Vector Records
2004
This Magnificant Distance
About This Album
For those attracted -- as well as put off -- by the sun-drenched and shambolic hippie optimism on New Earth Mud, forget it. While This Magnificent Distance is not a pessimistic record, it is a darker one (texturally at least), and its musical polestar is a step into something murkier, more spacious and varied, and better articulated, yet less defined. This is most certainly a rock record. (What else could it be?) But as a songwriter, Robinson has grown by leaps and bounds (though he claims some of these tunes were written before New Earth Mud). His collaboration with producer and multi-instrumentalist Paul Stacey has borne wonderful fruit here -- as has the addition of veteran bass ace George Reiff. The opener, "40 Days," with a balls-out guitar riff and swirling organ line, is one of the most lyrically sophisticated tracks on the set. Walking a razor between the delirious metaphors of Bob Dylan and the punchy tight lines of John Lennon, it is an exhortation to the needy side of dangerous love and flight. But the sheer sonic wallop it packs makes it the obvious first single, and Black Crowes fans will flip for this one. But it is countered immediately with the dreamy psychedelia of "Girl on the Mountain," with its layered bluesy guitars and shimmering drums.
Track List (try tracks 1,4,6 and 7)

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