Universal Latino
2007
Sino
About This Album
Since the mid-'90s, every new album release by Café Tacuba was an event, especially in the band's native Mexico. This was partly because of the band's considerable renown and their reputation for evolving stylistically, but also because new album releases were few and far between. Like Cuatro Caminos (2003) before it, Sino was eagerly awaited by fans of Café Tacuba, the world's most recognized torchbearer of rock en español. The beloved band took their time with both albums -- a gaping four years of time for each -- yet the wait was worthwhile, as is usually the case with Café Tacuba: the resulting music is abundantly creative, and enriched with fresh musical ideas and well-developed songs. The comparisons end there, though. Whereas Cuatro Caminos was a bold step into the realm of digital-age production -- a critically hailed experimental rock album infused with the mannerisms of electronica, it drew frequent comparisons to Radiohead's Kid A/Amnesiac work -- Sino finds Café Tacuba scaling back much of the eccentricity of their past several studio albums: the electronica mannerisms of Cuatro Caminos are scaled back, as is the overt experimentation of Revés/Yo Soy (1999), the inside-out genre-twisting of Avalancha de Éxitos (1996), and the White Album-like sprawl of Re (1994).
Track List (try tracks 1,3,4,5,6,7,9,10,12 and 13)

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