Dream Theater is almost aggressively out of fashion in 1999. Few bands subscribe to their dense blend of progressive rock and post-Halen metal, and those that do usually don't have major-label contracts, the way Dream Theater does. There was a point where they tried to straighten out their sound somewhat, as they flirted with straight-ahead, laid-back metal on 1997's Falling into Infinity, but with its 1999 studio sequel, Scenes from a Memory, Dream Theater delves straight into old-fashioned prog rock. Scenes from a Memory is an unabashed concept album, told in two acts, about the 1928 murder of a young woman and how a modern man is haunted by the crime. A convoluted, difficult tale is told in a convoluted, difficult fashion, with no less than four tracks clocking in at well over ten minutes and three others ranging from 6:30 to 8:50. Clearly, this is intended as some sort of masterwork, and what's remarkable is that Dream Theater comes close to creating a masterwork with Scenes from a Memory. The album plays more like a suite than a collection of individual songs. At times, that means the album can bog down slightly in its own flights of fancy and long instrumental sections, but concentrated listens reveal the intricacies of the song structures and the musicianship. Occasionally, it can seem as if James Labrie oversings, but that's a minor point -- the overall end result of the album is quite impressive indeed. ~ Stephen Thomas Erlewine, All Music Guide
Lol, Dragonforce is listed too. Not even comparable.
This album is the last Dream Theater album to really innovate and set a standard for the prog metal sub-genre. Don't get me wrong, I've got all of their albums, and the are always in heavy rotation, but their influences tend to define their sound much more after this landmark album. They seemed to have settled into a specific "sound," more so after SFAM instead of constantly reinventing it as they had before.
this is one of the first DT albums I ever purchased, and probably the most listened to album of any band that I own. it's like one giant song, and the story told is fantastic. in fact, i think this album makes the name of the band. it really is like watching theater in your brain.
The AMG review above makes me gag. How do such clowns become music critics?! Post-Halen metal? wtf is that all about? 'it seems as if LaBrie oversings'. what does that mean? Is oversinging a word even?
Wow Pete, that is some heavy company. But I have to agree that Scenes ranks among the Giants of Conceptual Albums. I do rank Thick as a Brick, Close to the Edge, Relayer, and all of Floyd's (real Floyd) albums higher.
Unquestionably one of Rock's true Masterpiece concept albums. 6 Degrees of Inner Turbulence, Disc 2, is along the same lines as SFAM, and I have a hard time deciding which I like to hear more often. I rate either of those concept works up there with DSOTM, Tull's "Thick as a Brick", or YES' "Relayer." But there's one thing that DT has over any other band around, and that is the sheer virtuosity of the instrumental artists. The composition is complex and makes you really pay attention.
What a horrible review! This is a great album! Post Van-Halen metal? Tsk tsk...they stemmed from Yes, Dixie Dregs, The Beatles, and other Progressive music...Van Halen...BAH!!! Van Halen is good stuff too, but hardly comparable.
Dream Theater hooked me from "Pull Me Under". They remain one of my favorite progressive metal bands. Another thinking person's rock band. Queensryche tends toward tighter songs built around Geoff Tate's voice and the dueling guitars of Wilton and DeGarmo (now Mike Stone). But DT just lets go and roams around those sonic landscapes and lets the music paint a picture. "Falling Into Infinity" was DT trying to be a "safe" metal band. They are incapable of playing it safe. But I still liked the atte
Definitely a "Masterwork". A fantastically crafted and interconnected concept album that at no time plays like a collection of individual songs, but instead plays like one giant song with multiple suites. Clearly, Scenes from a Memory is an intellectually and emotionally challenging album that will engage you on all levels. By far one of the greatest Progressive concept albums ever.
I must take issue with the reviewer here, where he says that Dream Theater comes close to creating a masterpiece. He's completely wrong. It damn well is a masterpiece. I have pretty much all of Dream Theater's catalog, and I love it all, but I always find myself periodically listening from begining to end to SFAM. It never ceases to amaze.