Universal
1997
Waiting
About This Album
Though they've been compared to Talk Talk and the Blue Nile, bands which to some extent inspire the brothers Devlin, their sophomore album, Waiting, mostly lacks the charm and subtlety of their debut, and finds the duo crafting an unfashionable dose of radio-friendly semi-bombastic mini anthems. The album should be filed far from Talk Talk, as it recalls nothing less, and little more, than Toad the Wet Sprocket. One can take such a comment as a harsh criticism or as a recommendation, depending on one's affinity for Toad, and moody up-tempo ballads. As such, the songs here are fitted with ornamentation like scuzzy guitars that deftly refuse to be insulting, echoing tambourines, passionate piano patches, and barely-there drums. Though the Devlins master no genre on Waiting, they explore quite a few: "Disappear" works as a pleasant, jazzy lounge number before exploding into an irrelevant rock flare-up worthy of Lenny Kravitz; "Where Are You Tonight?" is infused with touches of the blues; "Waiting" thinks it's a Bob Dylan song, but it's more of a contrived dirge. In 2003, six years after it appeared on this album, corporate music raiders for soap operas and teen dramas discovered "Waiting," and plastered it all over their programs during sentimental scenes.
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