Suicide Squeeze
2003
How I Learned To Write Backwards
About This Album
San Francisco-based popsters Aislers Set returned with the follow-up to 2000's The Last Match with How I Learned to Write Backwards, co-released on Suicide Squeeze and Slumberland Records. The disc was a significant departure from the band's previous works, marking a new approach to songwriting by the group's leader, singer Amy Linton. Fortunately for the band's fans, her signature voice and the band's uncanny knack for creating uniquely catchy pop hooks remained. The Motown flare of the opener, "Catherine Says," hints that the album was not going to be more of the same from the group. While bands often rest on their laurels, Aislers Set seemed determined to once again push their proverbial artistic envelope. "Emotional Lack" includes a unique ending, with the band relying on a cappella vocals, only accompanied by handclaps and Yoshi Nakamoto's brief, steady drumming. The disc really hits its stride with "Languor in the Balcony" and "Mission Bells," as the quintet shows off both its post-punk and pop sensibilities. Linton's vocals alternate between the hushed "Sara's Song" and the graceful "Through the Swells," always maintaining a subtle coyness.
Track List (try tracks 1,3 and 4)

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