Eminem placed himself in exile shortly after Encore wound down, a seclusion initially designed as creative down-time but which soon descended into darkness fueled by another failed marriage to his wife Kim and the death of his best friend Proof, culminating in years of drug addiction. Em none too subtly refers to that addiction with the title of Relapse, his first album in five years, but that relapse also refers to Marshall Mathers reviving Slim Shady and returning to rap. Relapse is designed to grab attention, to stand as evidence that Eminem remains a musical force and, of course, a provocateur spinning out violent fantasies and baiting celebrities, occasionally merging the two as when he needles one-time girlfriend Mariah Carey and her new husband Nick Cannon. Strive as he might to make an impact in the world at large -- and succeeding in many respects -- Relapse is the sound of severe isolation, the product of too many years of Eminem playing king in his castle in a dilapidated Detroit, subsisting on pills, nachos, torture porn, and E! Daily News. As he sifted through junk culture, he also tweaked his rhyming, crafting an elongated elastic flow that contrasts startlingly with Dr. Dre's intensified beats, ominous magnifications of his thud-and-stutter signature. Musically, this is white-hot, dense, and dramatic not just in the production but in Eminem's delivery; he stammers and slides, slipping into an accent that resembles Paul Rudd's Rastafarian leprechaun from I Love You Man and then back again. His flow is so good, his wordplay so sharp, it seems churlish to wish that he addressed something other than his long-standing obsessions and demons. True, he spends a fair amount of the album exorcising his addiction -- smartly tying it to his never-abating mother issues on "My Mom" -- but most of Relapse finds Eminem rhyming twitchily about his old standbys: homosexuals, starlets, and violent fantasies, weaving all of them together on "Same Song and Dance" where he abducts and murders Lindsay Lohan, suggesting more than a passing familiarity with I Know Who Killed Me. The many, many references to Kim Kardashian's big a** and minutely detailed sadism can get a wee bit tiring, Relapse isn't really about what Eminem says, it's about how he says it. He's emerged from his exile musically re-energized and the best way to illustrate that is to go through the same old song and dance again, the familiarity of the words drawing focus on his insane, inspired flow and Dre's production. That might not quite make Relapse culturally relevant -- recycled Christopher Reeve jokes aren't exactly fresh -- but it is musically vital, which is all Eminem really needs to be at this point. ~ Stephen Thomas Erlewine, All Music Guide
if you think eminems best was curtain call anf the eminem show then you obviously dont know his music..FOR ALL YOU WHO SAYS THIS ALBUM SUCKS..YOU MUST HAVE COMPLICATIONS USING YOUR BRAIN..HES BEEN DOING THE SAME S**T , NOW YOUR ALL USED TO IT THATS ALL...
ya i think everyone kinda agres on this one.... some sweet songs but overall its ok. I was initally pumped based on hearing crack a bottle, we made you, and beautiful. but there were only like 2 other awesome songs on Cd.
Shady is wack now, I don't care what anyone says... he sounds Canadian or something, I don't know wtf happened to his voice, his lyrics, his rhyme schemes, his whole style is gone.
There are a good number of tracks I like here that sound like Classic Eminem, but at the same time there are some that I skip as well. Much better than Encore.
this album is better than encore, but it's still not even close to being as good as his first three cd's, i think that's because when he was new, people were shocked with what he said, but now we've gotten used to it and he's stale. If he wants to continue with rap, he's got to get a new way to attract listeners. I hope he can
cd is so good.. no other rappers have can put something out so all over the place. very diverse and good.. listen to all these college kids saying... Well steven i just dont think he is polite in his raps... not for my kids... stfu and listen
Definitely his worst album. It feels like his prime is past him. There's a few tracks that sound nice/are catchy/have technically nice flows, but really all the subject matter is drugs, celebrities, forced super-regression into lyrics that are supposed to 'shock' people, and himself. Truthfully, he's just not that interesting anymore, based on what he's presenting here. I hope he actually starts living again instead of just mentally feeding off of only horror movies and celeb junk culture.
not best em record ever... the cartoon voice kind of ruined it... Bagpipes From Baghdad, Hello, Medicine Ball, Stay Wide Awake, and Deja Vu were the highlights for me... definitely worth a few spins tho
not the best album hes put out in my mind, but its got some good songs on it. beautiful is good, 3am is crazy and insane but catchy bagpipes from bahgdad is the typical humor song on ems record and i like for old times sake with dre, good track