Vanguard
1967
Joan
About This Album
Joan was very much an album of its time in terms of its sound and production, more so than any other album that Joan Baez ever recorded. In 1967, rock, folk, folk-rock, and pop all seemed to be headed in new and ever-more-ornate directions, and Joan was a response to that change and, not coincidentally, is also the most self-consciously beautiful record that Baez ever cut. Arranger/conductor Peter Schickele, who had previously worked with Baez on her Christmas album, provides generally restrained orchestral accompaniment on ten of the 12 songs here. The latter, in sharp contrast to Baez's earlier work, are mostly drawn from a wide range of such popular composers as John Lennon and Paul McCartney, Donovan, Paul Simon, and Jacques Brel, as well as Tim Hardin and Baez's late brother-in-law, Richard Farina. Several of these tracks -- "Turquoise" with its gorgeous parts for the harps and the horns, "Children of Darkness" with its beautiful writing for the reeds, and "Saigon Bride" with its haunting brass part -- are profoundly beautiful. Others, such as "Eleanor Rigby" and "Dangling Conversation," don't come off nearly as well, in part because they're competing against fairly ornate originals and also -- in the case of the Paul Simon song -- because of Baez's decision to alter the words.
Track List

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