All the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release. ~ Stephen Thomas Erlewine, All Music Guide
Music doesn't really get BETTER than this. Everything from Rubber Soul forward is amazing. So is the early stuff but in a different way. "Side 2" of Abbey Road, as us 1st Generation Beatles fans say, is quite a way to go out on top! Every album they did was great. Sgt. Pepper is my personal favorite.
I do like "bubble gum" music, but I really like the lyrics on this album. They definately left an impression on me. I love "For No One" and "Here, There, and Everywhere" the best!
my personal favorites are Good Day Sunshine, which is such a moodlifter. its so bright and wonderful! and i also LOVE the little-none For No One. the lyrics are so powerful, and it makes you stop and think. Fan-frickin-tastic album
Excellent album, but not their best. Sgt Pepper, Abbey Road, and even Rubber Soul top my list, with Revolver slightly next. However, Revolver does have 3 of the Beatles best songs: Taxman, Eleanor Rigby, and I'm Only Sleeping.
....no longer just 'mop tops'......recorded as they finished the touring phase of the band it shows them making music they couldn't play live...more interesting maybe but less accessible....like so many '60's bands it was too tempting to float downstream than get out and work for it....a few years later they made an attempt to 'get back' on the road to get back to being the band they once were but too late....the dream was over...
Revolver changed rock music forever. Wished I would have gotten the british version instead of the cut down american version. I did'nt know about the song Dr. Robert until years later.
Sgt. Pepper pales in comparison to Revolver, the best album the Beatles-and just maybe anybody-ever did. Pepper is gimmicky and is loaded with holes-not just the ones mentioned in "Fixing A Hole" (the best song on the album) and "A Day in the Life". "Being for the Benefit..." and "Good Morning, Good Morning" are mere filler. Then there's the "reprise" of Sgt. Pepper and the nothing much "Lovely Rita" and the too precious "When I'm 64." Now: Show me a weak track on Revolver...
Holy cow -- 6 awesome tracks just among those that were singles! Taxman is delightfully cynical. Eleanor Rigby may be one of the greatest melancholy songs ever. Here, There, and Everywhere is good. Yellow Submarine is just a fun song to sing. Good Day Sunshine is everything McCartney did well with the light sound and happy melody. And the trumpets keeping the melody of Got To Get You Into My Life make it just that much better. Whatever the genre was, the Beatles did it and did well.
Agreed that Lennon was at the top of his experimental game here. Also with the strides that George Harrison made. One correction: Paul McCartney wrote Yellow Submarine...
I agree, most of the songs on Revolver still sound new. Whenever I hear 'Tomorrow Never Knows' I can't believe that it came out in 1966! As is usually the case, I don't know what Erlewine is smoking. How is it "a nightmare"? And why would 'She Said She Said' and 'I'm Only Sleeping' be considered "bad trips"?
There are many people--even myself, sometimes--who see Sgt. Pepper's Lonely Hearts Club Band is the best Beatles album. While I can easily see where that opinion comes from, Sgt. Pepper's is merely an extension of the techniques, subject matter, and innovations that appeared first on Revolver. Just look at some of the songs. "She's Leaving Home" with its orchestral backing, is the logical next step from "Eleanor Rigby." "Love You To" would appear there as "Within You Without You," et al.
It was once said that if all music in the world today ceased to exist, it could all be recreated by using the album Revolver by the Beatles!! I believe this little quote (or something similiar to it) came from MTV's list of the 100 greatest albums ever. Revolver is #1. There is something for everyone on this album.
Revolver still has a crisp, refreshing sound even to this day. The album art cover may be my favorite of all the Beatles albums as well. This album was probably considered to be almost revolutionary back in '66.