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Mission Of Burma

Of all the punk-inspired bands that came out of Boston in the early '80s, none were better than Mission of Burma. Arty without being too pretentious, capable of writing gripping songs and playing with ferocious intensity, guitarist Roger Miller, bassist Clint Conley, drummer Peter Prescott, and tape head Martin Swope galvanized the city's alternative rock scene, and despite a too-short existence, set a standard for excellence that has rarely been equalled -- a standard the band upheld when they unexpectedly reunited in 2002.

Burma's music is vintage early-'80s post-punk: jittery rhythms, odd shifts in time, declamatory vocals, an aural assault similarly employed by bands such as Gang of Four, Mekons, and Pere Ubu -- Burma's peers as well as their influences. Also conspicuously present in the mix was the proto-punk of the Stooges and Velvet Underground (with just a dash of Led Zeppelin and Roxy Music), bands that inspired Burma's darker songwriting impulses and tendencies toward longish, repetitive jams capable of boring holes into your skull. What Burma added was a sonic texture through the use of extreme volume. Roger Miller's guitar enveloped the band in thick, distorted, cascading chords, erupting into squealing solos and (intentional) squalls of feedback. With Prescott and Conley furiously bashing in support, the band's sound was extremely physical (ask anyone who saw them live) to the point of leaving the audience feeling slightly bruised and battered, but extremely happy.

After releasing an explosive single ("Academy Fight Song," still one of punk rock's greatest songs) on Boston's then-hippest indie label, Ace of Hearts, Burma released two excellent records in just over a year: the Signals, Calls and Marches EP and their only full-length studio album, Vs. The former was poppier, but in a breathtakingly intense way; the latter dark and ominous, lacking in riff-heavy punch, but still delivering a wicked blast of aural chaos. Unbeknown to fans, this was the beginning of the end. The massive volume, a key element in Burma's sound, had taken its toll on the bandmembers, especially Miller, who developed a severe case of tinnitus that hastened the band's demise. (Always the trooper, Miller played the band's final tour wearing a protective headset used on shooting ranges to prevent his ears from absorbing more punishment.) After a bittersweet farewell tour in 1983, the shows were released as a live LP entitled The Horrible Truth About Burma, an occasionally thrilling example of their considerable stage prowess. Miller went on to a career as a solo artist with his non-touring band Birdsongs of the Mesozoic. Prescott formed the wonderful Volcano Suns, who released a half-dozen records all worth checking out, before starting Kustomized with ex-Bullet la Volta singer Yukki Gipe. Clint Conley produced the first Yo La Tengo record and then left the music business. He went on to work as a producer at Boston television station WCVB.

In 2001, Prescott's short-lived band the Peer Group played a show opening for reunited British art punks Wire, and Miller and Conley tagged along to play an encore with Prescott, marking the first time the three had appeared on-stage together since 1983. Later that year, Mission of Burma was featured prominently in Michael Azerrad's book on the indie rock scene of the '80s, Our Band Could Be Your Life, and Conley began writing and performing music again with the band Consonant. After the Peer Group folded, the three performing members of Mission of Burma decided to stage a pair of reunion shows in early 2002. (Martin Swope opted not to participate; live sound and tape loops were instead handled by Shellac's Bob Weston, formerly of Volcano Suns.) One concert in New York became two sold-out nights at the Irving Plaza, and a single night in Boston became four shows at three venues (including an "open rehearsal" under the name Myanmar); the group also joined the lineup for the 2002 All Tomorrow's Parties festival in England, followed by short tours of the West Coast and Midwest. Along with playing a handful of live dates in 2003 (including the American edition of All Tomorrow's Parties), Mission of Burma returned to the studio for their first recording project since Vs. Onoffon (along with the greatest-hits collection Gun to the Head: A Selection from the Ace of Hearts Era) was released by Matador Records in the spring of 2004. In a press release the label said of the album, "This isn't just a hot new release, it's a goddamn cultural event." The band's third studio album, The Obliterati, arrived in 2006, followed by The Sound the Speed the Light (2009), and Unsound (2012). ~ John Dougan, Rovi
full bio

Selected Discography

Comments

clm3_chip
I'm probably the only one who thinks this way, but I've long thought of Einstein's Day as the Kashmir of post-punk. What an awesome song - it's right up there with That's When I Reach for My Revolver in the competition for best Mission of Burma song IMO.
clm3_chip
JC Chaos - MoB reformed in 2002 and goes on periodic tours. I saw them last September (2012) at the Black Cat in DC (after seeing Bob Mould earlier the same night at the 9:30 Club - what a night that was!). Check their website for more information.
I am jealous - these guys would have been great live. Although it is a heavier option, if you like MOB, check out the Mark of Cain - a tougher version + machine like.
stadamnon2
I saw MOB many times when I was in Boston in the '80's. I enjoyed every show. Thanks to Rick Hart for bringing them to the world.
jrammel01
For all its faults, I am very grateful to Pandora for introducing me to this band. Just wish they wouldn't mix up the credits for this song and Graham Coxon's song.
jboshia
If you like this band check out Pegboy...
jpollack06
Saw them at BU in the 80s. Just a lot of fun.
Just saw these guys on Friday. Words can not describe the awesomeness. If you can, see them immediately before it is too late....agai n .
They should be more popular. I'd like to see them play in the Boston area where I am sure they're appreciated, not like where I live where the crowd was sparse.
i might be able to get into this band more if pandora would ever play something besides that annoying revolver song
calvin000
Can they be renamed "Deputation of Myanmar"?
does the passage of time kill your punk?
One of the true originals. Their greatest works combine an incredible melodic sense drawn from all corners of music, from punk and jazz to modern composition, and meld it with their formidable pop chops to create post-punk classics most other bands couldn't touch. Each member's contribution s to their sound is essential, and their use of tape loops remains interesting to this day as a forerunner to sampling and electronics in rock music. All this and a reunion that rocks to boot!
ocassiuso
Saw them WBW in New Haven. Brilliant.
Along with the Minutmen, Mission of Burma is one of only bands to effectively combine politically charged lyrics and punk influences without sounding generic. Amazingly original, essential music.

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