As a film, The Last Waltz was a triumph -- one of the first (and still one of the few) rock concert documentaries that was directed by a filmmaker who understood both the look and the sound of rock & roll, and executed with enough technical craft to capture all the nooks and crannies of a great live show. But as an album, the Last Waltz soundtrack had to compete with the Band's earlier live album, Rock of Ages, with which it bears a certain superficial resemblance -- both found the group trying to create something grander than the standard-issue live double, and both featured the group beefed up by additional musicians. While Rock of Ages found the Band swinging along with the help of a horn section arranged by Allen Toussaint, The Last Waltz boasts a horn section (using Toussaint's earlier arrangements on a few cuts) and more than a baker's dozen guest stars, ranging from old cohorts Ronnie Hawkins and Bob Dylan to contemporaries Joni Mitchell, Neil Young, and Van Morrison. The Band are in fine if not exceptional form here; on most cuts, they don't sound quite as fiery as they did on Rock of Ages, though their performances are never less than expert, and the high points are dazzling, especially an impassioned version of "It Makes No Difference" and blazing readings of "Up on Cripple Creek" and "The Night They Drove Old Dixie Down" (Levon Helm has made no secret that he felt breaking up the Band was a bad idea, and here it sounds if he was determined to prove how much they still had to offer). Ultimately, it's the Band's "special guests" who really make this set stand out -- Muddy Waters' ferocious version of "Mannish Boy" would have been a wonder from a man half his age, Van Morrison sounds positively joyous on "Caravan," Neil Young and Joni Mitchell do well for their Canadian brethren, and Bob Dylan's closing set finds him in admirably loose and rollicking form. (One question remains -- what exactly is Neil Diamond doing here?) And while the closing studio-recorded "Last Waltz Suite" sounds like padding, the contributions from Emmylou Harris and the Staple Singers are beautiful indeed. It could be argued that you're better off watching The Last Waltz on video than listening to it on CD, but either way it's a show well worth checking out. ~ Mark Deming, All Music Guide
I'm a huge fan of The Band and not such a big fan of Niel Diamond, but Neil's Dry Your Eyes is an awsome song. Dry Your Eyes and Caravan are tied up for my favorite songs from The last Waltz.
Also, there is a 4 disc The Last Waltz set (looks like a 5"x12" book) that you should consider getting instead of the two disc version talked about hear.
I don't care what anyone says, when Neil Diamond comes out and, without some much as an acknowledgement of anything else, he just straight kicks a**, it's one of the best things ever. What was he on? How does he rock so hard? Why won't you dry your eyes? These questions may never be answered, but with a question like Neil, who cares?
Absolutely Robertson is one of the best. Being in a big, not-guitar-driven, band holds him back a bit (or perhaps helped him -- didn't give him a chance to make mistakes). But, he is one of a very small handful of guitarists, who you can hear a bit of a lick, and go "that's Robbie." His playing with the Band is beautiful. Continued playing really wasn't in his heart, but his Band era work is understated, and sublime.
Rumour has it, he and Clapton are recording an album together. Keep you
Neil Diamond is there because Robbie Robertson produced Diamond's "Beautiful Noise" album in 1976; "Dry Your Eyes" is from that album. The Band - or perhaps just Robertson - appreciated Tin Pan Alley-style pop music. And, yes, Diamond still looks like a fish out of water here - but, anyway, that's why he's there. Be thankful Barbra Streisand didn't join him. Be very thankful.
Umm the review did not mention a little known guitarist named Clapton! (hey but they mention Neil Diamond -
My fave is Shape Im In, way better than the studio version - what a show