Empty Sky was followed by Elton John, a more focused and realized record that deservedly became his first hit. John and Bernie Taupin's songwriting had become more immediate and successful; in particular, John's music had become sharper and more diverse, rescuing Taupin's frequently nebulous lyrics. "Take Me to the Pilot" might not make much sense lyrically, but John had the good sense to ground its willfully cryptic words with a catchy blues-based melody. Next to the increased sense of songcraft, the most noticeable change on Elton John is the addition of Paul Buckmaster's grandiose string arrangements. Buckmaster's orchestrations are never subtle, but they never overwhelm the vocalist, nor do they make the songs schmaltzy. Instead, they fit the ambitions of John and Taupin, as the instant standard "Your Song" illustrates. Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. Though there are a couple of underdeveloped songs, Elton John remains one of his best records. [The CD reissue includes the bonus tracks "Bad Side of the Moon," "Grey Seal," and "Rock n Roll Madonna."] ~ Stephen Thomas Erlewine, All Music Guide
Elton John's continual parade of really great original songs with constantly changing styles spanding 40 years allows those who truly love his music to pull out tunes to match the best by new artists and simply blow away the hundreds of bands to come along in the last 30 years that have no clue what a real tune is. You never feel old cruising down the road blasting some EJ over the speakers.
Education 101: The metamorphosis of music. When Elton released this LP, it was way cool to like his music. By the time he released "Yellow Brick Road" it was no longer cool to like his stuff. By the late 70s it was considered quite nerdy to enjoy John. It's not that John's music had gotten worse, it was more his 'image' with the flamboyancy of his concerts which brought down the 'respect' factor about him. He's still a great tunesmith with his melodies surpassing the strength of Taupin's lyrics.