Capitol
2006
The Crane Wife
About This Album
Colin Meloy and his brave Decemberists made the unlikely jump to a major label after 2005's excellent Picaresque, a move that surprised both longtime fans and detractors of the band. While it is difficult to imagine the suits at Capitol seeing dollar signs in the eyes of an accordion- and bouzouki-wielding, British folk-inspired collective from Portland, OR, that dresses in period Civil War outfits and has been known to cover Morrissey, it's hard to argue with what the Decemberists have wrought from their bounty. The Crane Wife is loosely based on a Japanese folk tale that concerns a crane, an arrow, a beautiful woman, and a whole lot of clandestine weaving. The record's spirited opener and namesake picks off almost exactly where Picaresque left off, building slowly off a simple folk melody before exploding into some serious Who power chords. This is the first indication that the band itself was ready to take the loosely ornate, reverb-heavy Decemberists sound to a new sonic level, or rather that producers Tucker Martine and Chris Walla were. On first listen, the tight, dry, and compressed production style sounds more like Queens of the Stone Age than Fairport Convention, but as The Crane Wife develops over its 60-plus minutes, a bigger picture appears.
Track List (try tracks 1,3,4,5,6,7 and 8)

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