It's not quite right to say that the Foo Fighters only have one sound, but why does it always feel like the group constantly mines the same sonic vein? Even on 2007's Echoes, Silence, Patience & Grace -- their sixth album and first with producer Gil Norton since their second, 1997's The Colour and the Shape -- the Foos feel familiar, although the group spends some palpable energy weaving together the two sides of their personality that they went out of their way to separate on 2005's In Your Honor, where they divided the set into a disc of electric rockers and a disc of acoustic introspection. Here, the Foos gently slide from side to side, easing from delicate fingerpicked folk (including "Ballad of the Beaconsfield Miners," an instrumental duet between Dave Grohl and guitarist Kaki King) to the surging, muscular hard rockers that have been the group's modern rock radio signature. Echoes never lingers too long in either camp, as it's sequenced with a savvy professionalism that only veteran rockers have. That sense of craft is evident in all the songs, whether it's the subtly sly suite of the opening "The Pretender" -- after a slow build, it crashes into a crushing riff into a chorus, building to a typically insistent chorus before taking a slightly surprising bluesy boogie detour on the bridge -- or the sweet melodic folk-rock "Summer's End," a song as warm and hazy as an August evening. "Summer's End" is one of the unassailable highlights here, and all the rest of the truly memorable tunes on Echoes share its same, strong melodic bent, particularly "Statues," a wide-open, colorful anthem that feels as if it's been resurrected from a late-'70s AOR playlist. These songs place the melody at the forefront and also have a lighter feel than the rockers, which are now suffering from a dogged sobriety. For whatever reason, Dave Grohl has chosen to funnel all of his humor out of the Foo Fighters' music and into their videos or into his myriad side projects. When Grohl wants to rock for fun, he runs off and forms a metal band like Probot, or he'll tour with Queens of the Stone Age or record with Juliette Lewis. When it comes to his own band, he plays it too straight, as almost every rocker on Echoes -- with the notable exception of "Cheer Up Boys (Your Make Up Is Running)," a song that has a riff as nimble as those on the Foos' debut -- is clenched and closed-off, sounding tight and powerful but falling far short of being invigorating. They sound a little labored, especially when compared to the almost effortlessly engaging melodies of the softer songs, the cuts that feel different than the now overly familiar Foo signature sound. And since those cavernous, accomplished rockers are so towering, they wind up overshadowing everything else on Echoes, which may ultimately be the reason why each Foo Fighters album feels kind of the same: Grohl and his band have grown subtly in other areas, but they haven't pushed the sound that came to define them; they've only recycled it. Since this is a sound that's somber, not frivolous, the Foos can sometimes feel like a bit of a chore if they lean too heavily in one direction -- as they do here, where despite the conscious blend of acoustic and electric tunes, the rockers weigh down Echoes more than they should, enough to make this seem like just another Foo Fighters album instead of the consolidation of strengths that it was intended to be. ~ Stephen Thomas Erlewine, All Music Guide
blow your brains out because Kurt Cobane did? yeah, that's original and retarded./ i dont think Kurt would want anyone to go through his pain. get a life.
BOOMERDMX88 SAYS: EVERYTIME I HEAR NIRVANA I WANT TO GO GET MY SHOTGUN AND BLOW MY BRAINS OUT---JUST TO UNDERSTAND WHAT KURT WAS TRYING TO CONVEY TO HIS FANS.......
BETTER TO DIE AT YOUR BRIGHTEST INSTEAD OF FADE'ING AWAY. HA HA!
I like how they are tryin to break away from there grunge past but come on folk music? I don't know about that, I guess only time will tell. Still love em though!
I really don't know how this guy can say that this Album sounds the same. Did he listen to it? There are 3 or 4 songs where the guitar is used in a different way with a different sound. Where do they find these reviewers?
Just forget whatever Stephen Thomas Erlewine says, he hates the Foo Fighters. Look at every Foo Fighters album he reviews, he talks so much crap. OK, Erlewine, lets see you become as successful as them, until then, keep your mouth shut and your fingers taped!
Echoes, Silence, Patience & Grace-Foo Fighters Rise & Fall, Rage & Grace-Offspring. wtf Sorry, but Im really not fond of this album... Come to think of it, Im not fond of a large fraction of new music, old bands are played out now and the bulk of new bands just f**king suck! Sad times...
Great album, I love the diversity on it. The "Ballad of the Beaconsfield Miners" takes me back to those long nights in 1929, under the West Virginia stars. I remember, it was me, Johnny Hopkins, and Sloan Kettering and every night after we got done with our 30 hr shifts in the coal mines, we'd play our banjos by the campfire and it sounded exactly like this. Good ole days in the Appalachians. Wait, I see a yeti
Most downloaded song on itunes 2008 in Portland Or The Pretender I think that says something this album is all the way up and beyond the Foo's potential and I think that if you are a fan you will like it.
The reviewer Erlewine is trying too hard impress with "in-depth" criticism. This album is quite diverse and the songs that rock harder are NOT laborious or tiresome. They also repeat the feel of the album live. They also kicked a** in concert.
Not to interrupt the stream of praise but I really have to agree that the Foo Fighters however around those anthem rockers a bit much. However, the depth on each album goes much farther and keeps you coming back.
Foos albums sound the same? Obviously the reviewer has got no clue. ESPG is nothing like IYH or any other albums. Unlike most of the bands out nowadays they sound refreshing each time.
Dude, I'm not claiming to really be that big of a Foo Fighter Fan but, If you Hate them so much then Why do you f**king listen to them????? Let alone waste your time attacking all of those who do, so not everyone is listening to that lil unknown indie band your in love with, and if I can predict anyhting about your "taste" in music if they were then you'd HATE tehm with a f**king passion and would probably be on their Pandora Page insulting all those commenting on them, am I right?