It's an unconventional formula, to say the least: Black Moth Super Rainbow are as out-there musically as their name would imply. Psychedelia is the reference point, filtered through a childlike innocence and wonder, and implemented with bargain-basement instruments and electronics. For reference, imagine what an impromptu collaboration between Boards of Canada and M83 might sound like, especially if it took place on a lazy hazy summer afternoon at the Elephant 6 collective's studio after someone brewed some strong mushroom tea. Black Moth combine what sound like vintage analog synths and various keyboards and electronics that might have been dug out of an attic and dusted off for a thrift shop or yard sale. Add to that either a drum machine that has been dropped a few too many times or the most shoddily recorded live drummer ever. And add to that a vocalist who manipulates his voice with the cheesiest, chintziest child's vocoder ever. You wouldn't think it would work, yet it does; each track here is a gem. And while it doesn't live up to its more mature and fleshed-out follow-up, Dandelion Gum, the song sketches on Start a People lay down the blueprint for a lo-fi psychedelic manifesto unlike anything ever heard before. Standouts (in sound and title) include the Boards of Canada gone funk of "Vietcaterpillar," the circular noodling of the ditty-length anthem "I Am the Alphabet" (represented here in two versions), the horn "breakdown" in "Early 70's Gymnastics," the children's instructional counting singalong "Trees and Colors and Wizards," and the "exploring Mister Rogers' neighborhood on acid" pastiche of "I Think It Is Beautiful That You Are 256 Colors Too." A peek at the handful of lyrics provided suggests a darker side underneath all the sunshine and rainbows and lends weight to Black Moth's apparent utopianism and escapism. [Graveface's 2007 edition included bonus tracks.] ~ Brian Way, All Music Guide
Track List
(try tracks 1,2,3,4,5,6,7,8,9,10,11,12 and 13)
This is one of my favorite albums EVER. All the songs flow together amazingly. This album somehow seems to have a 70's feeling that craves for nostalgia even from people like me, who were born 20 years later. you feel like even though you never experienced the era, you know exactly what they're talking about. And that album cover is so cool.
great sounds. and relax re: the review I don't think that a music critic would get much work if he/she just wrote "I can't put into words what I am hearing". That's what they get paid to do. All music has some reference to something that came before it, that's all he's doing here. And no, vintage equip does not = lo-fi, but it's certainly a warm & unclean sound they've recorded. Low-Fidelity has a very generalized definition these days with new sounds and recording technology.
great album, lame a** review. In my opinion, this album is far superior to the overworked and "more mature?" Dandelion Gum. In my opinion, the use of analog synths and vintage equipment does not equal "lo" fidelity. That's a lame a** copout because you can't put into words what youre hearing. In my opinion, this reviewer needs to leave his preconceptions behind, because it doesnt make for an accurate or engaging music description whatsoever.