her life partner and, 18 years later, on April 16, 1996, her second husband. There was thus a break of two and a half years between Bread & Roses and her 14th album, Hard Times for Lovers (February 20, 1979), which reached the Top 100. Running for My Life (March 28, 1980) barely made the charts, and Times of Our Lives (January 22, 1982) was another modest seller. By this time, Elektra had gone from being an independent folk label to a division of a major label, Warner, and Collins was not a priority. The label initially rejected the next album she submitted, then agreed to release it with the inclusion of an added song, "Home Again," a duet with country singer T.G. Sheppard that made the Country and Adult Contemporary charts in the fall of 1984. The LP, also called Home Again, did not chart, however, and Collins and Elektra parted ways after more than two decades at the end of the year.

Collins contracted with the British Telstar label for an album of inspirational material named after a re-recording of "Amazing Grace" (which had been a huge hit in the U.K.), and it made the charts in Great Britain in December 1985. When she signed to the startup label Gold Castle in 1987, she used some of this material and a few new tracks to assemble Trust Your Heart (April 13, 1987), released to coincide with the publication of her autobiography of the same title. She followed it with a live album, Sanity and Grace. In 1990, she signed to Columbia Records and released Fires of Eden (October 9, 1990).

On January 15, 1992, Collins' 33-year-old son Clark Taylor committed suicide, a devastating event for her that she eventually dealt with by studying and writing about suicide in a series of books including Singing Lessons: A Memoir of Love, Loss, Hope and Healing (1998) and Sanity and Grace: A Journal of Suicide, Survival, and Strength (2003). Meanwhile, she continued to make occasional recordings, as Geffen Records released Judy Collins Sings Dylan…Just Like a Woman (November 20, 1993). In 1995, she simultaneously published a novel, Shameless, set in the music industry, and released an album of the same title featuring all-original songs. After the release of Classic Broadway on Platinum Records in 1999, she launched her own label, Wildflower Records, which issued concert recordings, re-packagings of older recordings, and new albums including Portrait of an American Girl and Judy Collins Sings Lennon & McCartney. She also continued to perform regularly. On February 13, 2007, she made her debut as a cabaret artist at the prestigious Café Carlyle in New York, launching an annual engagement there; her fourth stint ran from May 4 to June 12, 2010, and coincided with the release of a new album, Paradise. ~ William Ruhlmann, Rovi
full bio

Selected Discography

Comments

I love this song it brings me back!!! ��������
You're beautiful
The answer is Blowing in the Wind---usual l y on Saturday mornings
Don't read this because it actually works. You will be kissed on the nearest Friday by the love of your life. Tomorrow will be the best day of your life. However if you don't post this you will die in 2 days. Now you started reading this so don't stop. This is so scary put this on at least 5 songs in the next 143 minutes. When done press f6 and your lovers name will appear on the screen in big letters this is so scary because it actually works
The lady's voice shared many an eve with me beneath the night skies of South Vietnam, calming my adrenaline find. She likely helped save my life, and retain my belief in kindness and love.
Amen to the intro up top. Judy is one of my all-time favorite folk singers so good that she is alive and well and performing! Like Mary Travers, she helped create the genre. They, along with Joan Baez and Bob Dylan, were instrumental in ending the Vietnam debacle. Thank you for that.
Without a doubt, the best female voice of the Peace and Love generation.
I saw Hendrix in 1969 at The Northern California Folk and Pop Festival --a time I will never forget.
rexfordlthom p s o n
The sweetest voice this side of heaven
Such Passion and beauty
This album (Who Knows Where the Time Goes) was the most influential for me as a young girl in the late '60s. Judy taught me how to sing really. Very spiritual lady imo. Saw her and Steven Stills connect on tv sometime ago and it was obvious he was still in love with her. It was written all over his face.
She is one of my top 5 singers!!!! Been a fan since I was a young teen a long time ago. Come Rejoice, her Christmas album, is my favorite and then Tapestry. Such a beautiful singer. No, she's not a lesbo!!!
johnnyohania n
She's not a lesbo like Joan Baez, is she?


Wedding Song. OMG This is beautiful. Absolutely beautiful. I think I would put it in my goodnight, sweet dreams, sleep with the angels file. This is beautiful
VOICE LIKE AN ANGEL!

MARK
cullengeddes
wildflowers bring many wonderful memories and friends an album i cna always listen too thank you judy
Colors of the Day and Tapestry.... . . . . . . . . p e r f e c t i o n .
Colors of the Day, my favorite album for years and years, wore out from the wear of the needle. What a musical treasure she has been. Thank you, Judith.
Attended a concert with Judy recently. A magical moment in time.
Saw her last week in Salina, KS. She stood and sang and told stories for > 1 1/2 hours. And she still sounds like the old Judy Collins.
alwayswise
My mom loved Judy Collins songs. Her favorites were Both Sides Now and Send in the Clowns. Mom passed a few months ago. Listening to Send in the Clowns on Pandora tonight transported me to memories of mom. Thank you Judy Collins.
Judy Collins voice inspired ,soothed and encouraged me since 1968..thanks
Judy's album Wildflowers got me through a very tuff time back in the day - Viet Nam......
@ aconwaydj39: My condolences to you for the loss of Daniel, and thank you for sharing him with us so we know about his golden presence here for a little while. He was generous in his passing and the people he saved will never forget him. Peace to you.
i kmow there is music in heaven. my son is also gone from this earth but is always alive in my heart and all the lives he saved as an organ donor....sti l l doesn't help....that sorrow shouldn't ever leave us. just make us see things different he was also poor in his choices but danuel will always be my inspiration. a golden person who makes me a better person, so thank you for your beatiful music. daniel loved all music.
wow, i connect love you judy
Awesome bio...woman was about creative inspiration. . . w o r k , life, what a talent...I always listened to her as a younger man but never became a fan...althou g h , I, as stated, always listened to her songs on the radio...I will get into her music now...
moon.haines
Just saw her concert at the Met in NYC...had to hear her again! Sets my soul free to sing out from my heart!!!


When I hear Judy sing, I can feel the 1960's all over again. I can almost smell the smells and imagine my early teen years. You have it all Judy - the looks, the voice and the grace.
Judy was a major part of my listening experience during her hayday. Always happen to hear her again.
Happy Birthday, Judith!
attyfertig
liz golder is a judy colllins fanatic
I saw Judy in Astoria in Aug. '11. Not one to cry easily, I burst into tears with her opening song....She' s one of those rare vocalists who to grips the heart. It was just like she was visiting in the living room as she shared and so graciously visited with us at the Liberty Theater. She's my all time favorite vocalist. And she's still gorgeous! A true inspiration to Boomers!
carol.sauced a
her music takes me back to days of listening to her albums over and over again. I find solace in her songs and her voice. Had the pleasure of seeing her in concert again in Feb. 2011. Thank you, Judy, for the many songs and the many years of music you have provided to us.
I'm a stone sculpture. Generally larger pieces. I find by listening to music I am able to get the proper flow and movement that, for me, is necessary in order to reach the heart. One of my best works was carved entirely while listening to Judy Collins and was named after one of the songs that she sang. Thanks Judy for the inspiration and feeling you put in your music.
normitahanni g a n
One of the most outstanding moments of my life was having the opportunity to sing backup for Judy Collins' at the Paramount Theater in Peekskill, NY. I was singing w/ The Taghkanic Chorale at the time. I couldn't believe it. She arrived, beautiful and completely calm. After the rehearsal, she thanked us for being there. Amazingly gracious.
It is such a shame that there are no young singers now with the rich range and beauty of voice. Such a pleasure to listen to her beautiful songs.
just love listening to Judy Collins on Pandora. Just wish they would play songs from her Fires of Eden album.
wgilljr
When times have been toughest I've put on headphones and listened to Judy Collins. It saves me.
I saw her with my parents a few years back at Mechanics Hall, in Worcester, Ma. It was my birthday present. :-) I was the youngest person there, not counting the poor kid who was with his grandparents . I loved every second of it, and got her autograph. Good times
Beyond words.
My wife and I saw Judy Collins perform a few years ago and we were knocked out. She did a couple of songs without any music and they were shockingly outstanding! She had to be in her mid-60's at the time.
madrigalshih t z u
The thing I love the most about Collins is that she is a consummate trained musician which is evident in everything she ever sang. She an understandin g of music that goes far beyond most folk singers. I am sure it is why she could not help herself and almost immediately went beyond traditional music and ventured into Leonard Cohen, Renaissance Ballatellas, Sondheim, Brel, and eventually her own compositions which are lovely. I adore her....she will always be part of my growing up and my comin
She knows where the time has gone.
nellessen
I am interested in the first 2 albums. Where to find? Bob
pmflynn1
Great singer, fine voice. Still in love.
plg6
No one sent in the clowns any better than she has. Definitive version, imho.
No matter the song, Judy Collins' voice has this crystal, poignant quality that just fills me with the wonder, beauty, and sadness of the human condition.
Both Sides Now - 1968 - What a song and what a year!
Tops.
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