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LTJ Bukem

Arguably the prime innovator in the development of jungle from its early status as an offshoot of hardcore techno into the respected, stylistic genre it became by the end of the 1990s, LTJ Bukem gained fame as an auteur in all fields of the drum'n'bass movement: as a top-flight breakbeat DJ, owner and label head of the Good Looking/Looking Good stable of labels and, of course, for his recordings -- inspired by the lush strings and natural ambience of '70s jazz fusion masters like Lonnie Liston Smith and Chick Corea as well as elegiac Chicago house and moody Detroit techno. Allied with the early-'90s rave and hardcore scene, Bukem began working on production near the end of the 1980s; though his light, airy sound made little sense to his contemporaries, Bukem's style was emulated much more as the jungle scene gained momentum during the mid-'90s. While such producers as Roni Size and Goldie gained the limelight for their solo work, Bukem purposely downplayed his own artistic career in favor of mix albums and label-spanning retrospectives that highlighted dozens of artists from his labels.

Born in London in 1967, Danny Williamson was adopted and raised in Watford by strict Baptist parents, earning his nickname from the TV series Hawaii Five-O ("book 'em, Danno"). He took trumpet lessons as a child; played piano and drums in various school bands; and began listening to a wide range of music, including jazz, soul, and fusion plus hip-hop and electro. After being expelled from school at the age of 16, Bukem made the natural move to DJ status later in the '80s; inspired by rare groove DJs like Tim Westwood and Gilles Peterson, Bukem and several friends set up the Sunshine sound system and played out the latest hip-hop and electro tracks at DJ battles around his Luton base.

When the acid house explosion hit Britain near the turn of the decade, Bukem gradually stopped going to sound system battles and began attending the ever-growing raves dotting England's countryside. He began mixing at them as well, and produced his first track, "Logical Progression," in 1990. Bukem soon grew frustrated with a lack of control over his own recordings, however, and in 1991 decided to form his own label, Good Looking Records. Bukem's production style was a continuing anachronism on the rave/breakbeat scene; early Good Looking tracks like "Demons Theme," "Atlantis," and "Music" provided a soulful, melodic alternative to the prevailing hardcore tracks then in vogue.

By 1994, LTJ Bukem had formed his second label (Looking Good Records) and begun the formation of an artist collective -- Peshay, Aquarius (aka Photek), PFM, ILS & Solo, Blame, Nookie, Seba & Lo-Tec, Tayla, Funky Technicians -- similarly inclined toward melodicism and epic expanses of sound. In October of that same year, he began the club night Speed at the Mars Bar in order to spread the Good Looking/Looking Good approach to sound. With Bukem and jungle pioneer Fabio spinning breakbeat records while MC Conrad added verbal gymnastics over the top, it soon became one of the most popular clubs in London. Appropriately, Bukem's first full-length was a mix album, Mixmag Live!, Vol. 3, which confirmed his status as one of the top breakbeat DJs in the drum'n'bass scene.

The jungle phenomenon had begun to crest as a commercial force in 1994, and the appearance of Goldie's Timeless one year later signaled the dawn of widespread critical respect for drum'n'bass. Though Bukem signed a major deal as well (through London), he debuted in true label-head fashion, releasing the Good Looking/Looking Good compilation Logical Progression instead of a proper solo LP. Bukem did contribute several productions (and mixed tracks for the second disc of the set), but the album definitely portrayed an artist committed to the jungle community more than his own career.

After a subsequent DJ tour of America (his first), Bukem showcased a new direction in late 1996 with Earth, Vol. 1. Another compilation (this time spanning his catchall subsidiary Earth Records), it concentrated on midtempo tracks inspired by hip-hop, soul-jazz, and funk -- again featuring very few tracks actually by Bukem. The sequel to Logical Progression continued the same share-the-wealth strategy -- it was helmed and mixed by Good Looking right-hand man Blame. Besides inaugurating yet another mix album series (Progression Sessions) in 1998, Bukem released several additional volumes in both the Logical Progression and Earth series. Journey Inwards, his first full-fledged solo album, followed in the spring of 2000. Producer 01 was issued a year later. Good Looking's release schedule hasn't waned in the years since, with Bukem remaining as active as ever. ~ John Bush, Rovi
full bio

Selected Discography

Comments

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seen him live with Conrad several times in the states, continue to be inspired by his focus on melody and letting the music do the talking, most of the genre has gone to the wayside. Wish that current musicians could take his lead and see what it really takes to create quality. A master of his craft no doubt.
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Journey Inwards might honestly be my all-time favorite album.
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carlosjesusr u b a l c a v a c o s t a 3 8
I know his music since 1994 aprox
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Nice
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Smooooooooth ! ! ! ! ! ! ! ! !
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Sweet! !!!!!
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Dont sleep on LTJ
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Amazing
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SwEET TRACK
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He anit no joke
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Dope track
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Big UP TO LTJ
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Smooth and layed back
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Dope
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Nice
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My favorite and a true pioneer of Drum&Bass.My very first D&B album was LTJ BUKEM Logical Progression. B e e n hooked ever since and has been a great journey listening to LTJ evolve.yet keep his roots grounded.
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Happend across an album and have embraced the true flow of sound and spirit always takes me to a fast moving bliss
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I've used this song for my alarm on my phone for a long time, so when I hear it now I'm like, I'm UP! I'm UP! XD
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statesgroove _ m z b
FEARS FALL TORNADO WALLz......U n s e e n windZ traveling stage....
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statesgroove _ m z b
=>
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Pure organic chill...str8 butter!!!!
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Euphoric haze of feelings of tingles of mists hitting your body as u lay there dreaming in your mind of pure perfection** * M U S I C like no other
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Sounds like Bonobo. Still chilling as fuk!!!
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LTJ is my boy for Life.
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Simply a visionary in the musical landscape.. Music is bliss and LTJ embodies this! Been a huge fan since '95
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I appreciate LTJ as a producer and respect his philosophy as a record label owner. His productions simply speak for themselves.
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I love Suspended Space. I dig the combo of sounds....
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excellent, this one playing now
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LTJ Bukem is a pillar of the community, and remains the single solitary strongest influence in the Drun'N'Bass world. Put some smoke in the air for ya man, BOAHH!!!
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Legendary, trance yet smooth, lovin' the beats, timeless and sweetness.
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oh so nice key changes! can stay there for a long while...good sound exchange mrWilliamson .
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36998444
Junalists Unite!! Rally round the family now!
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I remember that 1st US tour for Bukem, what an amazing night...
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altavek
Need to update that bio…
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mmmmm sounds sooo good
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I love the fact that after 15 years I can still take my record bag full of Goodlooking Records vinyl play a show, and get great responses. The music is timeless.
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Cant go wrong with Bukem!
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Greetings my friend Danny ..... Allways in our musical minds.... Puerto Rico love's the man behind the sound......
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renog66
LTJ Bukem is the best there is man... hands down
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LTJ Bukem is the greatest DJ ever IMO
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i agree. dreammmy and hipnotic. puts you in a good place
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we love Drum and Bass!!
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Brings back so many good memories.
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absolutely love the beat
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absentia
dreammy hypnotic, trancie good rythym
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absentia
producer 01 = wow nice
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beautiful. makes me feel good all day.
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pure as they come
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legend
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Forlorn and lamenting lushness in the spacey trippy smooth.. me likey....boo k em dano
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