It took Mark Knopfler more than six years to craft a followup to Dire Straits' international chart-topper, Brothers In Arms, but though On Every Street sold in the expected multi-millions worldwide on the back of the band's renown and a year-long tour, it was a disappointment. Knopfler remained a gifted guitar player with tastes in folk ("Iron Hand"), blues ("Fade To Black"), and rockabilly ("The Bug"), among other styles, but much of the album was low-key to the point of being background music. The group had long-since dwindled to original members Knopfler and bassist John Illsley, plus a collection of semi-permanent sidemen who provided support but no real musical chemistry. The closest thing to a successor to "Money For Nothing," the big hit from Brothers In Arms, was the sarcastic rocker "Heavy Fuel." It became an album rock radio favorite (though not a chart single), and fans still filled stadiums to hear "Sultans Of Swing," but On Every Street was not the comeback it should have been. ~ William Ruhlmann, All Music Guide
@ Accidental Ocelot—took the words right out of my mouth. I own two copies, so I can always have one in the car and one in the house. "Planet of New Orleans" alone is worth the price of admission. The two country songs "When it Comes to You" and "How Long" are probably more meaningful to someone who was going through a painful divorce at the time, but to dismiss "Calling Elvis" and the title track as 'not the comeback it should have been' is obviously a comment about the fans' lack of appreciati
Interesting the review is in stark contrast to my own opinion of the album. On Every Street is by far my favorite Dire Straits album. A friend introduced me to it as "music so smooth, it slides right off the disc". Mellow fare, but poignant and heartfelt.