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Leonel Power

It is thought that Power was an elder contemporary of Dunstable whom together forged the English musical style of the early to middle fifteenth century. Power served in the home of the Duke of Clarence, until 1421, and then in the fraternity of Christ Church in Canterbury (1423) where he lead the choir. Power composed in excess of forty pieces in most of the genres of the day. Movements within the mass cycle, however, appear to comprise the majority of his works: solo movements, mass pairings and multi-movement masses. He and Dunstable were among the first to unify the movements of the Ordinaries of the mass. "Alma Redemptoris mater" is clearly ascribed to Power and exemplifies one of the first unified mass cycles. Characteristics of Power's compositions include simple discant settings with the middle voice carrying the melody, four and five voice settings that were not constricted by formal structures, balanced rhythms, complex upper parts supported by slow moving lower parts and a unification of the Ars Nova and Ars Subtilior. ~ Keith Johnson
full bio

Selected Discography

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Track List: Lancastrians To The Tudors

Composer: Sarum Chant
Title: Requiem Eternam
Composer: Henry V, King of England
Title: Gloria
Composer: Leonel Power
Title: Credo
Composer: Henry V, King of England
Title: Sanctus
Composer: Nicholas Sturgeon
Title: Salve Mater Domini/Salve Templum Domini
Composer: John Dunstable
Title: Descendi In Ortum Meum, Antiphon For 4 Voices, MB 73
Composer: Walter Lambe
Title: Nesciens Mater For 5 Voices
Composer: Richard Davy
Title: O Domine Caeli Terraeque For 5 Voices
Composer: John Merbecke
Title: Funeral Sentences (plainchant)
Composer: Thomas Tallis
Title: Verily, Verily I Say Unto You, Anthem For 4 Voices
Composer: John Sheppard
Title: Paschal Kyrie, For 6 Voices
Composer: Christopher Tye
Title: Ad Te Clamamus
Composer: Robert Parsons
Title: Ave Maria For 5 Voices
Composer: Robert White
Title: Lamentations Of Jeremiah For 5 Voices

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