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Merzbow

There is no need to argue: Merzbow stands as the most important artist in noise music. The favorite moniker of Japanese Masami Akita appears on hundreds of albums. The name comes from German artist Kurt Schwitters' famous work Merzbau, which he also called The Cathedral of Erotic Misery. Akita's choice reflects his fondness for junk art (through Schwitters' collage method) and his fascination with ritualized eroticism, namely in the form of fetishism and bondage. All these elements constitute the Merzbow persona.

Akita was born in Tokyo in 1956. He grew up with psychedelic rock and began to play the guitar in progressive rock cover bands, in particular with drummer Kiyoshi Mizutani, who would remain a frequent collaborator. After high school, Akita studied literature and visual arts in college. There he discovered free jazz and studied seriously the ideas of Dada and the surrealists (Salvador Dali remained a big influence). Akita gradually withdrew himself from the rock scene and began experimenting in his basement with broken tape recorders and feedback.

In 1979, Akita created his own cassette label, Lowest Arts & Music, and released the first of many albums, Metal Acoustic Music. Infiltrating the then-burgeoning network of underground industrial music, Merzbow lined up one cassette after another, packaged in Xeroxed collage art. His harsh noise eschewed the primitive anger found on this scene (Throbbing Gristle, Man Is the B**tard) to reach a Zen state, calm inside the storm. Mizutani occasionally appeared on some of the raw material, as would other musicians (like Reiko.A), but in essence Merzbow is Akita and would always be. The artist/group made low-budget live appearances in Tokyo, but his main focus remained on his art production and his writing (he is erudite in 20th century art and the Japanese tradition of bondage).

In 1983, Akita's first LP, Material Action 2 (NAM), was released on Chaos/Eastern Works in Japan. Out of the mail-art network and into the specialty record shops, Merzbow began to attract some eyes and ears. Akita started a second label, ZSF Produkt, which put out dozens of 7"s, EPs, LPs, and more cassettes. By the late '80s, other record labels had begun to pay interest, namely the Australian Extreme. Collaborative (1988), an LP recorded with Achim Wollscheid, brought the Merzbow sound to more international listeners, and slowly Akita invaded other territories. By the mid-'90s, his reputation verged on the mythical. He toured Europe and the U.S., and had high(er)-profile releases on Extreme, RRR, and Alchemy.

In 1997, Extreme announced it was putting in production a 50-CD box set, Merzbox. It was finally released three years later. It includes 30 reissues dating as far back as 1979, and 20 discs' worth of unreleased material, and remains the biggest musical statement in the history of noise music. More widely available albums for Alien8 Recordings (Aqua Necromancer, 1998) and Tzadik (1930, 1998), combined with constant worldwide touring, have taken the artist out of mythical status and propelled him into the legendary. In the late '90s, Akita started to collaborate with other artists outside the Merzbow moniker, namely with Mike Patton (as Maldoror) and Otomo Yoshihide. Both a prolific composer and performer, Akita continued his string of Merzbow releases into the next century, including Frog (2001), V (2003), Merzbird (2004), the two-volume set Minazo (2006), Merzbear and Synth Destruction (2007), Dolphin Sonar (2008), and the multi-volume 13 Japanese Birds series issued monthly between January 2009 and January 2010. He followed this massive undertaking with Another Merzbow Records, released by the U.K's Dirtier Promotions imprint in April of 2010. Ever prolific, and with a huge backlog of archival material, Akita released ten collections in 2011, as well as an additional four live sets, and four more albums appeared in 2012, along with the box sets Merzphysics and Merzmorphosis. ~ François Couture, Rovi
full bio

Comments

All noise music is not the same.

There is a very distinct difference from Merzbow and other noise artists.

Listen to Wolf Eye. Tell me they sound the same as Merzbow.

Listen to James Tenney. Tell me he's 'just noise' too.

Listen to Whitehouse. Tell me it's still the same 'nonsense'.

It doesn't matter to me. I listen to the entire universe of music. I am not bound by musical conventions regarding structure and popularity and melody.
Quiet Men is making me claw at the skin on my face, I want to tear it off.
These tracks DO sound like noise! You're right!
so many of the tracks sound the same- like white noise...but there are a few that are oddly intriguing, like a horribly gory wound from which I can't look away
Do I hear sheep?
Why is the bio for Merzbow actually Boris' bio? Was it confusing due to their multiple collaboratio n s that these are two completely different acts?
colinmgonzal e s
That's all you've got? 10 albums out the possible 500 this one man has put out over the last 30-something years? At least get the Merzbox on here.
Oh I remember how we used to LAUGH and DANCE to this music!
there is no need to argue-a computer and power tools-and anyone can release a cd every five minutes.oh ! tha's right somebody has done that and he GOES BY THE NAME - MERZBOW...
sycojib
White Noise from a television is what I remember from Merzbow from a few years back.
This guy makes all other bands look like lazy motherf**ker s . This isn't even a fraction of what he has released.
rob.zebeck
one of the most important artists working in any medium in history
I have heard a lot of noise in my years. Since the late 80's I have enjoyed creating and listening to other artists. It was just a month ago that I started listening to Merzbow...Ca n ' t get enough.
that merzbow is a sexy a** b**ch
dental drilling/ root canal
Today i have heard my first ever Merzbow recording: "Quiet Men" from Animal Magnetism. Thank you, Pandora! (to be frank, it hasn't changed my life...it sounds like stuff I've done in my own home in the '90s, but it's nice to know that I do have such a kindred spirit way across the ocean in Mr. Akita).
merzbow will kick your a**
Merzbow is the only artist, of any type, that has been life-changin g for me. I feel as though I didn't even know what art was before hearing Merzbow. Truly inspiring.

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