All Things Must Pass has long been one of the more vexing classic albums to make it to CD. It appeared previously in two distinctly different (yet confusingly similar) packagings in the late '80s, one from England and one from America, both of which were straight reissues of the original triple LP. Neither was a wholly satisfactory release, owing to the same problems that existed on Layla by Derek & the Dominos -- both albums (which have related histories) were recorded using lots of tracks (and no noise reduction technology) to achieve a very big sound, which was impressive on vinyl but had a lot of noise when processed digitally for CD. This expanded and remastered edition, released in January of 2001, solved most of those problems as well as offering five additional tracks. The remastering, done sometime in 2000, has imparted greater resolution to the music without losing the wall-of-sound effect that most of the album was intended to display. In the process, it's possible to discern the various guitars at work far better than on the original LP set, and to better appreciate the virtuosity of the playing involved as well as the sheer size of the ensemble Harrison assembled. Additionally, and almost more important in terms of enjoying the album as a whole, the new edition captures the warmth and nuances of Harrison's singing on songs like "Let It Down," "Run of the Mill," and "Isn't It a Pity (Version Two)." This improvement isn't reflected everywhere -- on "The Ballad of Sir Frankie Crisp," for example, his voice is still buried fairly deep in the mix and not as up front as it is elsewhere, but that's how it was mastered originally, and even Harrison admits, in the notes introducing the accompanying booklet, that he had to resist the urge to remix the album. Of the five bonus tracks, one is an entirely new song from the original sessions, and three more are outtakes of existing songs in versions that have appeared on various bootlegs, while "My Sweet Lord (2000)" is a stripped-down reconsideration of the song. It doesn't add anything in particular, except to show that Harrison can still play up a storm. The so-called "Apple Jam" tracks that comprised disc three of the original LP have also been remastered, to their considerable advantage -- the nuances of the playing on those sessions, which essentially marked the birth of Derek & the Dominos, are brought out in crisp detail and they are worth hearing, now more than ever, and that goes double for the hard-rocking, Chuck Berry-esque jam "Thanks for the Pepperoni." The new edition comes in a box with each CD in a separate slipcase and a booklet containing photos from the original sessions, full lyrics, recording credits, and an essay by Harrison. ~ Bruce Eder, All Music Guide
Excellent song writing, excellent sound, excellent mood, excellent flow from first to last. Arguably the best first solo effort of The Beatles members. With the new CD re-issue it's so easy to just press play and float off into George-land.
Great album! Got it when it first came out as well as the cd when it first appeared. I do have one question though. On the album Eric Clapton is listed in the credits as playing on the album along with Ringo and many others but on the cd, Eric Clapton is not mentioned but all the others are.
McCartney. Silly songs? Seriously. Sure, he had some clunkers. Even more after he didn't have the sounding board of Lennon. But "silly"?
A few "non-silly" songs - Maybe I'm Amazed, Hey Jude, Let it Be, Yesterday, The Long and Winding Road, Blackbird, I'm Looking through You, Got to get you into My Life, Get Back, etc.
Further his vocals are by far the best of the Beatles.
I have read Clapton's autobiography and I buy into that notion. I think that George's tunes are on par with both Lennon and McCartney. I would say a notch below John's work but equal with Paul's. I actually think that if the Beatles were a little more receptive to George's songs,It would have given that third voice/perspective that could have made them an even better band. John was so heavy. Paul was too silly. George was the voice of reason. The perfect blend of Lennon and McCartney. Much love.
Suppressing Harrison? Dude, his songs will never match up to the Lennon/McCartney gems. Don't get me wrong, George had some solid tunes, but even after hearing his solo work (which is great), I still wouldn't take out any Lennon/McCartney tunes just to fit in more of his songs.
Eric Clapton's autobiography provides some very interesting info on Harrison's relationship with Lennon & McCartney. They constantly forced him into a secondary role with the Beatles. They gave themselves free rein with the songs that went on their albums but severely limited his input in the final product. George Harrison solo - you can't get better than that. they recognized his superior talents and suppressed them so they could retain control over the band.
I actually like the above informative writeup. Lot's of good info.
Unfortunately, the writer is more interested in the 'remastered reissue' than in the album itself. It reads more like a liner note for the new reissue.
How about giving us a little more info on the LP itself, circa 1970-whatever.
Interesting trivia about "My Sweet Lord": Since the courts ruled that Harrison plagiarized "He's So Fine" by the Chiffons, this song also appears on the Chiffons' Greatest Hits of which I found a copy at the used CD store. It's still a great song even if George unknowingly stole it.
Harrison's masterpiece. Actually a better album than what the other three exBeatles had done... at that time (not later). Of course, Lennon and McCartney went on to produce better overall solo albums than Harrison in general, but this is still excellent.