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Arista
1991
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Grateful Dead
Infrared Roses
About This Album
The nearly hour-long instrumental interplay on Infrared Roses (1991) came from a variety of concert performance excerpts circa 1989 and 1990. The audio was reconfigured and combined into four distinct multi-movement suites -- all of which were named by
Grateful Dead
lyricist Robert Hunter. Opening the disc is the audience-participating "Crowd Sculpture," setting the communal pre-show scene with a mélange of sonic experiences starring the typical
Grateful Dead
parking lot denizens doing their respective
thing
. The roar of the expectant audience then leads into "Parallelogram" the first of several rhythm-intensive selections with
Mickey Hart
(trap drums/timbales/electronic percussion/toms/synthesizer) and Bill Kreutzmann (trap drums/beast/beam/electronic percussion/talking drum) at the helm. These excursions typically occurred during the second set and were followed by a few minutes of free-form exchanges from the band's co-founders
Jerry Garcia
(guitar/electronic percussion/synthesizer),
Phil Lesh
(bass/synthesizer), and
Bob Weir
(guitar/midi guitar/synthesizer). Through July of 1990, Brent Mydland (keyboards/Midi keyboard/synthesizer) was the primary ivory tickler.
After his untimely passing, Vince Welnick (synthesizer) and (for a brief time)
Bruce Hornsby
(piano/synthesizer) were Mydland's replacements. Additionally, Bob Bralove -- the CD's producer and one of
the Grateful Dead
's longtime audio engineers -- is credited with electronic drumming. There are also appearances by
the Neville Brothers
' Willie Green III (kick/snare/hi hat) who submits a well-placed beat or two to "Post-Modern Highrise Table Top Stomp" from his December 28, 1990 guest shot.
Branford Marsalis
(tenor sax/soprano sax) is heard blowing strong counterpoint during the closer "Apollo at the Ritz." His contributions come from a March 29, 1990 confab in which
Marsalis
sat in for most of the second set. Caveat Emptor as Infrared Roses isn't a typical live
Grateful Dead
recording and potential consumers should not expect such. However, there is plenty for the adventurous listener, Deadheads longing for a good ol' "Drums/Space" freak-out, and even parties curious about the remarkable stylistic breadth that became a motif of
the Grateful Dead
's concerts for three decades. ~ Lindsay Planer, All Music Guide
Continued…
Shortened View
Track List
(try tracks 1,2,5,6 and 12)
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Luciano Noselli
says:
07-01-2008
I _still_ love the Grateful Dead !
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