This Genesis collection, which has appeared under license to various labels in addition to Decca and London in different configurations, is largely of historical interest. The group was still in its formative stages, the members barely past their 18th birthdays and still working out what they wanted to sound like. Mostly they sound like the Bee Gees trying to be the Moody Blues (picture something similar to the sound of the former group's Odessa album). "The Silent Sun" and "Where the Sour Turns to Sweet" are pleasant enough, but scarcely indicate the true potential of the group or its members. A pleasant enough piece of pop-psychedelia/art rock, but not a critically important release, except to the truly dedicated. [Varèse Sarabande issued a 17-track edition in 2008.] ~ Bruce Eder, All Music Guide
The interesting thing about this album is that Genesis were not yet the virtuosi they later became, so the arrangements are simpler. You have to get their subsequent albums for the flashy solos and intricate arrangements. However, it is still so good, because of the strength of the melodies and lyrics. It's like sitting around a campfire listening to people singing to the accompaniment of accoustic guitars and tablas, except that an orchestra was hired to augment the sound.