It's subtle, but telling, that the cover of Audioslave's eponymous debut is designed by Storm Thorgerson, the artist behind Pink Floyd's greatest album sleeves. Thorgerson, along with Roger Dean, epitomized the look of the '70s, the era of supergroups, which is precisely what Audioslave is -- a meeting of Rage Against the Machine, minus Zack de la Rocha, with former Soundgarden vocalist Chris Cornell. Though both bands were leading lights of alt-metal in the '90s, the two came from totally separate vantage points: Rage Against the Machine was fearlessly modern, addressing contemporary politics over Tom Morello's hip-hop-influenced guitar, while Soundgarden dredged up '70s metal fueled with the spirit of punk. That these two vantage points don't quite fit shouldn't be a surprise -- there is little common ground between the two, apart that they're refugees from brainy post-metal bands. Of the two camps, Chris Cornell exerts the strongest influence, pushing the Rage Against the Machine boys toward catchier hooks and introspective material. Occasionally, the group winds up with songs that play to the strengths of both camps, like the storming lead single "Cochise." For Cornell fans, it's a relief to hear him unleash like this, given the reserve of his brooding solo debut, but this is hardly a one-man show. The Rage band, led by the intricate stylings of guitarist Tom Morello, gets their chance to shine, including on numbers that are subtler and shadier than the average Rage tune. Which brings up the primary fault on the album: Perhaps Morello, and perhaps the rest of RATM, are technically more gifted than, say, Soundgarden, but they never sound as majestic, as powerful, or as cinematic as what Cornell's songs need. His muted yet varied solo album proved that he needed muscle, but here it's all muscle, no texture or color. Consequently, many of the songs sound like they're just on the verge of achieving liftoff, never quite reaching their potential. There are moments, usually arriving in the first half, where Audioslave suddenly, inexplicably clicks, sounding like a band, not a marketer's grand scheme. Still, these moments are few and far between and it's hard to get through this album as a whole. By the end, it's clear that this pairing was a clever idea, but not an inspired one. ~ Stephen Thomas Erlewine, All Music Guide
oooh she is soo right....saw chris cornell live and he's old but HOT HOT HOT....even though i don't care for what he's doing musically right now, i'd still give him the goodies
I love this album!! I am surprised it still plays as many times as I have played it, carried it with me in my car. Iam always listing to it and siging right along!!!
Audioslave 4 life!!!!
This is one of the most underrated albums of all time, despite Like a Stone being played regularly on the radio. I agree with Jason--Chris Cornell is in the top 5 of rock vocalists ever. He's almost as good live as he is on the albums too. The reviewer--Erlewine--is too much of a hardass. This album came out when grunge was beyond dead and rock in general was dying. It helped resurrect things along with bands like Queens of the Stone Age and old-timers like the Foo Fighters.
This album is one of my all-time favorites. You're able to enjoy both ends of the RATM-Cornell spectrum... and everything in between. Audioslave was a great band that was never fully embraced commercially or critically, both of which I still don't understand. If you like rock or any of its sub-genres, this album and this band are definitely worth exploring!
Whew that is a tough review! Although I understand points of it - this album is a shining light in current commercial (by that I mean the ones that get the most mainstream attention) rock climate. Great sing-a-long, road trip CD!
These reviews really are pretty unfair sometimes. They should start with the opinion/bad stuff and end with the facts/good stuff. The band might not work. This is a great album.
That's all the review I need.