Hyperion UK
2004
Handel: An Ode for St. Cecilia's Day
About This Album
Even if you think the big "Rule, Britannia!" mood is the way to go with Handel, give a chance to Robert King's version of the Ode for St. Cecilia's Day, recorded with the King's Consort and its choir on the Hyperion label. Handel in this much-loved work set a poem in praise of music by John Dryden; between opening and closing stanzas that implicate music in the creation and the dissolution of the universe, Dryden penned evocative little portraits of individual instruments ("Sharp violins proclaim/Their jealous pangs and desperation/Fury, frantic indignation/Depth of pains, and height of passion/For the fair disdainful dame."). In a Baroque musical world that associated solo instrumental display primarily with the concerto form, setting this text was a tall order -- and one Handel filled magnificently.

This reading separates itself sharply from those that give in to the irresistible forward momentum of Handel's music. King's instrumental sound is restrained, deliberate, and shaped into forms over time rather than delineating them crisply right out of the box. Early on in the performance, as for example in the long cello introduction to the "What passion cannot Music raise and quell!" section, you may find yourself wishing for a bit more oomph.
Track List

Ode For St Cecilia's Day (Song For St Cecilia's Day) For Soloists, Chorus & Orchestra, HWV 76
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Cecilia, Volgi Un Sguardo, Cantata For Soprano, Tenor, Strings & Continuo, HWV 89
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